Crazy Heart

(Photo by Fox Searchlight/courtesy Everett Collection. Thumbnail: Gramercy Pictures.)

All Jeff Bridges Movies Ranked by Tomatometer

Jeff Bridges, son of Lloyd, struck it big with his first major role in 1971’s The Last Picture Show, where he was Oscar-nominated for his role as a graduating high school student in a prospectless Texas town. Afterwards, Bridges became a steady, comforting fixture in American cinema, appearing across action-thrillers (Thunderbolt & Lightfoot, Cutter’s Way), big-budget remakes (1975’s King Kong, The Vanishing), magnificent bombs (Heaven’s Gate), science-fiction (TRON, Starman), theater adaptations (The Iceman Cometh), and additional fine-tuned dramas (The Fisher King).

Bridges’ eclectic career choices primed him to become a beloved Hollywood statesman, all but confirmed with 1998’s The Big Lebowski. Wearing his personal wardrobe on-screen (including the jelly sandals) and directed by the Coen brothers, Bridges as Jeff “The Dude” Lebowski in a state of perpetual befuddled zen has rooted himself into pop culture with his generation-defining comedy performance. And Lebowski has only paved the way for later milestones and hits, including True Grit, Hell or High Water, and a take-home Best Actor Oscar for Crazy Heart, his big win out of seven nominations overall.

And now we do believe you shall abide as we take a trip through all Jeff Bridges movies, ranked by Tomatometer.

#62
#62
Critics Consensus: No consensus yet.
Synopsis: Matt Scudder (Jeff Bridges) is a depressed and hard-drinking Los Angeles cop troubled by a shooting that occurred in the... [More]
Directed By: Hal Ashby

#61

R.I.P.D. (2013)
12%

#61
Adjusted Score: 15701%
Critics Consensus: It has its moments -- most of them courtesy of Jeff Bridges' rootin' tootin' performance as an undead Wild West sheriff -- but R.I.P.D. is ultimately too dim-witted and formulaic to satisfy.
Synopsis: Veteran lawman Roy Pulsifer (Jeff Bridges) works for the R.I.P.D., a legendary police force charged with finding monstrous spirits who... [More]
Directed By: Robert Schwentke

#60

Seventh Son (2014)
12%

#60
Adjusted Score: 16424%
Critics Consensus: Seventh Son squanders an excellent cast and some strange storyline ingredients, leaving audiences with one disappointingly dull fantasy adventure.
Synopsis: Centuries ago, a supernatural champion named Master Gregory (Jeff Bridges) defeated Mother Malkin (Julianne Moore), a malevolent witch. Now, she... [More]
Directed By: Sergei Bodrov

#59
#59
Adjusted Score: 26220%
Critics Consensus: Unintelligible and self-indulgent Bob Dylan vehicle.
Synopsis: A nation wracked with civil war and social unrest is looking forward to a giant charity concert, organized by deceptive... [More]
Directed By: Larry Charles

#58

Simpatico (1999)
25%

#58
Adjusted Score: 26138%
Critics Consensus: Critics say Simpatico's lengthy plot is too unfocused; the movie becomes confusing and tedious to watch.
Synopsis: Carter receives a collect call from Vinnie, and a dark event from the past threatens to destroy his current success.... [More]
Directed By: Matthew Warchus

#57

The Open Road (2009)
29%

#57
Adjusted Score: 8920%
Critics Consensus: No consensus yet.
Synopsis: While playing minor league baseball in Texas, Carlton Garrett (Justin Timberlake) receives word from his grandfather (Harry Dean Stanton) that... [More]
Directed By: Michael Meredith

#56

Tideland (2005)
30%

#56
Adjusted Score: 31684%
Critics Consensus: Tideland is a disturbing, and mostly unwatchable effort from Terry Gilliam.
Synopsis: Little Jeliza-Rose (Jodelle Ferland) has a very warped childhood. Her parents (Jeff Bridges, Jennifer Tilly) are both drug addicts, and... [More]
Directed By: Terry Gilliam

#55

Stick It (2006)
31%

#55
Adjusted Score: 34718%
Critics Consensus: Director Jessica Bendinger is unable to transfer her winning Bring It On formula to the world of gymnastics, despite Missy Peregrym's strong lead performance.
Synopsis: Haley (Missy Peregrym) is a naturally gifted athlete but, with her social behavior, the teen seems intent on squandering her... [More]
Directed By: Jessica Bendinger

#54
Adjusted Score: 38144%
Critics Consensus: Narratively messy and cloying, The Only Living Boy in New York is a romantic trifle that audiences won't want to give a second date.
Synopsis: After graduating from college and moving into an apartment, young Thomas Webb befriends an alcoholic neighbor who dispenses worldly wisdom... [More]
Directed By: Marc Webb

#53

The Giver (2014)
35%

#53
Adjusted Score: 40988%
Critics Consensus: Phillip Noyce directs The Giver with visual grace, but the movie doesn't dig deep enough into the classic source material's thought-provoking ideas.
Synopsis: Jonas (Brenton Thwaites) lives in a seemingly idyllic world of conformity and contentment. When he begins to spend time with... [More]
Directed By: Phillip Noyce

#52
Adjusted Score: 40066%
Critics Consensus: A decent performance from Pegg in a disappointing film. Neither sharp nor satirical, Weide's adaptation relies too heavily on slapstick, and misses the point of the source material in the process.
Synopsis: Sidney Young is a down-on-his-luck journalist. Thanks to a stint involving a pig and a glitzy awards ceremony, Sidney turns... [More]
Directed By: Robert Weide

#51

Blown Away (1994)
38%

#51
Adjusted Score: 35798%
Critics Consensus: No consensus yet.
Synopsis: After staging a particularly gory jailbreak, Irish Republican Army agent Ryan Gaerity (Tommy Lee Jones) makes his way to Boston... [More]
Directed By: Stephen Hopkins

#50

Wild Bill (1995)
42%

#50
Adjusted Score: 43019%
Critics Consensus: Crowded with talent on either side of the camera, Wild Bill shoots itself in the foot with a surprisingly muddled take on the story of the titular folk hero.
Synopsis: Gunfighter Wild Bill Hickok (Jeff Bridges) travels the frontier, gaining fame and enemies in roughly equal measure. He sometimes meets... [More]
Directed By: Walter Hill

#49

K-PAX (2001)
42%

#49
Adjusted Score: 47370%
Critics Consensus: For those who have seen One Flew Over the Cuckoo's Nest or Starman, K-Pax may not hold anything new. The movie works best as a showcase for Kevin Spacey and Jeff Bridges.
Synopsis: Tells the story of a mysterious patient (Kevin Spacey) at a mental hospital who claims to be from a distant... [More]
Directed By: Iain Softley

