(Photo by Paramount, New Line Cinema, Dimension Films, Maple Pictures, New World Pictures, Lionsgate / Courtesy: Everett Collection)

25 Essential Slasher Movies

Slashers — that gloriously grubby, stabby subsection of horror — were first unsheathed in the early 1970s, when Mario Bava stalked his cavorting, frequently disrobed victims around in A Bay of Blood. The movie set up mood of the slasher: Sexually charged, with a degree of mystery, where the ample cast of characters one-by-one take a sharp turn into doom. Slashers can be stylish (Opera, Dressed to Kill), carnal (Torso, Friday the 13th), grimly violent (The Prowler, The Burning), trashy (Pieces, The Slumber Party Massacre) and even supernatural (Halloween, Child’s Play). We’re studying all sides of the blade as we assemble movies that best represent this killer genre in the 25 Essential Slasher Movies.

#25
#25
Adjusted Score: 42928%
Critics Consensus: No consensus yet.
Synopsis: Someone with a power drill shows up uninvited to Trish's (Michele Michaels) high-school pajama party.... [More]
Directed By: Amy Jones

#24
#24
Adjusted Score: 44223%
Critics Consensus: There is indeed a good amount of tension in this French slasher, but the dubbing is bad and the end twist unbelievable.
Synopsis: A beautiful young Frenchwoman, Alex (Maïwenn Le Besco), travels out to the country to visit her family and brings along... [More]
Directed By: Alexandre Aja

#23

Maniac (1980)
40%

#23
Adjusted Score: 41141%
Critics Consensus: No consensus yet.
Synopsis: Childhood abuse triggers a man (Joe Spinell) to kill women and use their scalps to dress his mannequins.... [More]
Directed By: William Lustig

#22

Pieces (1982)
46%

#22
Adjusted Score: 46361%
Critics Consensus: No consensus yet.
Synopsis: A frustrated Boston detective searches for the maniac responsible for mutilating a number of university coeds.... [More]
Directed By: Juan Piquer Simon

#21
#21
Adjusted Score: 58488%
Critics Consensus: No consensus yet.
Synopsis: Friends defy the rules of a legendary murderer and discover he is real when they start celebrating Valentine's Day.... [More]
Directed By: George Mihalka

#20
Adjusted Score: 48036%
Critics Consensus: Friday the 13th: Part VI - Jason Lives indeed brings back ol' Vorhees, along with a sense of serviceable braindead fun.
Synopsis: Years ago, Tommy Jarvis (Thom Mathews) killed infamous hockey-masked murderer Jason Voorhees (C.J. Graham), and the intensity of the experience... [More]
Directed By: Tom McLoughlin

#19

The Prowler (1981)
67%

#19
Adjusted Score: 37867%
Critics Consensus: No consensus yet.
Synopsis: A crazed World War II veteran gets revenge on his ex-girlfriend and her boyfriend, then stalks teens 35 years later.... [More]
Directed By: Joseph Zito

#18

Torso (1974)
56%

#18
Adjusted Score: 54981%
Critics Consensus: No consensus yet.
Synopsis: A hooded killer with a hacksaw stalks college coeds (Suzy Kendall, Tina Aumont).... [More]
Directed By: Sergio Martino

#17

Candyman (1992)
77%

#17
Adjusted Score: 83282%
Critics Consensus: Though it ultimately sacrifices some mystery in the name of gory thrills, Candyman is a nuanced, effectively chilling tale that benefits from an interesting premise and some fine performances.
Synopsis: Skeptical graduate student Helen Lyle (Virginia Madsen) befriends Anne-Marie McCoy (Vanessa Williams) while researching superstitions in a housing project on... [More]
Directed By: Bernard Rose

#16

The Burning (1981)
80%

#16
Adjusted Score: 76560%
Critics Consensus: No consensus yet.
Synopsis: At summer camp, some teenagers pull a prank on the camp's caretaker, Cropsy (Lou David). But the joke goes terribly... [More]
Directed By: Tony Maylam

#15

Happy Death Day (2017)
71%

#15
Adjusted Score: 82574%
Critics Consensus: Happy Death Day puts a darkly humorous sci-fi spin on slasher conventions, with added edge courtesy of a starmaking performance from Jessica Rothe.
Synopsis: Tree Gelbman is a blissfully self-centered collegian who wakes up on her birthday in the bed of a student named... [More]
Directed By: Christopher Landon

#14

You're Next (2011)
79%

#14
Adjusted Score: 84209%
Critics Consensus: You're Next's energetic and effective mix of brutal gore and pitch black humor will please horror buffs and beyond.
Synopsis: The Davisons, an upper-class family, are extremely wealthy -- but also estranged. In an attempt to mend their broken family... [More]
Directed By: Adam Wingard

#13

Child's Play (1988)
71%

#13
Adjusted Score: 73300%
Critics Consensus: Child's Play occasionally stumbles across its tonal tightrope of comedy and horror, but its genuinely creepy monster and some deft direction by Tom Holland makes this chiller stand out on the shelf.
Synopsis: Gunned down by Detective Mike Norris (Chris Sarandon), dying murderer Charles Lee Ray (Brad Dourif) uses black magic to put... [More]
Directed By: Tom Holland

#12
#12
Adjusted Score: 76458%
Critics Consensus: No consensus yet.
Synopsis: Favorite daughter Karen (Brooke Shields) is viciously strangled and set afire in church on the day of her First Communion,... [More]
Directed By: Alfred Sole

#11

Halloween (2018)
79%

#11
Adjusted Score: 101737%
Critics Consensus: Halloween largely wipes the slate clean after decades of disappointing sequels, ignoring increasingly elaborate mythology in favor of basic - yet still effective - ingredients.
Synopsis: It's been 40 years since Laurie Strode survived a vicious attack from crazed killer Michael Myers on Halloween night. Locked... [More]
Directed By: David Gordon Green

#10

Sleepaway Camp (1983)
78%

#10
Adjusted Score: 79439%
Critics Consensus: Sleepaway Camp is a standard teen slasher elevated by occasional moments of John Waters-esque weirdness and a twisted ending.
Synopsis: Bunks and the showers are a mad stabber's beat at a summer camp strictly for teens.... [More]
Directed By: Robert Hiltzik

#9
Adjusted Score: 74457%
Critics Consensus: A Nightmare on Elm Street 3: Dream Warriors offers an imaginative and surprisingly satisfying rebound for a franchise already starting to succumb to sequelitis.
Synopsis: During a hallucinatory incident, young Kristen Parker (Patricia Arquette) has her wrists slashed by dream-stalking monster Freddy Krueger (Robert Englund).... [More]
Directed By: Chuck Russell

#8

Friday the 13th (1980)
63%

#8
Adjusted Score: 66993%
Critics Consensus: Rather quaint by today's standards, Friday the 13th still has its share of bloody surprises and a '70s-holdover aesthetic to slightly compel.
Synopsis: Crystal Lake's history of murder doesn't deter counselors from setting up a summer camp in the woodsy area. Superstitious locals... [More]
Directed By: Sean S. Cunningham

#7
#7
Adjusted Score: 72967%
Critics Consensus: The rare slasher with enough intelligence to wind up the tension between bloody outbursts, Black Christmas offers fiendishly enjoyable holiday viewing for genre fans.
Synopsis: As winter break begins, a group of sorority sisters, including Jess (Olivia Hussey) and the often inebriated Barb (Margot Kidder),... [More]
Directed By: Bob Clark

#6

Dressed to Kill (1980)
81%

#6
Adjusted Score: 84566%
Critics Consensus: With arresting visuals and an engrossingly lurid mystery, Dressed to Kill stylishly encapsulates writer-director Brian De Palma's signature strengths.
Synopsis: When Liz Blake (Nancy Allen), a prostitute, sees a mysterious woman brutally slay homemaker Kate Miller (Angie Dickinson), she finds... [More]
Directed By: Brian De Palma

#5
#5
Adjusted Score: 90053%
Critics Consensus: The Opera house location gives plenty to work with for director Dario Argento, who hits his decadently bloody high notes here.
Synopsis: A hooded figure forces a young diva (Cristina Marsillach) to watch as he murders performers in a production of Verdi's... [More]
Directed By: Dario Argento

#4
Adjusted Score: 85740%
Critics Consensus: No consensus yet.
Synopsis: Following the murder of Countess Federica Donati (Isa Miranda), an heiress possessing a beautiful piece of beachfront property, members of... [More]
Directed By: Mario Bava

#3

Scream (1996)
79%

#3
Adjusted Score: 83873%
Critics Consensus: Horror icon Wes Craven's subversive deconstruction of the genre is sly, witty, and surprisingly effective as a slasher film itself, even if it's a little too cheeky for some.
Synopsis: The sleepy little town of Woodsboro just woke up screaming. There's a killer in their midst who's seen a few... [More]
Directed By: Wes Craven

#2
Adjusted Score: 98233%
Critics Consensus: Wes Craven's intelligent premise, combined with the horrifying visual appearance of Freddy Krueger, still causes nightmares to this day.
Synopsis: In Wes Craven's classic slasher film, several Midwestern teenagers fall prey to Freddy Krueger (Robert Englund), a disfigured midnight mangler... [More]
Directed By: Wes Craven

#1

Halloween (1978)
96%

#1
Adjusted Score: 104031%
Critics Consensus: Scary, suspenseful, and viscerally thrilling, Halloween set the standard for modern horror films.
Synopsis: On a cold Halloween night in 1963, six year old Michael Myers brutally murdered his 17-year-old sister, Judith. He was... [More]
Directed By: John Carpenter

Moonrise Kingdom

(Photo by © Focus Features)

105 Great Movies to Watch Alone

For some, staying home right now can mean curling up with a loved one on the couch for a date-night flick or gathering the whole family together for movie night. For many others, it can mean flying solo – long days and nights of streaming by yourself. We’re here to help with some movie suggestions we think are tailor-made for that latter experience.

Just like going to the movie theater alone can be a singularly joyous “treat yo self” excursion, solo home-viewing can be a great experience too – if you choose the right film. There are movies out there that actually benefit from being watched alone: It might be that they require a level of concentration and focus that distracting friends and loved ones just won’t allow you, or that the maximum scare factor is best felt when you are completely isolated – just like the babysitter being stalked on screen. It might just be that the movie has the kind of awkward/titillating sexy bits that make watching it with a first date – or, let’s say, mom – not exactly ideal. Watch it alone – no judgment, no nervous giggles.

To help those solo-fliers get through the next little while, the RT team pulled together a list of movies perfect for watching alone for all of those reasons – and a bunch that are just guaranteed to put you in an awesome mood the moment they start. Which might be the best reason of all.

What’s your favorite movie to watch by yourself? Let us know in the comments.
Click on each movie’s title to find out more, including where to stream, rent, or buy.  


BECAUSE THE MOVIE REQUIRES YOUR ABSOLUTE CONCENTRATION…

#13

Memento (2000)
93%

#13
Adjusted Score: 100064%
Critics Consensus: Christopher Nolan skillfully guides the audience through Memento's fractured narrative, seeping his film in existential dread.
Synopsis: Leonard (Guy Pearce) is tracking down the man who raped and murdered his wife. The difficulty, however, of locating his... [More]
Directed By: Christopher Nolan

#12
#12
Adjusted Score: 75873%
Critics Consensus: Charlie Kaufman's ambitious directorial debut occasionally strains to connect, but ultimately provides fascinating insight into a writer's mind.
Synopsis: Life is looking pretty bleak for theater director Caden Cotard (Philip Seymour Hoffman). His wife and daughter have left him,... [More]
Directed By: Charlie Kaufman

#11

The Irishman (2019)
95%

#11
Adjusted Score: 123942%
Critics Consensus: An epic gangster drama that earns its extended runtime, The Irishman finds Martin Scorsese revisiting familiar themes to poignant, funny, and profound effect.
Synopsis: In the 1950s, truck driver Frank Sheeran gets involved with Russell Bufalino and his Pennsylvania crime family. As Sheeran climbs... [More]
Directed By: Martin Scorsese

#10
Adjusted Score: 101335%
Critics Consensus: Propelled by Charlie Kaufman's smart, imaginative script and Michel Gondry's equally daring directorial touch, Eternal Sunshine is a twisty yet heartfelt look at relationships and heartache.
Synopsis: After a painful breakup, Clementine (Kate Winslet) undergoes a procedure to erase memories of her former boyfriend Joel (Jim Carrey)... [More]
Directed By: Michel Gondry

#9

Annihilation (2018)
88%

#9
Adjusted Score: 108009%
Critics Consensus: Annihilation backs up its sci-fi visual wonders and visceral genre thrills with an impressively ambitious -- and surprisingly strange -- exploration of challenging themes that should leave audiences pondering long after the end credits roll.
Synopsis: Lena, a biologist and former soldier, joins a mission to uncover what happened to her husband inside Area X --... [More]
Directed By: Alex Garland

#8

Magnolia (1999)
83%

#8
Adjusted Score: 89661%
Critics Consensus: Magnolia is an ambitious, lengthy work that ultimately succeeds due to interesting stories and excellent ensemble performances.
Synopsis: On one random day in the San Fernando Valley, a dying father, a young wife, a male caretaker, a famous... [More]
Directed By: Paul Thomas Anderson

#7

12 Monkeys (1995)
89%

#7
Adjusted Score: 93670%
Critics Consensus: The plot's a bit of a jumble, but excellent performances and mind-blowing plot twists make 12 Monkeys a kooky, effective experience.
Synopsis: Traveling back in time isn't simple, as James Cole (Bruce Willis) learns the hard way. Imprisoned in the 2030s, James... [More]
Directed By: Terry Gilliam

#6

Zodiac (2007)
89%

#6
Adjusted Score: 100385%
Critics Consensus: A quiet, dialogue-driven thriller that delivers with scene after scene of gut-wrenching anxiety. David Fincher also spends more time illustrating nuances of his characters and recreating the mood of the '70s than he does on gory details of murder.
Synopsis: In the late 1960s and 1970s, fear grips the city of San Francisco as a serial killer called Zodiac stalks... [More]
Directed By: David Fincher

#5

Silence (2016)
83%

#5
Adjusted Score: 103556%
Critics Consensus: Silence ends Martin Scorsese's decades-long creative quest with a thoughtful, emotionally resonant look at spirituality and human nature that stands among the director's finest works.
Synopsis: Two 17th-century Portuguese missionaries, Father Sebastian Rodrigues (Andrew Garfield) and Father Francisco Garupe (Adam Driver), embark on a perilous journey... [More]
Directed By: Martin Scorsese

#4

The Deer Hunter (1978)
91%

#4
Adjusted Score: 99143%
Critics Consensus: Its greatness is blunted by its length and one-sided point of view, but the film's weaknesses are overpowered by Michael Cimino's sympathetic direction and a series of heartbreaking performances from Robert De Niro, Meryl Streep, and Christopher Walken.
Synopsis: In 1968, Michael (Robert De Niro), Nick (Christopher Walken) and Steven (John Savage), lifelong friends from a working-class Pennsylvania steel... [More]
Directed By: Michael Cimino

#3

Parasite (2019)
98%

#3
Adjusted Score: 127431%
Critics Consensus: An urgent, brilliantly layered look at timely social themes, Parasite finds writer-director Bong Joon Ho in near-total command of his craft.
Synopsis: Greed and class discrimination threaten the newly formed symbiotic relationship between the wealthy Park family and the destitute Kim clan.... [More]
Directed By: Bong Joon-ho

#2

The Master (2012)
84%

#2
Adjusted Score: 95044%
Critics Consensus: Smart and solidly engrossing, The Master extends Paul Thomas Anderson's winning streak of challenging films for serious audiences.
Synopsis: Freddie Quell (Joaquin Phoenix) is a troubled, boozy drifter struggling with the trauma of World War II and whatever inner... [More]
Directed By: Paul Thomas Anderson

#8

The Game (1997)
76%

#8
Adjusted Score: 79710%
Critics Consensus: The ending could use a little work but this is otherwise another sterling example of David Fincher's iron grip on atmosphere and storytelling.
Synopsis: Nicholas Van Orton (Michael Douglas) is a successful banker who keeps mostly to himself. When his estranged brother Conrad (Sean... [More]
Directed By: David Fincher

#1

Inherent Vice (2014)
73%

#1
Adjusted Score: 83371%
Critics Consensus: Inherent Vice may prove frustrating for viewers who demand absolute coherence, but it does justice to its acclaimed source material -- and should satisfy fans of director P.T. Anderson.
Synopsis: In a California beach community, private detective Larry "Doc" Sportello (Joaquin Phoenix) tends to work his cases through a smoky... [More]
Directed By: Paul Thomas Anderson

#1

Burning (2018)
95%

#1
Adjusted Score: 105592%
Critics Consensus: Burning patiently lures audiences into a slow-burning character study that ultimately rewards the viewer's patience -- and subverts many of their expectations.
Synopsis: Jong-soo runs into Hae-mi, a girl who once lived in his neighborhood, and she asks him to watch her cat... [More]
Directed By: Lee Chang-dong

#1

Vertigo (1958)
94%

#1
Adjusted Score: 104505%
Critics Consensus: An unpredictable scary thriller that doubles as a mournful meditation on love, loss, and human comfort.
Synopsis: Hitchcock's romantic story of obsession, manipulation and fear. A detective is forced to retire after his fear of heights causes... [More]
Directed By: Alfred Hitchcock

#1

The Tree of Life (2011)
84%

#1
Adjusted Score: 94530%
Critics Consensus: Terrence Malick's singularly deliberate style may prove unrewarding for some, but for patient viewers, Tree of Life is an emotional as well as visual treat.
Synopsis: In this highly philosophical film by acclaimed director Terrence Malick, young Jack (Hunter McCracken) is one of three brothers growing... [More]
Directed By: Terrence Malick

#1

The Prestige (2006)
76%

#1
Adjusted Score: 83670%
Critics Consensus: Full of twists and turns, The Prestige is a dazzling period piece that never stops challenging the audience.
Synopsis: An illusion gone horribly wrong pits two 19th-century magicians, Alfred Borden (Christian Bale) and Rupert Angier (Hugh Jackman), against each... [More]
Directed By: Christopher Nolan

#1

Under the Skin (2013)
84%

#1
Adjusted Score: 95030%
Critics Consensus: Its message may prove elusive for some, but with absorbing imagery and a mesmerizing performance from Scarlett Johansson, Under the Skin is a haunting viewing experience.
Synopsis: Disguising herself as a human female, an extraterrestrial (Scarlett Johansson) drives around Scotland and tries to lure unsuspecting men into... [More]
Directed By: Jonathan Glazer

#1

Gattaca (1997)
83%

#1
Adjusted Score: 85785%
Critics Consensus: Intelligent and scientifically provocative, Gattaca is an absorbing sci fi drama that poses important interesting ethical questions about the nature of science.
Synopsis: Vincent Freeman (Ethan Hawke) has always fantasized about traveling into outer space, but is grounded by his status as a... [More]
Directed By: Andrew Niccol


BECAUSE THE MOVIE IS GONNA MAKE YOU UGLY CRY…

#13
#13
Adjusted Score: 84627%
Critics Consensus: Benigni's earnest charm, when not overstepping its bounds into the unnecessarily treacly, offers the possibility of hope in the face of unflinching horror.
Synopsis: A gentle Jewish-Italian waiter, Guido Orefice (Roberto Benigni), meets Dora (Nicoletta Braschi), a pretty schoolteacher, and wins her over with... [More]
Directed By: Roberto Benigni

#12

Pan's Labyrinth (2006)
95%

#12
Adjusted Score: 104443%
Critics Consensus: Pan's Labyrinth is Alice in Wonderland for grown-ups, with the horrors of both reality and fantasy blended together into an extraordinary, spellbinding fable.
Synopsis: In 1944 Spain young Ofelia (Ivana Baquero) and her ailing mother (Ariadna Gil) arrive at the post of her mother's... [More]
Directed By: Guillermo del Toro

#11

Beaches (1988)
40%

#11
Adjusted Score: 42765%
Critics Consensus: No consensus yet.
Synopsis: Hillary (Barbara Hershey) and CC (Bette Midler) meet as children vacationing in Atlantic City, N.J., and remain friends throughout the... [More]
Directed By: Garry Marshall

#10

Steel Magnolias (1989)
70%

#10
Adjusted Score: 71203%
Critics Consensus: Steel Magnolias has jokes and characters to spare, which makes it more dangerous (and effective) when it goes for the full melodrama by the end.
Synopsis: M'Lynn (Sally Field) is the mother of bride-to-be Shelby Eatenton (Julia Roberts), and as friend Truvy Jones (Dolly Parton) fixes... [More]
Directed By: Herbert Ross

#9

Stepmom (1998)
46%

#9
Adjusted Score: 49821%
Critics Consensus: Solid work from Julia Roberts and Susan Sarandon isn't enough to save Stepmom from a story whose manipulations dilute the effectiveness of a potentially affecting drama.
Synopsis: Three years after divorcing Jackie (Susan Sarandon), the mother of his children, Luke Harrison (Ed Harris) decides to take the... [More]
Directed By: Chris Columbus

#8

The Color Purple (1985)
81%

#8
Adjusted Score: 82023%
Critics Consensus: It might have been better served by a filmmaker with a deeper connection to the source material, but The Color Purple remains a worthy, well-acted adaptation of Alice Walker's classic novel.
Synopsis: An epic tale spanning forty years in the life of Celie (Whoopi Goldberg), an African-American woman living in the South... [More]
Directed By: Steven Spielberg