#48

Nadine (1987)
45%

#48
Adjusted Score: 45056%
Critics Consensus: No consensus yet.
Synopsis: Hairdresser Nadine Hightower (Kim Basinger) wants to retrieve the risqué photos she once posed for, but when she visits the... [More]
Directed By: Robert Benton

#47

The Vanishing (1993)
49%

#47
Adjusted Score: 50585%
Critics Consensus: The Vanishing copies the form of its pulse-pounding predecessor but loses much of its thrilling function along the way, leaving American audiences with one more rote remake.
Synopsis: Barney (Jeff Bridges) is a disturbed man intent on abducting a woman. After numerous failed attempts, he manages to kidnap... [More]
Directed By: George Sluizer

#46
#46
Adjusted Score: 11784%
Critics Consensus: No consensus yet.
Synopsis: In need of money for his upcoming wedding, Lenny (Jon Abrahams) agrees to help Rick (Peter Greene) with some work.... [More]
Directed By: Dominique Forma

#45
Adjusted Score: 58922%
Critics Consensus: Though The Men Who Stare at Goats is a mostly entertaining, farcical glimpse of men at war, some may find its satire and dark humor less than edgy.
Synopsis: Struggling reporter Bob Wilton (Ewan McGregor) gets the scoop of a lifetime when he meets Lyn Cassady (George Clooney), who... [More]
Directed By: Grant Heslov

#44

Tron: Legacy (2010)
51%

#44
Adjusted Score: 59485%
Critics Consensus: Tron Legacy boasts dazzling visuals, but its human characters and story get lost amidst its state-of-the-art production design.
Synopsis: Sam (Garrett Hedlund), the son of famous video-game developer Kevin Flynn (Jeff Bridges), has been haunted for a long time... [More]
Directed By: Joseph Kosinski

#43
Adjusted Score: 73256%
Critics Consensus: Kingsman: The Golden Circle offers more of everything that made its predecessor so much fun, but lacks the original's wild creative spark.
Synopsis: With their headquarters destroyed and the world held hostage, members of Kingsman find new allies when they discover a spy... [More]
Directed By: Matthew Vaughn

#42

The Muse (1999)
53%

#42
Adjusted Score: 55011%
Critics Consensus: Despite quirky and original writing, the subject matter feels too removed to produce laughs.
Synopsis: Screenwriter Steven Phillips (Albert Brooks) seemingly has it all, including an Academy Award for his latest script. But he's hit... [More]
Directed By: Albert Brooks

#41
#41
Adjusted Score: 27034%
Critics Consensus: No consensus yet.
Synopsis: A Manhattan psychiatrist (Jeff Bridges) shuttles from his second wife (Alice Krige) to his ex-wife (Farrah Fawcett), with children in... [More]
Directed By: Alan J. Pakula

#40

Texasville (1990)
55%

#40
Adjusted Score: 54913%
Critics Consensus: An impressive array of talent on either side of the camera helps compensate for Texasville's inability to live up to its classic predecessor, but it isn't quite enough.
Synopsis: 1950s lovers (Jeff Bridges, Cybill Shepherd) meet in the 1980s in this sequel to "The Last Picture Show."... [More]
Directed By: Peter Bogdanovich

#39
#39
Adjusted Score: 55362%
Critics Consensus: No consensus yet.
Synopsis: Comic tale about the relationship between a frumpy college lecturer specializing in romantic literature and a fellow professor who wants... [More]
Directed By: Barbra Streisand

#38

King Kong (1976)
55%

#38
Adjusted Score: 57930%
Critics Consensus: King Kong represents a significant visual upgrade over the original, but falls short of its classic predecessor in virtually every other respect.
Synopsis: When a research ship is sent to explore an island thought to be rich in oil, paleontologist Jack Prescott (Jeff... [More]
Directed By: John Guillermin

#37

White Squall (1996)
58%

#37
Adjusted Score: 59566%
Critics Consensus: Though it gets occasionally bogged down by touchy-feely sentiment, White Squall benefits greatly from Jeff Bridges' assured lead performance and Ridley Scott's visceral, exciting direction.
Synopsis: In 1960, a hardy group of prep school students boards an old-fashioned sailing ship. With Capt. Christopher Sheldon (Jeff Bridges)... [More]
Directed By: Ridley Scott

#36

Heaven's Gate (1980)
59%

#36
Adjusted Score: 61920%
Critics Consensus: Heaven's Gate contains too many ideas and striking spectacle to be a disaster, but this western buckles under the weight of its own sprawl.
Synopsis: Harvard graduate James Averill (Kris Kristofferson) is the sheriff of prosperous Jackson County, Wyo., when a battle erupts between the... [More]
Directed By: Michael Cimino

#35
#35
Adjusted Score: 64060%
Critics Consensus: No consensus yet.
Synopsis: Failed actress Alex Sternbergen (Jane Fonda) wakes up hungover one morning in an apartment she does not recognize, unable to... [More]
Directed By: Sidney Lumet

#34

Arlington Road (1999)
63%

#34
Adjusted Score: 66730%
Critics Consensus: A suspenseful thriller led by strong cast performances built around a somewhat implausible story.
Synopsis: Widowed when his FBI agent wife is killed by an extremist group, college professor Michael Faraday (Jeff Bridges) becomes obsessed... [More]
Directed By: Mark Pellington

#33

Against All Odds (1984)
64%

#33
Adjusted Score: 64331%
Critics Consensus: No consensus yet.
Synopsis: Having been cut from his professional football team, down-and-out athlete Terry Brogan (Jeff Bridges) is in desperate need of money.... [More]
Directed By: Taylor Hackford

#32

Stay Hungry (1976)
67%

#32
Adjusted Score: 66681%
Critics Consensus: No consensus yet.
Synopsis: A dishonest businessman asks rich layabout Craig Blake (Jeff Bridges) to help him buy a gym, which will be demolished... [More]
Directed By: Bob Rafelson

#31
#31
Adjusted Score: 70951%
Critics Consensus: Though uneven in tone, this is one of the better adaptations of John Irving's novels, with Jeff Bridges giving one of his best performances.
Synopsis: The lives of Ted (Jeff Bridges) and Marion Cole (Kim Basinger) are thrown into disarray when their two adolescent sons... [More]
Directed By: Tod Williams

#30

Rancho Deluxe (1975)
70%

#30
Adjusted Score: 71169%
Critics Consensus: No consensus yet.
Synopsis: Cattle rustlers Jack McKee (Jeff Bridges) and Cecil Colson (Sam Waterston) steadily steal cows from wealthy rancher John Brown (Clifton... [More]
Directed By: Frank Perry

#29
#29
Adjusted Score: 23674%
Critics Consensus: No consensus yet.
Synopsis: Junior Jackson (Jeff Bridges) is a Southern boy with a penchant for driving too fast along his native North Carolina... [More]
Directed By: Lamont Johnson