#7
#7
Adjusted Score: 81723%
Critics Consensus: A classic tearjerker, Terms of Endearment isn't shy about reaching for the heartstrings -- but is so well-acted and smartly scripted that it's almost impossible to resist.
Synopsis: Widow Aurora Greenway (Shirley MacLaine) and her daughter, Emma (Debra Winger), have a strong bond, but Emma marries teacher Flap... [More]
Directed By: James L. Brooks

#6

Toy Story 3 (2010)
98%

#6
Adjusted Score: 110112%
Critics Consensus: Deftly blending comedy, adventure, and honest emotion, Toy Story 3 is a rare second sequel that really works.
Synopsis: With their beloved Andy preparing to leave for college, Woody (Tom Hanks), Buzz Lightyear (Tim Allen), Jessie (Joan Cusack), and... [More]
Directed By: Lee Unkrich

#5
#5
Adjusted Score: 89620%
Critics Consensus: Wise, funny, and heartbreaking without resorting to exploitation, The Fault In Our Stars does right by its bestselling source material.
Synopsis: Hazel Grace Lancaster (Shailene Woodley), a 16-year-old cancer patient, meets and falls in love with Gus Waters (Ansel Elgort), a... [More]
Directed By: Josh Boone

#1

Wendy and Lucy (2008)
85%

#1
Adjusted Score: 92406%
Critics Consensus: Michelle Williams gives a heartbreaking performance in Wendy and Lucy, a timely portrait of loneliness and struggle.
Synopsis: Wendy (Michelle Williams), a near-penniless drifter, is traveling to Alaska in search of work, and her only companion is her... [More]
Directed By: Kelly Reichardt

#4

My Girl (1991)
53%

#4
Adjusted Score: 52524%
Critics Consensus: No consensus yet.
Synopsis: Tomboy Vada Sultenfuss (Anna Chlumsky) has good reason to be morbid: her mother died giving birth to her, and her... [More]
Directed By: Howard Zieff

#3

Selena (1997)
67%

#3
Adjusted Score: 68590%
Critics Consensus: Selena occasionally struggles to tell its subject's story with depth or perspective, but those flaws are rendered largely irrelevant by Jennifer Lopez in the title role.
Synopsis: In this biographical drama, Selena Quintanilla (Jennifer Lopez) is born into a musical Mexican-American family in Texas. Her father, Abraham... [More]
Directed By: Gregory Nava

#2

Up (2009)
98%

#2
Adjusted Score: 109559%
Critics Consensus: An exciting, funny, and poignant adventure, Up offers an impeccably crafted story told with wit and arranged with depth, as well as yet another visual Pixar treat.
Synopsis: Carl Fredricksen (Ed Asner), a 78-year-old balloon salesman, is about to fulfill a lifelong dream. Tying thousands of balloons to... [More]
Directed By: Pete Docter, Bob Peterson

#1
Adjusted Score: 110804%
Critics Consensus: Playing as both an exciting sci-fi adventure and a remarkable portrait of childhood, Steven Spielberg's touching tale of a homesick alien remains a piece of movie magic for young and old.
Synopsis: After a gentle alien becomes stranded on Earth, the being is discovered and befriended by a young boy named Elliott... [More]
Directed By: Steven Spielberg

#1
Adjusted Score: 89491%
Critics Consensus: Beautifully scripted and perfectly cast, Me & Earl & the Dying Girl is a coming-of-age movie with uncommon charm and insight.
Synopsis: An awkward high-school senior (Thomas Mann) and a gravely ill classmate (Olivia Cooke) surprise themselves by becoming inseparable friends.... [More]
Directed By: Alfonso Gomez-Rejon

#1

Stories We Tell (2012)
94%

#1
Adjusted Score: 98582%
Critics Consensus: In Stories We Tell, Sarah Polley plays with the documentary format to explore the nature of memory and storytelling, crafting a thoughtful, compelling narrative that unfolds like a mystery.
Synopsis: Through a series of revealing interviews, filmmaker Sarah Polley investigates the truth about her family history.... [More]
Directed By: Sarah Polley

#1

Old Yeller (1957)
100%

#1
Adjusted Score: 101991%
Critics Consensus: Old Yeller is an exemplary coming of age tale, packing an emotional wallop through smart pacing and a keen understanding of the elemental bonding between humanity and their furry best friends.
Synopsis: While Jim Coates (Fess Parker) is off on a cattle drive, his wife, Katie (Dorothy McGuire), and sons, Travis (Tommy... [More]
Directed By: Robert Stevenson

#1

Marley & Me (2008)
63%

#1
Adjusted Score: 67344%
Critics Consensus: Pet owners should love it, but Marley and Me is only sporadically successful in wringing drama and laughs from its scenario.
Synopsis: Newlyweds John and Jenny Grogan (Owen Wilson, Jennifer Aniston) leave behind snowy Michigan and move to Florida, where they buy... [More]
Directed By: David Frankel

#1
#1
Adjusted Score: 28943%
Critics Consensus: Though wholesome, the Mandy Moore vehicle A Walk to Remember is also bland and oppressively syrupy.
Synopsis: Set in North Carolina, "A Walk To Remember" follows the rite of passage of a jaded, aimless high school senior... [More]
Directed By: Adam Shankman


BECAUSE THE MOVIE WILL INSTANTLY PUT YOU IN A BETTER MOOD…

#13

Moonrise Kingdom (2012)
93%

#13
Adjusted Score: 104515%
Critics Consensus: Warm, whimsical, and poignant, the immaculately framed and beautifully acted Moonrise Kingdom presents writer/director Wes Anderson at his idiosyncratic best.
Synopsis: The year is 1965, and the residents of New Penzance, an island off the coast of New England, inhabit a... [More]
Directed By: Wes Anderson

#12

Groundhog Day (1993)
97%

#12
Adjusted Score: 103336%
Critics Consensus: Smart, sweet, and inventive, Groundhog Day highlights Murray's dramatic gifts while still leaving plenty of room for laughs.
Synopsis: Phil (Bill Murray), a weatherman, is out to cover the annual emergence of the groundhog from its hole. He gets... [More]
Directed By: Harold Ramis

#11

The Goonies (1985)
77%

#11
Adjusted Score: 80852%
Critics Consensus: The Goonies is an energetic, sometimes noisy mix of Spielbergian sentiment and funhouse tricks that will appeal to kids and nostalgic adults alike.
Synopsis: When two brothers find out they might lose their house they are desperate to find a way to keep their... [More]
Directed By: Richard Donner

#10
#10
Adjusted Score: 109773%
Critics Consensus: Clever, incisive, and funny, Singin' in the Rain is a masterpiece of the classical Hollywood musical.
Synopsis: A spoof of the turmoil that afflicted the movie industry in the late 1920s when movies went from silent to... [More]
Directed By: Stanley Donen, Gene Kelly

#9

Amélie (2001)
89%

#9
Adjusted Score: 95345%
Critics Consensus: The feel-good Amelie is a lively, fanciful charmer, showcasing Audrey Tautou as its delightful heroine.
Synopsis: "Amélie" is a fanciful comedy about a young woman who discretely orchestrates the lives of the people around her, creating... [More]
Directed By: Jean-Pierre Jeunet

#8
#8
Adjusted Score: 103682%
Critics Consensus: A delightfully postmodern fairy tale, The Princess Bride is a deft, intelligent mix of swashbuckling, romance, and comedy that takes an age-old damsel-in-distress story and makes it fresh.
Synopsis: A fairy tale adventure about a beautiful young woman and her one true love. He must find her after a... [More]
Directed By: Rob Reiner

#7

The Birdcage (1996)
81%

#7
Adjusted Score: 83794%
Critics Consensus: Mike Nichols wrangles agreeably amusing performances from Robin Williams and Nathan Lane in this fun, if not quite essential, remake of the French comedy La Cage aux Folles.
Synopsis: In this remake of the classic French farce "La Cage aux Folles," engaged couple Val Goldman (Dan Futterman) and Barbara... [More]
Directed By: Mike Nichols

#6
#6
Adjusted Score: 86807%
Critics Consensus: Matthew Broderick charms in Ferris Bueller's Day Off, a light and irrepressibly fun movie about being young and having fun.
Synopsis: Ferris Bueller (Matthew Broderick) has an uncanny skill at cutting classes and getting away with it. Intending to make one... [More]
Directed By: John Hughes

#5
#5
Adjusted Score: 85312%
Critics Consensus: Though there was controversy over the choice of casting, Zellweger's Bridget Jones is a sympathetic, likable, funny character, giving this romantic comedy a lot of charm.
Synopsis: At the start of the New Year, 32-year-old Bridget (Renée Zellweger) decides it's time to take control of her life... [More]
Directed By: Sharon Maguire

#4

Clueless (1995)
81%

#4
Adjusted Score: 89088%
Critics Consensus: A funny and clever reshaping of Emma, Clueless offers a soft satire that pokes as much fun at teen films as it does at the Beverly Hills glitterati.
Synopsis: Shallow, rich and socially successful Cher (Alicia Silverstone) is at the top of her Beverly Hills high school's pecking scale.... [More]
Directed By: Amy Heckerling

#3

The Intouchables (2011)
75%

#3
Adjusted Score: 79776%
Critics Consensus: It handles its potentially prickly subject matter with kid gloves, but Intouchables gets by thanks to its strong cast and some remarkably sensitive direction.
Synopsis: An unlikely friendship develops between a wealthy quadriplegic (François Cluzet) and his caretaker (Omar Sy), just released from prison.... [More]

#2

Tommy Boy (1995)
42%

#2
Adjusted Score: 43341%
Critics Consensus: Though it benefits from the comic charms of its two leads, Tommy Boy too often feels like a familiar sketch stretched thin.
Synopsis: After his beloved father (Brian Dennehy) dies, dimwitted Tommy Callahan (Chris Farley) inherits a near-bankrupt automobile parts factory in Sandusky,... [More]
Directed By: Peter Segal

#1
#1
Adjusted Score: 99432%
Critics Consensus: Little Miss Sunshine succeeds thanks to a strong ensemble cast that includes Greg Kinnear, Steve Carell, Toni Collette, Alan Arkin, and Abigail Breslin, as well as a delightfully funny script.
Synopsis: The Hoover family -- a man (Greg Kinnear), his wife (Toni Collette), an uncle (Steve Carell), a brother (Paul Dano)... [More]

#1

The Full Monty (1997)
96%

#1
Adjusted Score: 98738%
Critics Consensus: Cheeky and infectiously good-natured, The Full Monty bares its big beating heart with a sly dose of ribald comedy.
Synopsis: After losing his job at a steel factory, Gaz (Robert Carlyle) learns that his wife wants to sue him for... [More]
Directed By: Peter Cattaneo

#1

Mamma Mia! (2008)
55%

#1
Adjusted Score: 61265%
Critics Consensus: This jukebox musical is full of fluffy fun but rough singing voices and a campy tone might not make you feel like "You Can Dance" the whole 90 minutes.
Synopsis: Donna (Meryl Streep), an independent hotelier in the Greek islands, is preparing for her daughter's wedding with the help of... [More]
Directed By: Phyllida Lloyd

#1

Billy Elliot (2000)
85%

#1
Adjusted Score: 88273%
Critics Consensus: Billy Elliot is a charming movie that can evoke both laughter and tears.
Synopsis: The life of 11-year-old Billy Elliot, a coal miner's son in Northern England, is forever changed one day when he... [More]
Directed By: Stephen Daldry

#3
Adjusted Score: 55632%
Critics Consensus: Provides lots of laughs with Myers at the healm; as funny or funnier than the original.
Synopsis: In his second screen adventure, British super spy Austin Powers must return to 1969, as arch-nemesis Dr. Evil has ventured... [More]
Directed By: Jay Roach

#1

Step Brothers (2008)
55%

#1
Adjusted Score: 63185%
Critics Consensus: Step Brothers indulges in a cheerfully relentless immaturity that will quickly turn off viewers unamused by Ferrell and Reilly -- and delight those who find their antics hilarious.
Synopsis: Brennan Huff (Will Ferrell) and Dale Doback (John C. Reilly) have one thing in common: they are both lazy, unemployed... [More]
Directed By: Adam McKay

#1
#1
Adjusted Score: 75834%
Critics Consensus: Eddie Murphy was in full control at this point, starkly evident in Coming to America's John Landis' coasting direction.
Synopsis: Prince Akeem (Eddie Murphy) is the prince of a wealthy African country and wants for nothing, except a wife who... [More]
Directed By: John Landis

#1

Airplane! (1980)
97%

#1
Adjusted Score: 103491%
Critics Consensus: Though unabashedly juvenile and silly, Airplane! is nevertheless an uproarious spoof comedy full of quotable lines and slapstick gags that endure to this day.
Synopsis: This spoof comedy takes shots at the slew of disaster movies that were released in the 70s. When the passengers... [More]

#1

Game Night (2018)
85%

#1
Adjusted Score: 99575%
Critics Consensus: With a talented cast turned loose on a loaded premise -- and a sharp script loaded with dark comedy and unexpected twists -- Game Night might be more fun than the real thing.
Synopsis: Max and Annie's weekly game night gets kicked up a notch when Max's brother Brooks arranges a murder mystery party... [More]

#1

Pride (2014)
92%

#1
Adjusted Score: 98190%
Critics Consensus: Earnest without being didactic and uplifting without stooping to sentimentality, Pride is a joyous crowd-pleaser that genuinely works.
Synopsis: Realizing that they share common foes in Margaret Thatcher, the police and the conservative press, London-based gays and lesbians lend... [More]
Directed By: Matthew Warchus

#1

Pitch Perfect (2012)
81%

#1
Adjusted Score: 86241%
Critics Consensus: Pitch Perfect's plot is formulaic, but the performances are excellent and the musical numbers are toe-tapping as well.
Synopsis: College student Beca (Anna Kendrick) knows she does not want to be part of a clique, but that's exactly where... [More]
Directed By: Jason Moore

#1

Hot Fuzz (2007)
91%

#1
Adjusted Score: 99785%
Critics Consensus: The brilliant minds behind Shaun of the Dead successfully take a shot at the buddy cop genre with Hot Fuzz. The result is a bitingly satiric and hugely entertaining parody.
Synopsis: As a former London constable, Nicholas Angel (Simon Pegg) finds if difficult to adapt to his new assignment in the... [More]
Directed By: Edgar Wright

#1
Adjusted Score: 43265%
Critics Consensus: Undisciplined, scatological, profoundly silly, and often utterly groan-worthy, Robin Hood: Men in Tights still has an amiable, anything-goes goofiness that has made it a cult favorite.
Synopsis: Crusading nobleman Robin of Loxley (Cary Elwes) escapes from prison in Jerusalem and returns home to find that the evil... [More]
Directed By: Mel Brooks

#1

Sing Street (2016)
95%

#1
Adjusted Score: 107231%
Critics Consensus: Sing Street is a feel-good musical with huge heart and irresistible optimism, and its charmimg cast and hummable tunes help to elevate its familiar plotting.
Synopsis: In 1985, a Dublin teenager (Ferdia Walsh-Peelo) forms a rock 'n' roll band to win the heart of an aspiring... [More]
Directed By: John Carney

#1

Big (1988)
97%

#1
Adjusted Score: 102803%
Critics Consensus: Refreshingly sweet and undeniably funny, Big is a showcase for Tom Hanks, who dives into his role and infuses it with charm and surprising poignancy.
Synopsis: After a wish turns 12-year-old Josh Baskin (David Moscow) into a 30-year-old man (Tom Hanks), he heads to New York... [More]
Directed By: Penny Marshall

#1
#1
Adjusted Score: 112581%
Critics Consensus: With a terrific cast and a surfeit of visual razzle dazzle, Crazy Rich Asians takes a satisfying step forward for screen representation while deftly drawing inspiration from the classic -- and still effective -- rom-com formula.
Synopsis: Rachel Chu is happy to accompany her longtime boyfriend, Nick, to his best friend's wedding in Singapore. She's also surprised... [More]
Directed By: Jon M. Chu


BECAUSE THE MOVIE’S VERY SEXY BITS WILL BE LESS AWKWARD SOLO…

#13

Magic Mike XXL (2015)
65%

#13
Adjusted Score: 74745%
Critics Consensus: Magic Mike XXL has enough narrative thrust and beefy charm to deliver another helping of well-oiled entertainment, even if this sequel isn't quite as pleasurable as its predecessor.
Synopsis: It's been three years since Mike Lane's (Channing Tatum) retirement from stripping, but the former dancer misses the excitement and... [More]
Directed By: Gregory Jacobs

#12

Basic Instinct (1992)
55%

#12
Adjusted Score: 60687%
Critics Consensus: Unevenly echoing the work of Alfred Hitchcock, Basic Instinct contains a star-making performance from Sharon Stone but is ultimately undone by its problematic, overly lurid plot.
Synopsis: The mysterious Catherine Tramell (Sharon Stone), a beautiful crime novelist, becomes a suspect when she is linked to the brutal... [More]
Directed By: Paul Verhoeven

#11
#11
Adjusted Score: 96274%
Critics Consensus: A road movie that's not only sexy, but intelligent as well.
Synopsis: The lives of Julio and Tenoch, like those of 17-year old boys everywhere, are ruled by raging hormones, intense friendships,... [More]
Directed By: Alfonso Cuarón

#10

The Dreamers (2003)
60%

#10
Adjusted Score: 65178%
Critics Consensus: Though lushly atmospheric, The Dreamers doesn't engage or provoke as much as it should.
Synopsis: In May 1968, the student riots in Paris only exacerbate the isolation felt by three youths: an American exchange student... [More]
Directed By: Bernardo Bertolucci

#9

Lust, Caution (2007)
72%

#9
Adjusted Score: 78086%
Critics Consensus: Ang Lee's Lust, Caution is a tense, sensual and beautifully-shot espionage film.
Synopsis: During World War II a secret agent (Tang Wei) must seduce, then assassinate an official (Tony Leung Chiu Wai) who... [More]
Directed By: Ang Lee

#8

Sirens (1994)
74%

#8
Adjusted Score: 75456%
Critics Consensus: No consensus yet.
Synopsis: In 1930s Australia, Anglican clergyman Anthony Campion (Hugh Grant) and his prim wife, Estella (Tara Fitzgerald), are asked to visit... [More]
Directed By: John Duigan

#7

Secretary (2002)
77%

#7
Adjusted Score: 82000%
Critics Consensus: Maggie Gyllenhaal impresses in this romantic comedy with a kinky twist.
Synopsis: Lee Holloway (Maggie Gyllenhaal), a young woman with a history of severe emotional problems, is released into the care of... [More]
Directed By: Steven Shainberg

#6

Boogie Nights (1997)
93%

#6
Adjusted Score: 97458%
Critics Consensus: Grounded in strong characters, bold themes, and subtle storytelling, Boogie Nights is a groundbreaking film both for director P.T. Anderson and star Mark Wahlberg.
Synopsis: In the San Fernando Valley in 1977, teenage busboy Eddie Adams (Mark Wahlberg) gets discovered by porn director Jack Horner... [More]
Directed By: Paul Thomas Anderson

#5

Wild Things (1998)
63%

#5
Adjusted Score: 65010%
Critics Consensus: Wild Things is a delightfully salacious, flesh-exposed romp that also requires a high degree of love for trash cinema.
Synopsis: When teen debutante Kelly (Denise Richards) fails to attract the attention of her hunky guidance counselor, Sam (Matt Dillon), she... [More]
Directed By: John McNaughton

#4

Unfaithful (2002)
50%

#4
Adjusted Score: 55303%
Critics Consensus: Diane Lane shines in the role, but the movie adds nothing new to the genre and the resolution is unsatisfying.
Synopsis: Described by director Adrian Lyne ("Fatal Attraction") as "an erotic thriller about the body language of guilt." When Edward (Richard... [More]
Directed By: Adrian Lyne

#3

Bound (1996)
90%

#3
Adjusted Score: 91437%
Critics Consensus: Bound's more titillating elements attracted attention, but it's the stylish direction, solid performances, and entertaining neo-noir caper plot that make it worth a watch.
Synopsis: Sparks fly when Violet (Jennifer Tilly) sets eyes on Corky (Gina Gershon) in an elevator. Violet is the girlfriend of... [More]

#2

Swimming Pool (2003)
83%

#2
Adjusted Score: 88048%
Critics Consensus: A sensual thriller with two engaging performers demanding our undivided attention.
Synopsis: When uptight British writer Sarah Morton (Charlotte Rampling) has difficulty with her new detective novel, her publisher, John Bosload (Charles... [More]
Directed By: François Ozon

#1

Mulholland Dr. (2001)
84%

#1
Adjusted Score: 90299%
Critics Consensus: David Lynch's dreamlike and mysterious Mulholland Drive is a twisty neo-noir with an unconventional structure that features a mesmirizing performance from Naomi Watts as a woman on the dark fringes of Hollywood.
Synopsis: A dark-haired woman (Laura Elena Harring) is left amnesiac after a car crash. She wanders the streets of Los Angeles... [More]
Directed By: David Lynch

#1

Eyes Wide Shut (1999)
76%

#1
Adjusted Score: 82234%
Critics Consensus: Kubrick's intense study of the human psyche yields an impressive cinematic work.
Synopsis: After Dr. Bill Hartford's (Tom Cruise) wife, Alice (Nicole Kidman), admits to having sexual fantasies about a man she met,... [More]
Directed By: Stanley Kubrick

#1

Weekend (2011)
95%

#1
Adjusted Score: 97994%
Critics Consensus: It may be a chamber piece but Weekend's revelations on modern sexuality expand far beyond the modest setting.
Synopsis: A gay man's (Tom Cullen) weekend-long encounter with an artist (Chris New) changes his life in unexpected ways.... [More]
Directed By: Andrew Haigh