#28

Tron (1982)
71%

#28
Adjusted Score: 76692%
Critics Consensus: Though perhaps not as strong dramatically as it is technologically, TRON is an original and visually stunning piece of science fiction that represents a landmark work in the history of computer animation.
Synopsis: When talented computer engineer Kevin Flynn (Jeff Bridges) finds out that Ed Dillinger (David Warner), an executive at his company,... [More]
Directed By: Steven Lisberger

#27

The Last Unicorn (1982)
73%

#27
Adjusted Score: 73232%
Critics Consensus: The Last Unicorn lacks the fluid animation to truly sparkle as an animated epic, but offbeat characters and an affecting story make it one of a kind for the true believers.
Synopsis: In this animated musical, the villainous King Haggard (Christopher Lee) plots to destroy all the world's unicorns. When a young... [More]

#26
Adjusted Score: 89448%
Critics Consensus: Smart, stylish, and packed with solid performances, Bad Times at the El Royale delivers pure popcorn fun with the salty tang of social subtext.
Synopsis: The El Royale is run-down hotel that sits on the border between California and Nevada. It soon becomes a seedy... [More]
Directed By: Drew Goddard

#25

The Contender (2000)
76%

#25
Adjusted Score: 80805%
Critics Consensus: The Contender wears its political heart on its sleeve, but strong performances and a solid screenplay help the end result add up to a gripping drama from either side of the aisle.
Synopsis: When the sitting Vice President dies, Senator Laine Hanson is chosen by the President to be the first woman to... [More]
Directed By: Rod Lurie

#24

Seabiscuit (2003)
77%

#24
Adjusted Score: 84131%
Critics Consensus: A life-affirming, if saccharine, epic treatment of a spirit-lifting figure in sports history.
Synopsis: In the midst of the Great Depression, a businessman (Jeff Bridges) coping with the tragic death of his son, a... [More]
Directed By: Gary Ross

#23

Surf's Up (2007)
79%

#23
Adjusted Score: 84034%
Critics Consensus: Surf's Up is a laid back, visually stunning animated movie that brings a fresh twist to some familiar conventions. Its witty mockumentary format is fun and inventive, and the CGI is breathtakingly realistic.
Synopsis: Surfing means everything to teenage penguin Cody Maverick (Shia LaBeouf). Followed by a documentary film crew, he leaves his home... [More]
Directed By: Ash Brannon, Chris Buck

#22

American Heart (1992)
80%

#22
Adjusted Score: 80453%
Critics Consensus: No consensus yet.
Synopsis: This unflinching drama tells the story of recently released ex-convict Jack Kelson (Jeff Bridges) as he struggles to begin a... [More]
Directed By: Martin Bell

#21

Jagged Edge (1985)
81%

#21
Adjusted Score: 82021%
Critics Consensus: Coolly performed and suspenseful, Jagged Edge is a satisfying enough potboiler that most audiences won't mind if the twists don't quite add up.
Synopsis: Lawyer Teddy Barnes reluctantly takes up the case of publisher Jack Forrester, who is accused of murdering his wife for... [More]
Directed By: Richard Marquand

#20
Adjusted Score: 85026%
Critics Consensus: Though it may not be as comprehensive as some would like, Francis Ford Coppola's cheerful biopic of the failed automotive designer features sparkling direction and a strong central performance from Jeff Bridges.
Synopsis: Obsessed with cars since childhood, inventor Preston Tucker (Jeff Bridges) has his first successful auto design partnership in the 1930s... [More]
Directed By: Francis Ford Coppola

#19

The Big Lebowski (1998)
83%

#19
Adjusted Score: 89049%
Critics Consensus: Typically stunning visuals and sharp dialogue from the Coen Brothers, brought to life with strong performances from Goodman and Bridges.
Synopsis: Jeff Bridges plays Jeff Lebowski who insists on being called "the Dude," a laid-back, easygoing burnout who happens to have... [More]
Directed By: Joel Coen

#18

The Fisher King (1991)
84%

#18
Adjusted Score: 87551%
Critics Consensus: An odd but affecting mixture of drama, comedy and fantasy, The Fisher King manages to balance moving performances from Robin Williams and Jeff Bridges with director Terry Gilliam's typically askew universe.
Synopsis: After shock jock Jack Lucas (Jeff Bridges) inadvertently provokes a caller into murdering a group of innocent people in a... [More]
Directed By: Terry Gilliam

#17

Starman (1984)
85%

#17
Adjusted Score: 86137%
Critics Consensus: What initially begins as sci-fi transforms into a surprisingly sweet, offbeat drama, courtesy of John Carpenter's careful direction.
Synopsis: Answering a NASA message intended for aliens, a space being tries to contact mankind, but an American missile grounds his... [More]
Directed By: John Carpenter

#16

Fearless (1993)
85%

#16
Adjusted Score: 87974%
Critics Consensus: This underrated gem from director Peter Weir features an outstanding performance from Jeff Bridges as a man dealing with profound grief.
Synopsis: When Max Klein (Jeff Bridges) survives a plane crash that kills many others, his last-minute epiphanies bring him a sense... [More]
Directed By: Peter Weir

#15

Bad Company (1972)
86%

#15
Adjusted Score: 86612%
Critics Consensus: Well-acted and pleasantly gritty, Bad Company is one of the more authentic Westerns of its era -- and an auspicious debut for director Robert Benton.
Synopsis: Out of the frying pan and into the fire: Civil War draft dodger Drew Dixon (Barry Brown) avoids the horrors... [More]
Directed By: Robert Benton

#14
#14
Adjusted Score: 89613%
Critics Consensus: This likable buddy/road picture deftly mixes action and comedy, and features excellent work from stars Clint Eastwood and Jeff Bridges and first-time director Michael Cimino.
Synopsis: While stealing a car, free-spirited drifter Lightfoot (Jeff Bridges) crosses paths with legendary thief Thunderbolt (Clint Eastwood) in the midst... [More]
Directed By: Michael Cimino

#13

Only the Brave (2017)
87%

#13
Adjusted Score: 98875%
Critics Consensus: Only the Brave's impressive veteran cast and affecting fact-based story add up to a no-frills drama that's just as stolidly powerful as the real-life heroes it honors.
Synopsis: Through hope, determination, sacrifice and the drive to protect families and communities, the Granite Mountain Hotshots become one of the... [More]
Directed By: Joseph Kosinski

#12
#12
Adjusted Score: 31677%
Critics Consensus: No consensus yet.
Synopsis: During the 1930s, endearingly naïve Lewis Tater (Jeff Bridges) aspires to be the next great American Western writer. But when... [More]
Directed By: Howard Zieff

#11

Winter Kills (1979)
88%

#11
Adjusted Score: 88730%
Critics Consensus: No consensus yet.
Synopsis: Inspired by the conspiracy theories surrounding John F. Kennedy's assassination, this comic thriller follows Nick Kegan (Jeff Bridges), the younger... [More]
Directed By: William Richert

#10

Crazy Heart (2009)
90%

#10
Adjusted Score: 96999%
Critics Consensus: Thanks to a captivating performance from Jeff Bridges, Crazy Heart transcends its overly familiar origins and finds new meaning in an old story.
Synopsis: With too many years of hazy days and boozy nights,former country-music legend Bad Blake (Jeff Bridges) is reduced to playing... [More]
Directed By: Scott Cooper

#9
#9
Adjusted Score: 90219%
Critics Consensus: No consensus yet.
Synopsis: Based on the play by Eugene O'Neill, this drama begins as the sad-sack patrons of a New York City bar... [More]
Directed By: John Frankenheimer

#8

Cutter's Way (1981)
91%

#8
Adjusted Score: 92199%
Critics Consensus: A suitably cynical neo-noir that echoes the disillusionment of its era, Cutter's Way relies on character-driven drama further elevated by the work of an outstanding cast.
Synopsis: Best friends Richard Bone (Jeff Bridges) and Alex Cutter (John Heard) are two middle-class guys living in an upper-class town.... [More]
Directed By: Ivan Passer

#7
#7
Adjusted Score: 97517%
Critics Consensus: Beautifully animated and faithful to the spirit of its classic source material, The Little Prince is a family-friendly treat that anchors thrilling visuals with a satisfying story.
Synopsis: The Aviator introduces a girl to a world where she rediscovers her childhood and learns that it's human connections that... [More]
Directed By: Mark Osborne

#6

Iron Man (2008)
94%

#6
Adjusted Score: 104599%
Critics Consensus: Powered by Robert Downey Jr.'s vibrant charm, Iron Man turbo-charges the superhero genre with a deft intelligence and infectious sense of fun.
Synopsis: A billionaire industrialist and genius inventor, Tony Stark (Robert Downey Jr.), is conducting weapons tests overseas, but terrorists kidnap him... [More]
Directed By: Jon Favreau

#5

True Grit (2010)
95%

#5
Adjusted Score: 105673%
Critics Consensus: Girded by strong performances from Jeff Bridges, Matt Damon, and newcomer Hailee Steinfeld, and lifted by some of the Coens' most finely tuned, unaffected work, True Grit is a worthy companion to the Charles Portis book.
Synopsis: After an outlaw named Tom Chaney (Josh Brolin) murders her father, feisty 14-year-old farm girl Mattie Ross (Hailee Steinfeld) hires... [More]
Directed By: Joel Coen, Ethan Coen

#4
#4
Adjusted Score: 97715%
Critics Consensus: Its story is nothing special, but The Fabulous Baker Boys glows beneath luminous performances from its perfectly cast stars.
Synopsis: Frank (Beau Bridges) and Jack Baker (Jeff Bridges) are brothers who have performed together in a small but successful piano... [More]
Directed By: Steve Kloves

#3
#3
Adjusted Score: 114020%
Critics Consensus: Hell or High Water offers a solidly crafted, well-acted Western heist thriller that eschews mindless gunplay in favor of confident pacing and full-bodied characters.
Synopsis: Toby is a divorced father who's trying to make a better life for his son. His brother Tanner is an... [More]
Directed By: David Mackenzie

#2

Fat City (1972)
100%

#2
Adjusted Score: 102110%
Critics Consensus: Fat City is a bleak, mordant, slice of life boxing drama that doesn't pull its punches.
Synopsis: Washed-up boxer Tully (Stacy Keach) is inspired to restart his career after seeing potential in a teenager, Ernie (Jeff Bridges),... [More]
Directed By: John Huston

#1
#1
Adjusted Score: 106118%
Critics Consensus: Making excellent use of its period and setting, Peter Bogdanovich's small town coming-of-age story is a sad but moving classic filled with impressive performances.
Synopsis: High school seniors and best friends, Sonny (Timothy Bottoms) and Duane (Jeff Bridges), live in a dying Texas town. The... [More]
Directed By: Peter Bogdanovich

(Photo by Warner Bros., 20th Century Fox Film Corp, TriStar/Courtesy Everett Collection)

RT Recommends: 68 Inspiring Sports Movies

We’ve put together the ultimate starting lineup of inspiring sports movies! In no time, you’ll be riding horses, climbing rocks, driving powerful race cars, bolting cross-country, and coaching underdog teams to miraculous victory.

Or they’ll at least get you off the couch.

Some of the most esteemed Certified Fresh inspirational sports movies take on MMA (Warrior), boxing (Creed, Cinderella Man), auto-racing (Rush, Senna), basketball (Hoosiers, He Got Game), hockey (Miracle, Goon). Of course, not everything that glitters is strictly critics’ gold. Which is why we included movies like The Cutting Edge, Stick It, or Lords of Dogtown: They may be lower on the Tomatometer, but they’re high on electric inspiration.

Read on for our recommendations of the most inspiring sports movies of all time! (And you can find them all in Vudu’s inspiring sports movies collection, with most on sale!)

#68

42 (2013)
81%

#68
Adjusted Score: 87776%
Critics Consensus: 42 is an earnest, inspirational, and respectfully told biography of an influential American sports icon, though it might be a little too safe and old-fashioned for some.
Synopsis: In 1946, Branch Rickey (Harrison Ford), legendary manager of the Brooklyn Dodgers, defies major league baseball's notorious color barrier by... [More]
Directed By: Brian Helgeland

#67
#67
Adjusted Score: 98704%
Critics Consensus: The Bad News Bears is rude, profane, and cynical, but shot through with honest, unforced humor, and held together by a deft, understated performance from Walter Matthau.
Synopsis: Hard-drinking, ex-minor-league hopeful Morris Buttermaker (Walter Matthau) grumpily agrees to coach a Little League team at the behest of lawyer-councilman... [More]
Directed By: Michael Ritchie

#66
#66
Adjusted Score: 90204%
Critics Consensus: Inspiring, compassionate, and with a sly undercurrent of social commentary, Bend It Like Beckham is a lively feel-good movie that genuinely charms.
Synopsis: Jess Bhamra (Parminder Nagra), the daughter of a strict Indian couple (Anupam Kher, Shaheen Khan) in London, is not permitted... [More]
Directed By: Gurinder Chadha

#65

Blades of Glory (2007)
70%

#65
Adjusted Score: 77995%
Critics Consensus: Thanks to the spirited performances of a talented cast - particularly Will Ferrell and Jon Heder as rivals-turned-teammates -- Blades of Glory successfully spoofs inspirational sports dramas with inspired abandon.
Synopsis: Figure skaters Chazz Michael Michaels (Will Ferrell) and Jimmy MacElroy (Jon Heder) take their intense rivalry too far during the... [More]
Directed By: Will Speck, Josh Gordon