#1

Body Heat (1981)
98%

#1
Adjusted Score: 100307%
Critics Consensus: Made from classic noir ingredients and flavored with a heaping helping of steamy modern spice, Body Heat more than lives up to its evocative title.
Synopsis: Shyster lawyer Ned Racine (William Hurt) begins a passionate affair with Matty Walker (Kathleen Turner), wife of a wealthy Florida... [More]
Directed By: Lawrence Kasdan

#1

Shame (2011)
79%

#1
Adjusted Score: 87680%
Critics Consensus: Boasting stellar performances by Michael Fassbender and Carey Mulligan, Shame is a powerful plunge into the mania of addiction affliction.
Synopsis: Successful and handsome New Yorker Brandon (Michael Fassbender) seems to live an ordinary life, but he hides a terrible secret... [More]
Directed By: Steve McQueen

#1

Showgirls (1995)
22%

#1
Adjusted Score: 24975%
Critics Consensus: Vile, contemptible, garish, and misogynistic -- and that might just be exactly Showgirls' point.
Synopsis: Nomi (Elizabeth Berkley) arrives in Las Vegas with only a suitcase and a dream of becoming a top showgirl. She... [More]
Directed By: Paul Verhoeven

#1
#1
Adjusted Score: 35580%
Critics Consensus: While creatively better endowed than its print counterpart, Fifty Shades of Grey is a less than satisfying experience on the screen.
Synopsis: When college senior Anastasia Steele (Dakota Johnson) steps in for her sick roommate to interview prominent businessman Christian Grey (Jamie... [More]
Directed By: Sam Taylor-Johnson

#1

Fear (1996)
46%

#1
Adjusted Score: 46649%
Critics Consensus: Fear has an appealing young cast, but their efforts aren't enough to consistently distract from an increasingly overblown - and illogical - teen stalker story.
Synopsis: When 16-year-old Nicole Walker (Reese Witherspoon) meets 23-year-old David McCall (Mark Wahlberg) at a Seattle nightclub, she falls in love.... [More]
Directed By: James Foley


BECAUSE THE MOVIE’S EVEN SCARIER IN PERFECT SILENCE…

#13

The Descent (2005)
86%

#13
Adjusted Score: 93861%
Critics Consensus: Deft direction and strong performances from its all-female cast guide The Descent, a riveting, claustrophobic horror film.
Synopsis: A year after a severe emotional trauma, Sarah (Shauna Macdonald) goes to North Carolina to spend some time exploring caves... [More]
Directed By: Neil Marshall

#12

A Quiet Place (2018)
96%

#12
Adjusted Score: 118865%
Critics Consensus: A Quiet Place artfully plays on elemental fears with a ruthlessly intelligent creature feature that's as original as it is scary -- and establishes director John Krasinski as a rising talent.
Synopsis: If they hear you, they hunt you. A family must live in silence to avoid mysterious creatures that hunt by... [More]
Directed By: John Krasinski

#11
#11
Adjusted Score: 44223%
Critics Consensus: There is indeed a good amount of tension in this French slasher, but the dubbing is bad and the end twist unbelievable.
Synopsis: A beautiful young Frenchwoman, Alex (Maïwenn Le Besco), travels out to the country to visit her family and brings along... [More]
Directed By: Alexandre Aja

#10

The Strangers (2008)
48%

#10
Adjusted Score: 54422%
Critics Consensus: The Strangers has a handful of genuinely scary moments, but they're not enough to elevate the end results above standard slasher fare.
Synopsis: Kristen (Liv Tyler) and James (Scott Speedman) are expecting a relaxing weekend at a family vacation home, but their stay... [More]
Directed By: Bryan Bertino

#9

Hush (2016)
93%

#9
Adjusted Score: 95376%
Critics Consensus: Hush navigates the bloody waters of home invasion thrillers and incisive slashers for a contemporary horror puree.
Synopsis: A deaf woman is stalked by a killer in her home.... [More]
Directed By: Mike Flanagan

#8

28 Days Later (2002)
87%

#8
Adjusted Score: 94194%
Critics Consensus: Kinetically directed by Danny Boyle, 28 Days Later is both a terrifying zombie movie and a sharp political allegory.
Synopsis: A group of misguided animal rights activists free a caged chimp infected with the "Rage" virus from a medical research... [More]
Directed By: Danny Boyle

#7

Alien (1979)
98%

#7
Adjusted Score: 108931%
Critics Consensus: A modern classic, Alien blends science fiction, horror and bleak poetry into a seamless whole.
Synopsis: In deep space, the crew of the commercial starship Nostromo is awakened from their cryo-sleep capsules halfway through their journey... [More]
Directed By: Ridley Scott

#6

Dead Silence (2007)
21%

#6
Adjusted Score: 22878%
Critics Consensus: More tasteful than recent slasher flicks, but Dead Silence is undone by boring characters, bland dialogue, and an unnecessary and obvious twist ending.
Synopsis: After his wife meets a grisly end, Jamie Ashen (Ryan Kwanten) returns to their creepy hometown of Ravens Fair to... [More]
Directed By: James Wan

#5
#5
Adjusted Score: 88330%
Critics Consensus: Though its underlying themes are familiar, House of the Devil effectively sheds the loud and gory cliches of contemporary horror to deliver a tense, slowly building throwback to the fright flicks of decades past.
Synopsis: Desperate to make some money so she can move into a new apartment, college student Samantha Hughes (Jocelin Donahue) takes... [More]
Directed By: Ti West

#1

The Others (2001)
83%

#1
Adjusted Score: 89447%
Critics Consensus: The Others is a spooky thriller that reminds us that a movie doesn't need expensive special effects to be creepy.
Synopsis: Grace (Nicole Kidman), the devoutly religious mother of Anne (Alakina Mann) and Nicholas (James Bentley), moves her family to the... [More]
Directed By: Alejandro Amenábar

#4

Don't Breathe (2016)
88%

#4
Adjusted Score: 103085%
Critics Consensus: Don't Breathe smartly twists its sturdy premise to offer a satisfyingly tense, chilling addition to the home invasion genre that's all the more effective for its simplicity.
Synopsis: Rocky (Jane Levy), Alex and Money are three Detroit thieves who get their kicks by breaking into the houses of... [More]
Directed By: Fede Alvarez

#3

The Shining (1980)
85%

#3
Adjusted Score: 93380%
Critics Consensus: Though it deviates from Stephen King's novel, Stanley Kubrick's The Shining is a chilling, often baroque journey into madness -- exemplified by an unforgettable turn from Jack Nicholson.
Synopsis: Jack Torrance (Jack Nicholson) becomes winter caretaker at the isolated Overlook Hotel in Colorado, hoping to cure his writer's block.... [More]
Directed By: Stanley Kubrick

#2

Wait Until Dark (1967)
96%

#2
Adjusted Score: 96529%
Critics Consensus: Nail-bitingly tense and brilliantly acted, Wait Until Dark is a compact thriller that makes the most of its fiendishly clever premise.
Synopsis: After a flight back home, Sam Hendrix (Efrem Zimbalist Jr.) returns with a doll he innocently acquired along the way.... [More]
Directed By: Terence Young

#1

The Conjuring (2013)
86%

#1
Adjusted Score: 93985%
Critics Consensus: Well-crafted and gleefully creepy, The Conjuring ratchets up dread through a series of effective old-school scares.
Synopsis: In 1970, paranormal investigators and demonologists Lorraine (Vera Farmiga) and Ed (Patrick Wilson) Warren are summoned to the home of... [More]
Directed By: James Wan

#1
#1
Adjusted Score: 41731%
Critics Consensus: No consensus yet.
Synopsis: A retired police detective (Charles Durning) hunts a deranged British seaman out to re-create a baby sitter's (Carol Kane) horror.... [More]
Directed By: Fred Walton

#1

Silent House (2011)
43%

#1
Adjusted Score: 46816%
Critics Consensus: Silent House is more technically proficient and ambitious than most fright-fests, but it also suffers from a disappointing payoff.
Synopsis: Sarah (Elizabeth Olsen) is working with her father (Adam Trese) and uncle (Eric Sheffer Stevens) to renovate an old family... [More]
Directed By: Chris Kentis, Laura Lau

#1
#1
Adjusted Score: 106179%
Critics Consensus: It Comes at Night makes lethally effective use of its bare-bones trappings while proving once again that what's left unseen can be just as horrifying as anything on the screen.
Synopsis: After a mysterious apocalypse leaves the world with few survivors, two families are forced to share a home in an... [More]
Directed By: Trey Edward Shults

#1

The Orphanage (2007)
87%

#1
Adjusted Score: 93997%
Critics Consensus: Deeply unnerving and surprisingly poignant, The Orphanage is an atmospheric, beautifully crafted haunted house horror film that earns scares with a minimum of blood.
Synopsis: Laura (Belén Rueda) has happy memories of her childhood in an orphanage. She convinces her husband to buy the place... [More]
Directed By: J.A. Bayona


Thumbnail image: Everett Collection, Paramount Pictures, Focus Features

(Photo by Universal / courtesy Everett Collection)

20 Movies To Watch If You Loved The Invisible Man

If you’re looking for more movies like The Invisible Man, surprise: We’ve got a few recommendations! To get it out of the way, yep, The Invisible Man is a new entry in the Universal Classic Monster franchise. It was the first cinematic universe, kicking off way back in the ’20s. (The 1920s and not, you know, our ’20s.) Dracula, the Wolfman, Frankenstein’s monster, the Mummy are all part of this motley crew, including the Invisible Man, who had six previous movies. This new Invisible Man is notable for its departure from formula by framing the story from the victim’s perspective, but we’re including these original six Universal Monster movies here for historical context. And, hell, let’s throw in the other famous hard-to-see creep, Hollow Man, as a reminder that for decades, this is all we had in the invisible jerk subgenre.

2020’s The Invisible Man, besides being a cracking horror/thriller, has also captured the zeitgeist for Moss’ Cecilia character and her plight. Cecilia flees a violent relationship, only to be tormented and trapped by her abuser, and made to look crazy in the eyes of friends and family. This is a form of gaslighting, a term specifically derived from 1944’s Gaslight, a psychological thriller starring Ingrid Bergman as a wife manipulated by her husband into thinking she’s going insane. 1955’s Diabolique is probably the best of this type of story, though shout-out to Satoshi Kon’s Perfect Blue, and even Scream, once you arrive at its endgame revelations. Black Swan, High Tension, and Girl, Interrupted are also worth watching through the lens of female-driven stories with shifty narratives.

Invisible Man has drawn high marks for its use of negative space, which forces viewers to search through seemingly banal shots for hidden terrors, drumming up considerable dread and paranoia. It Follows — about a malevolent entity taking the shape of humans, often depicted shuffling in backgrounds — is a previous horror phenomenon that similarly uses negative space to maximum effect.