#64

Brian's Song (1971)
92%

#64
Adjusted Score: 92567%
Critics Consensus: Buoyed by standout performances from James Caan and Billy Dee Williams, Brian's Song is a touching tale of friendship whose central relationship transcends its standard sports movie moments.
Synopsis: Brian Piccolo (James Caan) and Gale Sayers (Billy Dee Williams) are teammates on the mid-1960s Chicago Bears. At a time... [More]
Directed By: Buzz Kulik

#63

Bring It On (2000)
64%

#63
Adjusted Score: 67406%
Critics Consensus: Despite the formulaic, fluffy storyline, this movie is surprisingly fun to watch, mostly due to its high energy and how it humorously spoofs cheerleading instead of taking itself too seriously.
Synopsis: The Toro cheerleading squad from Rancho Carne High School in San Diego has got spirit, spunk, sass and a killer... [More]
Directed By: Peyton Reed

#62

The Bronze (2015)
36%

#62
Adjusted Score: 41582%
Critics Consensus: Enthusiastically unpleasant and mostly unfunny, The Bronze fails to stick the landing -- or much else along the way.
Synopsis: A spoiled and largely forgotten Olympic medalist (Melissa Rauch) takes action when a promising young gymnast (Haley Lu Richardson) threatens... [More]
Directed By: Bryan Buckley

#61

Chariots of Fire (1981)
82%

#61
Adjusted Score: 88074%
Critics Consensus: Decidedly slower and less limber than the Olympic runners at the center of its story, the film nevertheless manages to make effectively stirring use of its spiritual and patriotic themes.
Synopsis: In the class-obsessed and religiously divided United Kingdom of the early 1920s, two determined young runners train for the 1924... [More]
Directed By: Hugh Hudson

#60

Cinderella Man (2005)
80%

#60
Adjusted Score: 87609%
Critics Consensus: With grittiness and an evocative sense of time and place, Cinderella Man is a powerful underdog story. And Ron Howard and Russell Crowe prove to be a solid combination.
Synopsis: During the Great Depression, ex-boxer James J. Braddock (Russell Crowe) works as a day laborer until his former manager Joe... [More]
Directed By: Ron Howard

#59

Cool Runnings (1993)
76%

#59
Adjusted Score: 79070%
Critics Consensus: Cool Runnings rises above its formulaic sports-movie themes with charming performances, light humor, and uplifting tone.
Synopsis: Four Jamaican bobsledders dream of competing in the Winter Olympics, despite never having seen snow. With the help of a... [More]
Directed By: Jon Turteltaub

#58

Creed (2015)
95%

#58
Adjusted Score: 106968%
Critics Consensus: Creed brings the Rocky franchise off the mat for a surprisingly effective seventh round that extends the boxer's saga in interesting new directions while staying true to its classic predecessors' roots.
Synopsis: Adonis Johnson (Michael B. Jordan) never knew his famous father, boxing champion Apollo Creed, who died before Adonis was born.... [More]
Directed By: Ryan Coogler

#57

The Cutting Edge (1992)
57%

#57
Adjusted Score: 59390%
Critics Consensus: Part contrived romance, part hackneyed sports drama, The Cutting Edge shows how difficult it can be to figure skate through cheese.
Synopsis: Stuck-up figure skating whiz Kate Moseley (Moira Kelly) is denied a gold medal at the 1988 Olympics after a fall.... [More]
Directed By: Paul Michael Glaser

#56
#56
Adjusted Score: 97326%
Critics Consensus: Better than your average football pic, Damned United is carried by another star turn from Michael Sheen as Brian Clough.
Synopsis: The story of Brian Clough's 44 day stint as manager of Leeds United Football Club takes place in 1974 England.... [More]
Directed By: Tom Hooper

#55

Downhill Racer (1969)
85%

#55
Adjusted Score: 85229%
Critics Consensus: Downhill Racer plunges the viewer thrillingly into the action of the sport -- and continues to hold the attention as a thoughtful drama.
Synopsis: A smug and overly self-assured downhill skier, David Chappellet (Robert Redford), joins the American ski team and quickly makes waves... [More]
Directed By: Michael Ritchie

#54

Eddie the Eagle (2016)
81%

#54
Adjusted Score: 93630%
Critics Consensus: Eddie the Eagle's amiable sweetness can't disguise its story's many inspirational clichés -- but for many viewers, it will be more than enough to make up for them.
Synopsis: Cut from the Olympic ski team, British athlete Michael "Eddie" Edwards travels to Germany to test his skills at ski... [More]
Directed By: Dexter Fletcher

#53

Endurance (1998)
50%

#53
Adjusted Score: 50337%
Critics Consensus: No consensus yet.
Synopsis: This docudrama focuses on the life and accomplishments of Ethiopian runner Haile Gebrselassie, who won a gold medal at the... [More]

#52

Fair Play (2014)

#52
Adjusted Score: -1%
Critics Consensus: No consensus yet.
Synopsis: In the 1980s, Anna, a Czech sprinter, starts training for the Olympics. After she collapses during training, she learns she... [More]
Directed By: Andrea Sedlácková

#51
#51
Adjusted Score: 106886%
Critics Consensus: Much like the sport it celebrates, Fighting with My Family muscles past clichés with a potent blend of energy and committed acting that should leave audiences cheering.
Synopsis: Born into a tight-knit wrestling family, Paige and her brother Zak are ecstatic when they get the once-in-a-lifetime opportunity to... [More]
Directed By: Stephen Merchant

#50

Ford v Ferrari (2019)
92%

#50
Adjusted Score: 114298%
Critics Consensus: Ford v Ferrari delivers all the polished auto action audiences will expect -- and balances it with enough gripping human drama to satisfy non-racing enthusiasts.
Synopsis: American automotive designer Carroll Shelby and fearless British race car driver Ken Miles battle corporate interference, the laws of physics... [More]
Directed By: James Mangold

#49

Free Solo (2018)
97%

#49
Adjusted Score: 106087%
Critics Consensus: Free Solo depicts athletic feats that many viewers will find beyond reason - and grounds the attempts in passions that are all but universal.
Synopsis: Alex Honnold completes the first free solo climb of famed El Capitan's 3,000-foot vertical rock face at Yosemite National Park.... [More]

#48

Girlfight (2000)
88%

#48
Adjusted Score: 91715%
Critics Consensus: Michelle Rodriguez gives a compelling performance, despite lack of a boxing background; Karyn Kusama packs a punch with this directorial debut.
Synopsis: Newcomer Michelle Rodriguez in an astounding performance alongside Jaime Tirelli, Paul Calderon and Santiago Douglas. Nothing comes easy for Diana... [More]
Directed By: Karyn Kusama

#47
#47
Adjusted Score: -1%
Critics Consensus: No consensus yet.
Synopsis: Bert Bushnell and Dickie Burnell are thrown together in the double sculls just five weeks before the final of the... [More]
Directed By: David Blair

#46

Goon (2011)
81%

#46
Adjusted Score: 84988%
Critics Consensus: Goon is a crude slapstick comedy with well-formed characters and a surprising amount of heart.
Synopsis: Though a misfit among his brainy family members, Massachusetts bouncer Doug Glatt (Seann William Scott) has a knockout punch that... [More]
Directed By: Michael Dowse

#45

Gracie (2007)
61%

#45
Adjusted Score: 64450%
Critics Consensus: Gracie can be rousing and touching in spots, but is ultimately undone by its predictable story arc and a lack of nuance.
Synopsis: Gracie Bowen (Carly Schroeder) is the only girl among her parents' four children. Her brothers and father (Dermot Mulroney) eat,... [More]
Directed By: Davis Guggenheim

#44
Adjusted Score: 66004%
Critics Consensus: Despite all the underdog sports movie conventions, the likable cast and lush production values make The Greatest Game Ever Played a solid and uplifting tale.
Synopsis: Blue-collar Francis Ouimet (Shia LaBeouf) fights class prejudice while mastering golf, a game guarded by the upper crust. Employed as... [More]
Directed By: Bill Paxton

#43

Happy Gilmore (1996)
61%

#43
Adjusted Score: 63865%
Critics Consensus: Those who enjoy Adam Sandler's schtick will find plenty to love in this gleefully juvenile take on professional golf; those who don't, however, will find it unfunny and forgettable.
Synopsis: All Happy Gilmore (Adam Sandler) has ever wanted is to be a professional hockey player. But he soon discovers he... [More]
Directed By: Dennis Dugan

#42

He Got Game (1998)
81%

#42
Adjusted Score: 83074%
Critics Consensus: Though not without its flaws, He Got Game finds Spike Lee near the top of his game, combining trenchant commentary with his signature visuals and a strong performance from Denzel Washington.
Synopsis: Jake Shuttleworth (Denzel Washington) has spent the last six years in prison after accidentally killing his wife during a violent... [More]
Directed By: Spike Lee

#41

Hoosiers (1986)
91%

#41
Adjusted Score: 94988%
Critics Consensus: It may adhere to the sports underdog formula, but Hoosiers has been made with such loving craft, and features such excellent performances, that it's hard to resist.
Synopsis: Failed college coach Norman Dale (Gene Hackman) gets a chance at redemption when he is hired to direct the basketball... [More]
Directed By: David Anspaugh

#40

I Am Bolt (2016)
86%

#40
Adjusted Score: 79138%
Critics Consensus: No consensus yet.
Synopsis: The career and the legacy of Jamaican runner Usain Bolt.... [More]

#39
Adjusted Score: -1%
Critics Consensus: No consensus yet.
Synopsis: This sequel to "National Velvet" follows Sarah Brown (Tatum O'Neal), a young girl who is sent to England after her... [More]
Directed By: Bryan Forbes

#38

Invictus (2009)
76%

#38
Adjusted Score: 85438%
Critics Consensus: Delivered with typically stately precision by director Clint Eastwood, Invictus may not be rousing enough for some viewers, but Matt Damon and Morgan Freeman inhabit their real-life characters with admirable conviction.
Synopsis: Following the fall of apartheid, newly elected President Nelson Mandela (Morgan Freeman) faces a South Africa that is racially and... [More]
Directed By: Clint Eastwood

#37
Adjusted Score: -1%
Critics Consensus: No consensus yet.
Synopsis: In this stirring biographical drama, young Native American Jim Thorpe (Burt Lancaster) pursues his dreams of athletic stardom. Mentored by... [More]
Directed By: Michael Curtiz

#36

The Karate Kid (1984)
89%

#36
Adjusted Score: 91180%
Critics Consensus: Utterly predictable and wholly of its time, but warm, sincere, and difficult to resist, due in large part to Pat Morita and Ralph Macchio's relaxed chemistry.
Synopsis: Daniel (Ralph Macchio) moves to Southern California with his mother, Lucille (Randee Heller), but quickly finds himself the target of... [More]
Directed By: John G. Avildsen

#35
Adjusted Score: 100573%
Critics Consensus: The King of Kong is funny and compelling with more than a few poignant insights into human behavior. Director Seth Gordon presents the dueling King Kong players in all their obsessive complexity and with perfectly al dente observations.
Synopsis: Named "Video Game Player of the Century" in 1999, Billy Mitchell sets a record score in "Donkey Kong" that many... [More]
Directed By: Seth Gordon

#34

Lords of Dogtown (2005)
55%

#34
Adjusted Score: 59525%
Critics Consensus: Lords of Dogtown, while slickly made and edited, lacks the depth and entertaining value of the far superior documentary on the same subject, Dogtown and Z-Boys.
Synopsis: A drought in 1970s Southern California has an unexpected side effect: as people empty their swimming pools, a group of... [More]
Directed By: Catherine Hardwicke

#33
#33
Adjusted Score: 86387%
Critics Consensus: Confident directing and acting deliver an insightful look at young athletes.
Synopsis: Monica (Sanaa Lathan) and Quincy (Omar Epps) are two childhood friends who both aspire to be professional basketball players. Quincy,... [More]
Directed By: Gina Prince

#32

Maiden (2018)
98%

#32
Adjusted Score: 104747%
Critics Consensus: Enthralling viewing even for audiences with little to no knowledge of or interest in sailing, Maiden pays powerful tribute to a true pioneer.
Synopsis: In 1989 Tracy Edwards leads the first all-female crew in the Whitbread Round the World Race, a grueling yachting competition... [More]
Directed By: Alex Holmes

#31

Major League (1989)
83%

#31
Adjusted Score: 84879%
Critics Consensus: Major League may be predictable and formulaic, but buoyed by the script's light, silly humor -- not to mention the well-built sports action sequences and funny performances.
Synopsis: The new owner of the Cleveland Indians, former showgirl Rachel Phelps (Margaret Whitton), has a sweetheart deal to move the... [More]
Directed By: David S. Ward

#30

Meru (2015)
88%

#30
Adjusted Score: 90452%
Critics Consensus: Gripping visually as well as narratively, Meru is the rare documentary that proves thought-provoking while offering thrilling wide-screen vistas.
Synopsis: Three elite climbers fight through obsession and loss as they struggle to climb Mount Meru.... [More]