Audiences may also be impressed by Invisible Man’s stylish presentation. Writer/director Leigh Whannell had already made a name for himself in horror by co-creating the Saw series (he’s also one of the leads in the first movie). But his 2018 cyberpunk/body horror/action effort Upgrade represented a dramatic creative leap forward for him. It’s fun to see Whannell apply Upgrade’s style towards the world of The Invisible Man.

And, of course, there’s Elisabeth Moss, who first came to public attention with The West WingMad Men, and then in the inescapable The Handmaid’s Tale. But Moss has been acting in film since the early ’90s (who can forget her as “little girl” in Suburban Commando?) and her most notable movie work is of the last few years: 2014’s The One I Love (witness her in a slightly happier relationship, before it turns sci-fi bizarre), psychological thriller Queen of Earth, and 2019 acting showcase Her Smell.

#20

Hollow Man (2000)
27%

#20
Adjusted Score: 31229%
Critics Consensus: Despite awesome special effects, Hollow Man falls short of other films directed by Paul Verhoeven. This flick over time degenerates into a typical horror film.
Synopsis: The thought of human invisibility has intrigued man for centuries. Highly gifted scientist Sebastian Caine develops a serum that induces... [More]
Directed By: Paul Verhoeven

#19
Adjusted Score: 8268%
Critics Consensus: No consensus yet.
Synopsis: A criminal (Jon Hall) haunts his enemies' mansion after a mad scientist (John Carradine) makes him invisible.... [More]
Directed By: Ford Beebe

#18
#18
Adjusted Score: 44223%
Critics Consensus: There is indeed a good amount of tension in this French slasher, but the dubbing is bad and the end twist unbelievable.
Synopsis: A beautiful young Frenchwoman, Alex (Maïwenn Le Besco), travels out to the country to visit her family and brings along... [More]
Directed By: Alexandre Aja

#17

Saw (2004)
51%

#17
Adjusted Score: 56769%
Critics Consensus: Saw ensnares audiences with a deceptively clever plot and a myriad of memorable, nasty set pieces, but its lofty ambitions are undercut by a nihilistic streak that feels more mean than profound.
Synopsis: Photographer Adam Stanheight (Leigh Whannell) and oncologist Lawrence Gordon (Cary Elwes) regain consciousness while chained to pipes at either end... [More]
Directed By: James Wan

#16
#16
Adjusted Score: 57914%
Critics Consensus: Angelina Jolie gives an intense performance, but overall Girl, Interrupted suffers from thin, predictable plotting that fails to capture the power of its source material.
Synopsis: Set in the changing world of the late 1960s, "Girl, Interrupted" is the searing true story of Susanna Kaysen (Winona... [More]
Directed By: James Mangold

#15

Invisible Agent (1942)
67%

#15
Adjusted Score: 53162%
Critics Consensus: No consensus yet.
Synopsis: An Allied spy (Jon Hall) made invisible by chemistry outwits Axis agents with his blond-braided lover (Ilona Massey).... [More]
Directed By: Edwin L. Marin

#14
#14
Adjusted Score: 24545%
Critics Consensus: No consensus yet.
Synopsis: A screwy professor's experiments with a gorgeous model attract the attentions of a gangster and a handsome millionaire.... [More]
Directed By: A. Edward Sutherland

#13

Perfect Blue (1997)
80%

#13
Adjusted Score: 82021%
Critics Consensus: Perfect Blue is overstylized, but its core mystery is always compelling, as are the visual theatrics.
Synopsis: A mysterious figure stalks a pop star when she becomes an actor on a television show.... [More]
Directed By: Satoshi Kon

#12

Scream (1996)
79%

#12
Adjusted Score: 83873%
Critics Consensus: Horror icon Wes Craven's subversive deconstruction of the genre is sly, witty, and surprisingly effective as a slasher film itself, even if it's a little too cheeky for some.
Synopsis: The sleepy little town of Woodsboro just woke up screaming. There's a killer in their midst who's seen a few... [More]
Directed By: Wes Craven

#11
Adjusted Score: 80360%
Critics Consensus: No consensus yet.
Synopsis: Two detective-school graduates (Bud Abbott, Lou Costello) help a framed boxer who can make himself disappear.... [More]
Directed By: Charles Lamont

#10

The One I Love (2014)
82%

#10
Adjusted Score: 85464%
Critics Consensus: The One I Love doesn't take its intriguing premise quite as far as it could, but it still adds up to an ambitious, well-acted look at love and marriage.
Synopsis: A couple (Mark Duplass, Elisabeth Moss) whose marriage is crumbling have a surreal experience during a weekend getaway at a... [More]
Directed By: Charlie McDowell

#9
Adjusted Score: 88844%
Critics Consensus: No consensus yet.
Synopsis: Wrongly accused of murdering his brother, Geoffrey Radcliffe (Vincent Price) is found guilty and sentenced to die. But when sympathetic... [More]
Directed By: Joe May

#8

Her Smell (2018)
84%

#8
Adjusted Score: 90996%
Critics Consensus: Held together by a gripping lead performance from Elisabeth Moss, Her Smell is challenging and admittedly uneven, but ultimately worth the effort.
Synopsis: Becky Something is a talented but self-destructive musician who seems determined to alienate everyone around her -- even at the... [More]
Directed By: Alex Ross Perry

#7

Black Swan (2010)
85%

#7
Adjusted Score: 96499%
Critics Consensus: Bracingly intense, passionate, and wildly melodramatic, Black Swan glides on Darren Aronofsky's bold direction -- and a bravura performance from Natalie Portman.
Synopsis: Nina (Natalie Portman) is a ballerina whose passion for the dance rules every facet of her life. When the company's... [More]
Directed By: Darren Aronofsky

#6

Gaslight (1944)
88%

#6
Adjusted Score: 91037%
Critics Consensus: No consensus yet.
Synopsis: After the death of her famous opera-singing aunt, Paula (Ingrid Bergman) is sent to study in Italy to become a... [More]
Directed By: George Cukor

#5

Upgrade (2018)
88%

#5
Adjusted Score: 99399%
Critics Consensus: Like its augmented protagonist, Upgrade's old-fashioned innards get a high-tech boost -- one made even more powerful thanks to sharp humor and a solidly well-told story.
Synopsis: A brutal mugging leaves Grey Trace paralyzed in the hospital and his beloved wife dead. A billionaire inventor soon offers... [More]
Directed By: Leigh Whannell

#4

Queen of Earth (2015)
93%

#4
Adjusted Score: 94720%
Critics Consensus: Led by a searing performance from Elisabeth Moss, Queen of Earth is a demanding -- and ultimately rewarding -- addition to writer-director Alex Ross Perry's impressive filmography.
Synopsis: Tensions rise when an emotionally fragile woman (Elisabeth Moss) spends one week with her best friend (Katherine Waterston).... [More]
Directed By: Alex Ross Perry

#3

Diabolique (1955)
96%

#3
Adjusted Score: 100996%
Critics Consensus: Cruel, dark, but undeniably effective, Diabolique is a suspense thriller as effective as Hitchcock's best work and with a brilliant twist ending.
Synopsis: In this classic of French suspense, the cruel and abusive headmaster of a boarding school, Michel Delassalle (Paul Meurisse), becomes... [More]
Directed By: Henri-Georges Clouzot

#2

It Follows (2014)
96%

#2
Adjusted Score: 105953%
Critics Consensus: Smart, original, and above all terrifying, It Follows is the rare modern horror film that works on multiple levels -- and leaves a lingering sting.
Synopsis: After carefree teenager Jay (Maika Monroe) sleeps with her new boyfriend, Hugh (Jake Weary), for the first time, she learns... [More]
Directed By: David Robert Mitchell

#1
#1
Adjusted Score: 101681%
Critics Consensus: James Whale's classic The Invisible Man features still-sharp special effects, loads of tension, a goofy sense of humor, and a memorable debut from Claude Rains.
Synopsis: While researching a new drug, Dr. Jack Griffin (Claude Rains) stumbles on a potion that can make him invisible. When... [More]
Directed By: James Whale

Halloween only comes once a year, but we celebrated every day this month with the October Daily Double: A recommendation every weekday of themed scary movie double feature!

Alexandre Aja - Jean Baptiste Lacroix/WireImage.com

Alexandre Aja is the French horror prodigy, inducted into Alan Jones’ splat pack, whose first film High Tension (Switchblade Romance in the UK) led to the high profile Hollywood remake of The Hills Have Eyes and now to Mirrors, a new take on a Korean original.

Kiefer Sutherland stars as a beleaguered ex-Cop who takes a nightwatchman job in an abandoned department store with a murky past. The silver-backed glass of the title is concealing a dark secret.

We caught up with Aja for his only UK interview to learn more about the movie as well as his latest project, a 3D remake of Joe Dante‘s classic Piranha.

I saw the movie recently at Frightfest.

Which cut of the movie did you see? Did you know there’s a cut for the UK which is different from the cut that’s being used in the rest of the world. The movie was rated 18 and they butchered the movie to get it rated under 15. They might have shown you the good one because they only did the cuts very recently. The first cut has been released in the States and the rest of the world. Fox decided to cut it here. I really don’t know why they took that decision.

It’s strange because usually in the UK it’s good. High Tension was released uncut, and The Hills Have Eyes was as well.

Mirrors

This has been around for a while.

Yeah, it was right after The Hills Have Eyes that I received the script from Fox not knowing it was based on the Korean movie. I didn’t really connect with the story or the characters. But in the movie itself something really strong stuck with me after reading the script and that was the idea of using the mirrors not only as an object but as a killing device. I thought it was something that hadn’t been done before but it tapped into this universal fear we all have inside of us. It had been waiting to be tapped.

The idea of an alternate reality behind the mirrors is something we all thought about as kids.

Of course, there is something about looking on this side of the mirror to see if we can look through to the other side.

Did you see the Korean film in the end?

Of course, after we read the script I went to see the movie and the movie itself confirmed everything I thought about the script and the idea that you could control the reflection and to make you do stuff you’re not supposed to do.

Who wrote that English script then?

I don’t remember, but it was basically word-for-word the Korean movie. Scene by scene. We completely rewrote it, and that was the deal with Fox. Let us, Greg Levasseur and I, take the script and write a completely new one with it. I wanted to keep the idea that we have mirrors everywhere around us and I wanted to not only have them in the department store but to have them all around. I wanted to find a way to get out of the department store and bring the threat into the world. And, of course, I realised I could take it beyond just the mirrors and into every reflecting surface like the water.

Mirrors

What was it about Keifer that made him the right choice?

When I was writing the script I realised the fact that making this movie would be more expensive than The Hills Have Eyes and I knew I would need a strong leading actor – a big star. I started thinking about all the classic movie-star men and Keifer was one of the first men that came to my mind because I was thinking about who could play that ex-cop character who’d lost everything, turned to alcohol and was really trying to put his life back together by taking a job as a night watchman. I was thinking of Keifer in Flatliners. I was twelve or fourteen when I saw Flatliners and it was such an amzing movie. It was really scary and his character was so cool and romantic, and dark at the same time. It was exactly the character we were thinking so for me Keifer was an obvious choice. People know him as Jack Bauer, who’s quite a different character.

Yeah, my goal was to bring the other Keifer back. To bring the Keifer we used to see in The Vanishing, Flatliners, The Lost Boys. Not the Keifer who became Jack Bauer. But at the same time it was interesting because Keifer is not an actor who makes it a composition. He’s an actor with a personality of his own and every character he plays is a side of himself. When you spend time with him, as I did, you realise that he is the guy from Flatliners, he is Jack Bauer, he’s all of them.

Were you surprised by what he brought to the material?

We met and felt a connection immediately and we made a deal almost on the spot which was that he was in charge of making that character believable and deep and making something scary and suspenseful. Together we’d make the best movie we possibly could.

You spoke about not wanting to get pigeonholed as a horror director, but you’ve stayed in the genre ever since High Tension. Why?

I love the genre. As an audience member I love to be scared. The only thing as a filmmaker I don’t want to do is to repeat myself and so far I have the feeling that High Tension and The Hills Have Eyes and P2 are all completely different movies. Maybe I will reach a point where I’ve felt that I’ve explored all the subgenres within horror and from that point I will maybe look for something else, or some other kind of movie.

Mirrors

Right now I’m really attracted by stories and a lot of the stories that I’m interested in right now are dealing with a genre element.

Does it ever affect you, surrounding yourself with horrific images all the time?

For the first time on this film I started to scare myself with what I was writing. I’m not superstitious and I don’t believe in the supernatural, really, in movies. While writing we did so much research in the history and legends and it started to make an affect.

What’s the status on Piranha 3D?

We’re preparing to shoot in Spring. The thing is it’s such a difficult movie, not only because of the technicality of it and the CGI fish, but also because it all happens in a lake. We were supposed to start shooting now, but the longer to leave it the colder the water gets. The movie takes place during Spring Break and, of course, the studio wanted it ready for the summer, but if you’ve got 1000 people who need to get murdered in the water, you have to wait for the right temperature for the water, for the weather, for everything.

Mirrors

Most of the film takes place outside on location in the lake. It’s all there, it’s so simple. An earthquake releases prehistoric piranhas during Spring Break. All these drunk American kids being torn to shreds by crazy fish. You can’t make something more different than Mirrors than this movie and I’m really excited about it because it’s such a thrill ride. It’s super-gore, super-action, it’s going to be really amazing. I’m so excited about that project.

Do you embrace these challenges? Desert, then mirrors, now underwater with CGI fish in 3D…

I have a feeling that may be true because when I did High Tension we had only $2m, shot everything by night and it was a nightmare. I had a feeling it would be the most difficult movie I ever made. And then we made The Hills Have Eyes in the middle of the summer in the desert and after that I thought no-one could do anything more difficult. Then we spent 6 weeks in an underground parking garage for P2 and Mirrors was just something no-one can imagine because of all the technicalities. This is way more difficult and way more challenging than all the other movies put together. Maybe I’m looking forward to that – at the very least it’ll keep me from falling asleep!

RT’s got the first trailer for November’s horror-thriller P2, from the people who brought you High Tension!

In P2, a young, corporate workaholic named Angela (Alias star Rachel Nichols) finds herself trapped on the second floor of a parking lot late Christmas Eve, with no cell phone reception and a dead car battery. What’s worse: she’s not alone. Held captive by the building’s creepy security guard (Wes Bentley), Angela breaks free but must fight for her life to escape.

Written and produced by French horror filmmakers Alexandre Aja and Gregory Levasseur (the team behind High Tension and the Hills Have Eyes remake), P2 is helmed by first-time director Franck Khalfoun, who also helped script the film. If you loved High Tension, expect more survivalist suspense (with a touch of gory violence) from the French-born threesome.

The trailer also features the scariest renditions of some of your favorite holiday tunes ever (think “Carol of the Bells” meets John Carpenter) — setting a nicely ominous atmosphere. The film’s score comes courtesy of electronic composer tomandandy.

Click here to watch the exclusive trailer!

P2 will hit theaters November 9.

Those crazy guys over at Lionsgate have come up with the ultimate movie poster promotion, as they have unveiled a new official poster for this month’s bloodfest, "Saw III" — and printed it with star Tobin Bell‘s own blood.

Bell, who plays sadistic mastermind Jigsaw in the "Saw" series, contributed a vial of his own blood to mix with red dyes used to print a batch of the new movie poster. In a departure from the cringe-inducing promo art of dentistry gone awfully wrong, the new "Saw III" poster is simply Jigsaw shrouded in a Little Red Riding Hood-esque cloak — but a crimson cloak printed in Jigsaw’s blood!


Tobin Bell commands you to donate blood for the Red Cross

But the bizarre stunt wasn’t just done for kicks; the first "blood poster" off the press will be signed by the cast and auctioned off, with proceeds benefiting the American Red Cross. Check out the bidding here.

Lionsgate is also hosting its third "Saw" blood drive this year (they raised over 14,000 pints in blood donations in the last two "Saw" campaigns), proving that the sick, twisted minds behind the gruesome deaths and bear traps and needle pits are really quite civic-minded.


"Saw III"’s annual blood drive; put yourself in the hands of these nurses

Check out more of the creepy, atmospheric "Saw III" Halloween Blood Drive artwork here — and, as they say, "Give ’til it hurts."

"Saw III" turns stomachs inside-out October 27, 2006.

Racing into theaters across North America, the computer animated film Cars aims to take over pole position this weekend targeting family audiences. Those looking for a good scare can instead choose The Omen which already launched on Tuesday with some frightening results. The frame’s final new wide release is the Robert Altman comedy A Prairie Home Companion giving the weekend a wide assortment of titles for all audiences.

After a surprising top spot debut, the Vince VaughnJennifer Aniston comedy The Break-Up will surely fall from grace, but should still remain a formidable contender.

After a near-break-up of their own, Disney and Pixar are back together again in a committed relationship and have put their full parental support behind Cars which zooms into the marketplace on Friday with some red hot buzz. Directed by Pixar guru John Lasseter (Toy Story, Toy Story 2), the G-rated film tells the story of a cocky race car who gets lost in a small town on the way to the big championship and meets a colorful group of vehicles who teach him some morals. Owen Wilson, Paul Newman, Bonnie Hunt, and Larry the Cable Guy all lend their voices.

Recent Pixar films have been spaced out evenly using the Harry Potter year-and-a-half policy. In November 2001, Monsters, Inc. opened to $62.6M and was followed by Finding Nemo with $70.3M in May 2003 and The Incredibles with $70.5M in November 2004. The timing is just enough to make each film a new event of its own that generates excitement among fans of all ages. Disney’s marketing and cross-promotional efforts have been loud as usual and awareness is sky high. But Cars does have a longer running time than most toons clocking in at nearly two hours. Maybe all eight of the credited writers demanded that their bits make the final cut.

Disney has had only two number one hits so far this year, ruling the Dr. King and Presidents’ Day holiday weekends with Glory Road and Eight Below, respectively. This weekend, the third trophy should be in the bag as anticipation among boys and girls alike is high. Business from teens and adults should be solid as well since the Pixar brand name attracts millions of loyal followers of all types. Plus, NASCAR fans are sure to provide an additional push at the turnstiles. The only major competition will come from Over the Hedge which is now fading into its fourth weekend. It’s an open highway for Cars which races into over 3,800 theaters this weekend. A three-day tally of about $72M could result.

Three decades after the original terrorized movie fans, The Omen has been reborn with today’s stars and special effects in the Fox release which opened on Tuesday, 6/6/06. With horror fans now used to a steady string of remakes of fright classics, the novelty has worn thin. So, to make this one stand out, the studio plugged the R-rated film into the unorthodox Tuesday slot to take advantage of the Satan-style date which in turn became the focal point of the marketing campaign. The Texas Chainsaw Massacre, Dawn of the Dead, and The Amityville Horror were all recent remakes that shot straight to number one. With The Omen, something new was needed to catch the attention of fans. Fox took a risk, tried something new, and won. The pic grossed a stellar $12.6M on Tuesday in its first day of release while playing in 2,660 locations.

The new Omen is hoping to attract the teens and young adults that typically power all of today’s horror hits, as well as older fans of the genre who are curious to see this new cover version. Critics have been mixed in their reviews complaining that it is too similar to the original and that there was no need to revisit this story. But money does rule Hollywood and horror films are very profitable so making newer versions of stories that worked in the past is just what studios are lining up to do. The marketing push has been commendable. Had Omen opened on a Friday, it would have been the umpteenth fright flick of the year. Instead, the date spooked people and caught the attention of the media that spread the hype.

Because this is a horror audience we are looking at, rapid erosion should follow the mid-week opening diluting down the weekend gross. Omen will burn through much of its audience in its first three days before the Friday-to-Sunday period arrives and it might even scare up more than half of its eventual domestic total in the first week. No other scary films are doing any serious biz so competition should not be much of a factor. Plus Omen is benefiting from Fox playing its trailer in front of the X-Men sequel which was seen by millions of sci-fi and horror fans over the past two weeks. For the three-day weekend period, The Omen might gross roughly $17M and over the six-day Tuesday-to-Sunday span, it could scare up around $36M.

In the weekend’s other unusual release pattern, Robert Altman’s latest film A Prairie Home Companion opens nationally on hundreds of screens instead of the typical arthouse platform release that the director’s films usually go out with. The legendary filmmaker’s latest ensemble cast brings together Woody Harrelson, Tommy Lee Jones, Kevin Kline, Meryl Streep, Lily Tomlin, and teen queen Lindsay Lohan getting herself some indie cred. The PG-13 film about country music stars gathering for one final radio show performance has earned positive reviews and is being released by Picturehouse.

Altman films usually debut in New York and Los Angeles, build momentum through critical support, and slowly widen across the country. But Prairie is rocking its way into 725 theaters on opening day aiming to offer older adults a smart alternative to the super heroes and spies of summer. The film is sure to skew older than anything else out now which means it might also have legs if the target audience is pleased. Still, there is only so much of a built-in audience that the pic can tap into and the summer release means there will be no awards season to keep the buzz rolling along like with the helmer’s Gosford Park in early 2002. Prairie might struggle to find a broad audience this weekend given all the other high profile films targeting its audience. Adults may instead choose to take their kids to Cars, catch Jen and Vince in a shouting match, or get a weather forecast from Al Gore. An opening weekend gross of around $3M seems likely.

Universal’s The Break-Up spent just four days at the number one spot before being kicked to the curb by The Omen. Romantic comedies usually do not suffer large declines and the Aniston-Vaughn pairing has held up well during the week grossing $3.9M on Monday and $4M on Tuesday when it faced Damien. Also, the new crop of films this weekend should not steal away too much of its crowd of adult women. Still, Break-Up isn’t exactly generating a whole lot of love with audiences in the word-of-mouth department so a 45% drop could result. That would give the film about $22M for the frame and a solid $76M in ten days.