#29

Miracle (2004)
81%

#29
Adjusted Score: 85821%
Critics Consensus: Kurt Russell's performance guides this cliche-ridden tale into the realm of inspirational, nostalgic goodness.
Synopsis: When college coach Herb Brooks (Kurt Russell) is hired to helm the 1980 U.S. men's Olympic hockey team, he brings... [More]
Directed By: Gavin O'Connor

#28

Nadia (1984)

#28
Adjusted Score: -1%
Critics Consensus: No consensus yet.
Synopsis: Romanian gymnast Nadia Comaneci trains as a child (Leslie Weiner) and wins three gold medals as a teen (Johann Carlo)... [More]
Directed By: Alan Cooke

#27

The Natural (1984)
82%

#27
Adjusted Score: 85275%
Critics Consensus: Though heavy with sentiment, The Natural is an irresistible classic, and a sincere testament to America's national pastime.
Synopsis: On the way to a tryout with the Chicago Cubs, young baseball phenom Roy Hobbs (Robert Redford) is shot by... [More]
Directed By: Barry Levinson

#26
#26
Adjusted Score: 87507%
Critics Consensus: No consensus yet.
Synopsis: The story of Lithuania's 1992 Olympic basketball team whose athletes won the bronze medal.... [More]
Starring:
Directed By: Marius A. Markevicius

#25

Pacific Rim (2013)
72%

#25
Adjusted Score: 84164%
Critics Consensus: It may sport more style than substance, but Pacific Rim is a solid modern creature feature bolstered by fantastical imagery and an irresistible sense of fun.
Synopsis: Long ago, legions of monstrous creatures called Kaiju arose from the sea, bringing with them all-consuming war. To fight the... [More]
Directed By: Guillermo del Toro

#24

Personal Best (1982)
73%

#24
Adjusted Score: 74346%
Critics Consensus: Mariel Hemingway has a career-making star turn in this highly physical drama about two Olympic athletes who find each other during competitive training.
Synopsis: Young sprinter Chris Cahill (Mariel Hemingway) is having difficulty reaching her potential as an athlete, until she meets established track... [More]
Directed By: Robert Towne

#23

Prefontaine (1997)
56%

#23
Adjusted Score: 56681%
Critics Consensus: No consensus yet.
Synopsis: Olympic defeat matures a selfish distance runner (Jared Leto) into a sports activist before his 1975 death in a car... [More]
Directed By: Steve James

#22

Pride (2007)
47%

#22
Adjusted Score: 50311%
Critics Consensus: Pride features a typically stellar performance from Terrence Howard, but ultimately falls victim to its over usage of sports movie clichés.
Synopsis: In 1970s Philadelphia, Jim Ellis (Terrence Howard), who is driven by a love of competitive swimming, fixes up an abandoned... [More]
Directed By: Sunu Gonera

#21

Pumping Iron (1977)
91%

#21
Adjusted Score: 93904%
Critics Consensus: In addition to offering an enlightening early look into the world of future star/politician Arnold Schwarzenegger, Pumping Iron provides a witty and insightful overview of competitive bodybuilding.
Synopsis: This partly real and partly scripted film documents what many consider to be the golden age of bodybuilding that occurred... [More]

#20

Race (2016)
63%

#20
Adjusted Score: 71771%
Critics Consensus: Race is nowhere near as thrillingly fleet or agile as its subject, but the story -- and a winning central performance from Stephan James -- are enough to carry it over the finish line.
Synopsis: Young Jesse Owens (Stephan James) becomes a track and field sensation while attending the Ohio State University in the early... [More]
Directed By: Stephen Hopkins

#19

Redbelt (2008)
67%

#19
Adjusted Score: 72546%
Critics Consensus: Mamet's mixed marital arts morality play weaves between action and intellect but doesn't always hit its target.
Synopsis: Martial artist Mike Terry (Chiwetel Ejiofor) lives by a strict code of no competitions, for he feels that such contests... [More]
Directed By: David Mamet

#18
#18
Adjusted Score: 76982%
Critics Consensus: An inspirational crowd-pleaser with a healthy dose of social commentary, Remember the Titans may be predictable, but it's also well-crafted and features terrific performances.
Synopsis: In Virginia, high school football is a way of life, an institution revered, each game celebrated more lavishly than Christmas,... [More]
Directed By: Boaz Yakin

#17

Rocky (1976)
91%

#17
Adjusted Score: 97731%
Critics Consensus: This story of a down-on-his-luck boxer is thoroughly predictable, but Sylvester Stallone's script and stunning performance in the title role brush aside complaints.
Synopsis: Rocky Balboa (Sylvester Stallone), a small-time boxer from working-class Philadelphia, is arbitrarily chosen to take on the reigning world heavyweight... [More]
Directed By: John G. Avildsen

#16

The Rookie (2002)
84%

#16
Adjusted Score: 87877%
Critics Consensus: A heart-warming sports flick, The Rookie greatly benefits from understated direction and the emotional honesty Dennis Quaid brings to the role of Jim Morris.
Synopsis: A true story about a coach who discovers that it's never too late for dreams to come true. Jim Morris... [More]
Directed By: John Lee Hancock

#15

Rudy (1993)
78%

#15
Adjusted Score: 81458%
Critics Consensus: Though undeniably sentimental and predictable, Rudy succeeds with an uplifting spirit and determination.
Synopsis: Rudy Ruettiger (Sean Astin) wants to play football at the University of Notre Dame, but has neither the money for... [More]
Directed By: David Anspaugh

#14

Rush (2013)
89%

#14
Adjusted Score: 97509%
Critics Consensus: A sleek, slick, well-oiled machine, Rush is a finely crafted sports drama with exhilarating race sequences and strong performances from Chris Hemsworth and Daniel Brühl.
Synopsis: In the mid-1970s, charismatic English playboy James Hunt (Chris Hemsworth) and Austrian perfectionist Niki Lauda (Daniel Brühl) share an intense... [More]
Directed By: Ron Howard

#13

The Sandlot (1993)
64%

#13
Adjusted Score: 68717%
Critics Consensus: It may be shamelessly derivative and overly nostalgic, but The Sandlot is nevertheless a genuinely sweet and funny coming-of-age adventure.
Synopsis: When Scottie Smalls (Thomas Guiry) moves to a new neighborhood, he manages to make friends with a group of kids... [More]
Directed By: David Mickey Evans

#12

Senna (2010)
93%

#12
Adjusted Score: 96746%
Critics Consensus: Even for filmgoers who aren't racing fans, Senna offers heart-pounding thrills -- and heartbreaking emotion.
Synopsis: Ayrton Senna becomes a three-time Formula One racing champion and Brazil's national hero before his untimely death at age 34.... [More]
Directed By: Asif Kapadia