X-Men: The Last Stand has its cyclops eye on joining the $200M club this weekend. The Fox sequel suffered a stiff 67% freefall last weekend in its second frame, but should stabilize in its third fight. Wolverine and chums could see sales get sliced in half which would give the super hero pic around $17M for the weekend and a plump $203M in 17 days. That would shoot it past studio stablemate Ice Age: The Meltdown to reign as the top-grossing film of 2006.

Over the Hedge should take a bit of a beating this weekend as it no longer will be the only major digital toon in town. A 40% fall would give the Paramount release roughly $12M upping the cume to $132M. Sony could see a larger 45% drop for The Da Vinci Code and finish the frame with about $10M. That would put the total for the Tom Hanks starrer at $189M and counting.

LAST YEAR: Before Namibia, fans had to look to their local movie theater to find Brad and Angelina. The much-hyped action film Mr. & Mrs. Smith conquered the box office with a strong $50.3M in its debut frame. The Fox blockbuster enjoyed sturdy legs grossing $186.3M domestically and over $465M worldwide. A pair of former number ones followed with Madagascar taking second with $17.2M and Star Wars Episode III in third with $14.9M. Adam Sandler finished fourth with The Longest Yard which scored $13.9M. Opening in fifth place was the kid adventure The Adventures of Sharkboy and Lavagirl with $12.6M on its way to $39.2M for Miramax. Disappointing in their openings were the Paramount comedy remake The Honeymooners with $5.5M and the Lions Gate horror flick High Tension with $1.9M. Final grosses reached $12.8M and $3.7M, respectively.

Author: Gitesh Pandya, www.BoxOfficeGuru.com

Normally an online game/promotional piece wouldn’t be all that newsworthy, even if it is one hosted by IGN Filmforce. But since I keep hearing how good "The Hills Have Eyes" remake is, and because I’ve been playing it for about a half hour, I thought it’d be cool to share with you the Run for the Hills game over at IGN. It’s basically "Doom" with mutants and a shotgun, but it’s also pretty fun and actually kinda spooooky.

As if your local horror geek hasn’t clued you in yet, this new-fangled remake of Wes Craven‘s "The Hills Have Eyes" comes courtesy of "High Tension" creators Alexandre Aja and Grégory Levasseur and the fine folks at 20th Century Fox’s R-rated horror department.

Starring Ted Levine, Kathleen Quinlan, Aaron Stanford, and Emilie de Ravin, "The Hills Have Eyes" has been on the receiving end of some high praise from the horror sites, and it opens this Friday.

More insights from this year’s WonderCon, as we were treated to a trio of upcoming horror flicks: "The Hills Have Eyes," "The Omen," and "Silent Hill."

One of the day’s biggest panels kicked off with an appearance by frightmaster Wes Craven, who sat down with three stars of his upcoming remake…of his own 1977 classic, "The Hills Have Eyes" — Vinessa Shaw, Aaron Stanford, and Dan Byrd. As with the original, this remake tells the story of a suburban family whose car breaks down on a road trip through the desert, who find themselves battling for survival with a band of unsocialized, murderous hill people.

The 1977 "Hills" was scripted and directed by Craven himself, who now takes a producing credit and leaves the direction and screenplay adaptation to Alexandre Aja. Aja’s French axe-murderer thriller "High Tension" established him last year in the confidences of gore-hounds, and Craven’s repeated endorsements at the panel suggest that the master is very happy indeed with his successor.

After fielding questions (Craven revealed he’d approved dailies remotely during production while on the set of his own thriller, "Red Eye") the panel presented a short scene from "Hills;" short, but the rolling soundtrack, dim atmosphere and, oh yeah, that freaky scary guy that pops up out of nowhere all made the scene incredibly tense. The clip, however, was upstaged by a question from the audience as a fan asked Craven himself for her money back from watching 2005’s "Cursed."

Craven took it in stride, advising her to watch the "Cursed" DVD "to see the movie that [he] made." Then he slyly plotted her demise.

Vinessa Shaw talks about "The Hills Have Eyes"

Aaron Stanford (AKA "X2‘s" Pyro) at the "Hills" panel

Director John Moore came out next to talk about another horror remake: his summer thriller, "The Omen." A trailer screened: a simple pan slowly moving through an empty playground, coming to rest on a young boy on a swing. An EVIL young boy on a swing, that is. It was simple, but effective; see it here.

Moore also presented a few more hilarious teaser trailers (in one, a little girl playing inside hears a noise, wanders to the window and drops her dolly in shock as she sees the ground outside littered with dead birds; in another, a man sits on his porch with his family, constructing cross after cross as his wife nails them frantically to their house).

We were also treated to preview a scene from "The Omen," which has updated the ages and political standing of evil little Damien’s parents to reflect a younger, more upwardly mobile (and professionally hungry) couple than the original. Moore played the birthday party scene (so similar to that in the original that the word "homage" was thrown around), perhaps one of the most notorious parts of the original "Omen," in which a nanny joyfully hangs herself in front of a lavish birthday celebration.

With Liev Schreiber and Julia Stiles as the tortured, horrified parents, creepy little newcomer Seamus Davey-Fitzpatrick as Damien, and an appearance by Mia Farrow as Mrs. Baylock, Moore’s "Omen" just may succeed with a wide audience where the previous four installments ("The Omen" (1976), "Damien: Omen II" (1978), "The Final Conflict" (1981) and "Omen IV: The Awakening" (1991)) had grown increasingly campy and diluted.

Last but not least, actress Deborah Kara Unger arrived to introduce a clip from "Silent Hill," an upcoming thriller based on the bone-chilling video game of the same name. Gore fans will be pleased; of the entire day’s panel, this was the first clip preceded by a warning to parents to shield the eyes of their children, and was it ever warranted. In this clip, central character Rose (Radha Mitchell) is fleeing an unseen terror along with a class full of children and women; one woman falls behind, and is caught by a deadly creature; gasps ensue as the audience collectively recoils in visceral disgust. If that sounds like your kind of thing, this movie is for you.

There’s been a bona-fide explosion of new movie trailers over the past week or two … but this is the only one I’ve watched more than once, because I’m a desperately sick horror junkie. Hardcore gorehounds are obviously familiar with Wes Craven‘s classic "The Hills Have Eyes," and now comes the very first trailer for the remake by "High Tension" director Alexandre Aja. And it’s pretty darn cool.

"The story of a family road trip that goes terrifyingly awry when the travelers become stranded in a government atomic zone. Miles from nowhere, the Carters soon realize the seemingly uninhabited wasteland is actually the breeding ground of a blood-thirsty mutant family… and they are the prey."

Scheduled for release (with an R rating, thank the horror gods) on March 10th, the new-fangled "Hills Have Eyes" stars Aaron Stanford, Ted Levine, Kathleen Quinlan, Vinessa Shaw, Emilie de Ravin, and a bunch of mega-mutated murderers. Can’t wait.

Also just hitting the internets earlier today is the all-new trailer for Screen Gems’ PG-13 remake of "When a Stranger Calls," which you can see right here.

This one’s a re-do of the classic "Have you checked on the children?" story, only instead of Carol Kane and Charles Durning, we got Camilla Belle and Brian Geraghty. Simon West, the man behind "Con Air," "The General’s Daughter," and "Tomb Raider," is in the director’s chair for this remake, which opens on February 3rd.

So there you are: Trailers for two new remakes of two 70s horror flicks. And now you have at least two months in which to rent the originals. Don’t forget!

OK, so it’s only a little piece of news about a simple little poster, but for some reason I’m feeling pretty psyched about the upcoming remake of "The Hills Have Eyes," hence my geekery regarding the brand-new one-sheet posted over at the Fangoria website.

Remake of the (rather brilliant, IMO) horror flick from Wes Craven, the new "Hills" is being directed by the crazy Frenchman behind the wonderfully nasty "High Tension." The flick’s about a family of average Joe & Jane suburbanites who find themselves hopelessly lost in the desert … and wind up on the receiving end of some truly horrific antics once a family of mutated inbreds converge upon their broken-down camper.

Starring in the "hard-R" horror story are Kathleen Quinlan, Ted Levine, Aaron Stanford, Vinessa Shaw, and Emilie de Ravin, aka "the amazingly gorgeous Aussie babe from "Lost."

Check out Eyes on the Hills for movie updates. "The Hills Have Eyes" hits theaters, courtesy of Fox Searchlight, on March 10th.

Those who bemoan the current state of PG-13-ish horror (like me) should find this report from Empire Online to be an equal dose of good news and bad. The upcoming remake of "The Hills Have Eyes" has recently received an NC-17 from the MPAA, and producer Wes Craven is required to deliver an R. So it’s back to the editing booth for director Alex Aja … at least until the DVD comes out.

"If you thought that Wes Craven’s 1977 horror classic "The Hills Have Eyes," in which a suburban family are terrorised in the desert by a family of inbred mutants, was too intense and disturbing, then prepare yourself for the forthcoming remake – because you ain’t seen nothing yet.

Says who? Well, Craven himself, who’s producing the new movie, directed this time by "Switchblade Romance" ("High Tension") helmer, Alexandre Aja. At the moment, the new "Hills" – starring Aaron Stanford, Kathleen Quinlan and Ted Levine – is so intense and gory that the American ratings board, the MPAA, have given it the dreaded NC-17, aka commercial suicide.

“It’s a very strong picture and we’re trying to figure out what to do with that, without ruining it,” says a perplexed Craven, speaking to Empire yesterday. “We have to deliver an R rating. We looked at it last night in the screening room and before we started, we said to Alex ‘what do you think?’ And he said ‘this is a PG-13 now’. And one of our producers said ‘Alex, can we commit you to an insane asylum if this isn’t an R?’ and then he showed it to us and ohmigod, there’s no way you would get an R for that.”

Craven confirmed that Aja is still cutting the movie, and with a March 10 release date (both here and in the States), there’s plenty of time to meet the MPAA’s strict demands. But don’t worry, gore fans – “We can put it all full strength on the DVD, though,” laughs Craven. “We’ll be able to do that.”"

Head on over to Empire Online for the entire juicy scoop, but tread lightly, newcomers; there’s spoilers in them "Hills"!

Alexandre Aja, director of the horror import "High Tension" and next year’s remake of "The Hills Have Eyes," has signed on with Rogue/Focus to lens "The Waiting." Not surprisingly, it’s a horror flick.

According to Variety, "Rogue, the Focus Features genre arm, has picked up domestic rights to Gold Circle Films and Craven/Maddalena Films’ "The Waiting," a supernatural horror thriller penned by Juliet Snowden and Stiles White.

Alex Aja has just been tapped to helm the project, the story of a young mother who believes the spirit of her dead son is haunting her."

"The Waiting" is scheduled to begin production early next year.

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