#11

Shaolin Soccer (2001)
90%

#11
Adjusted Score: 93172%
Critics Consensus: The plot is utterly ridiculous, and the soccer in the movie is unlike any ever played anywhere on Earth, but watching Shaolin Soccer, you will probably find it impossible to care.
Synopsis: All his life, an ordinary young man (Stephen Chow) has been treated like dirt. Still, he's never given up believing... [More]
Directed By: Stephen Chow, Lik-Chi Lee

#10

Space Jam (1996)
45%

#10
Adjusted Score: 48941%
Critics Consensus: While it's no slam dunk, Space Jam's silly, Looney Toons-laden slapstick and vivid animation will leave younger viewers satisfied -- though accompanying adults may be more annoyed than entertained.
Synopsis: Swackhammer (Danny DeVito), an evil alien theme park owner, needs a new attraction at Moron Mountain. When his gang, the... [More]
Directed By: Joe Pytka

#9

Stick It (2006)
31%

#9
Adjusted Score: 34718%
Critics Consensus: Director Jessica Bendinger is unable to transfer her winning Bring It On formula to the world of gymnastics, despite Missy Peregrym's strong lead performance.
Synopsis: Haley (Missy Peregrym) is a naturally gifted athlete but, with her social behavior, the teen seems intent on squandering her... [More]
Directed By: Jessica Bendinger

#8

Sugar (2008)
92%

#8
Adjusted Score: 97281%
Critics Consensus: Sugar is an exceptionally-crafted film -- part sports flick, part immigrant tale -- with touching and poignant drama highlighted by splendid performances.
Synopsis: Like many young men in the Dominican Republic, 19-year-old Miguel "Sugar" Santos (Algenis Perez Soto) dreams of winning a slot... [More]
Directed By: Anna Boden, Ryan Fleck

#7

Teen Wolf (1985)
42%

#7
Adjusted Score: 44216%
Critics Consensus: Though Michael J. Fox is as charismatic as ever, Teen Wolf's coming-of-age themes can't help but feel a little stale and formulaic.
Synopsis: When high school nerd Scott Howard (Michael J. Fox) learns from his father, Harold (James Hampton), that being a werewolf... [More]
Directed By: Rod Daniel

#6

Unbroken (2014)
51%

#6
Adjusted Score: 60993%
Critics Consensus: Unbroken is undoubtedly well-intentioned, but it hits a few too many of the expected prestige-pic beats to register as strongly as it should.
Synopsis: As a boy, Louis "Louie" Zamperini is always in trouble, but with the help of his older brother, he turns... [More]
Directed By: Angelina Jolie

#5

Victory (1981)
63%

#5
Adjusted Score: 32074%
Critics Consensus: No consensus yet.
Synopsis: The head of a German POW camp, soccer enthusiast Karl von Steiner (Max von Sydow) organizes a match between Nazi... [More]
Directed By: John Huston

#4

Warrior (2011)
83%

#4
Adjusted Score: 90314%
Critics Consensus: Warrior relies on many of the clichés that critics of the genre love to mock -- and it transcends them with gripping action, powerful acting, and heart.
Synopsis: An estranged family finds redemption in the unlikeliest of places: the MMA ring. Tommy (Tom Hardy), an ex-Marine with a... [More]
Directed By: Gavin O'Connor

#3

The Way Back (2020)
84%

#3
Adjusted Score: 97953%
Critics Consensus: The Way Back's occasionally frustrating treatment of a formulaic story is often outweighed by Ben Affleck's outstanding work in the central role.
Synopsis: Jack Cunningham was a high school basketball superstar who suddenly walked away from the game for unknown reasons. Years later,... [More]
Directed By: Gavin O'Connor

#2

Whip It (2009)
84%

#2
Adjusted Score: 91770%
Critics Consensus: While made from overly familiar ingredients, Drew Barrymore's directorial debut has enough charm, energy, and good-natured humor to transcend its many cliches.
Synopsis: Bliss Cavendar lives in small-town Texas and yearns to break free of her mother's world of beauty pageants and conformity.... [More]
Directed By: Drew Barrymore

#1

Without Limits (1998)
79%

#1
Adjusted Score: 80522%
Critics Consensus: This drama about American track star and hero Steve Prefontaine intelligently looks at the character of this oft mythologized athlete and features a fantastic performance by Donald Sutherland as Prefontaine's trainer.
Synopsis: Before Steve Prefontaine (Billy Crudup) makes it to the 1972 Olympics in Munich, he is an unlikely track star at... [More]
Directed By: Robert Towne

For the fourth consecutive weekend, four or more new wide releases will cram into multiplexes trying to get at their piece of a dwindling box office pie.

Nicolas Cage targets his second trip to the top spot this year with the action film "Next," rival actioner "The Condemned" counters with Stone Cold Steve Austin in the lead, horror fans get yet another creepy tale with "The Invisible," and Jamie Kennedy goes for some laughs with "Kickin’ It Old Skool."

Mostly garbage titles were programmed into this weekend’s menu since any studio with a decent film would not risk getting crushed on the second weekend by the webslinger sequel. Including these newest films, the first four months of 2007 boasts 64 wide releases hitting the marketplace, up slightly from last year’s 60 but up sharply from the 42 over the same period in 2005. With a mass quantity of weak April films, look for the North American box office to plunge to its lowest point of the year this weekend during what is essentially the calm before Sandman’s storm hits next Thursday night at midnight.

Following his Marvel Comics hit "Ghost Rider," Nicolas Cage once again plays the action hero card with the sci-fi thriller "Next." The PG-13 film finds the Oscar winner playing a man with the ability to see into the future who is called in to foil a terrorist plot before it happens. Directed by Lee Tamahori ("Die Another Day," "Along Came A Spider"), "Next" has the advantage of having the most screens and the most starpower of any new release this weekend. Plus with current films rotting away quickly (9 of the 16 holdovers in the Top 20 last weekend plunged by more than 55%), competition will not be too fierce. Paramount has been giving "Next" a decent amount of marketing, that is for a film being dumped into the final weekend of a month starting with the letter A. In almost any other time of year this would get clobbered, but given the current alternatives it will make for the only reasonable choice for many moviegoers. Hence, a number one opening by default and quite possibly the weakest one of the year. Crashing into over 2,500 theaters, "Next" could reach the top with around $13M.


Cage and Biel required an escort when exiting the "Next" premiere.

"The Condemned" offers a reality show idea not likely to be on any network’s fall schedule. In the weekend’s sole R-rated film, death row inmates duke it out to the death in order to avoid being executed, all while television cameras capture every brutal moment. World Wrestling Entertainment head Vince McMahon produces behind the scenes while former superstar grappler Steve Austin stars in front of the camera. Other WWE stars who headlined recent feature films include Kane in last May’s "See No Evil" ($4.6M debut) and John Cena in last fall’s "The Marine" ($7.1M bow). Both films averaged less than $4,000 on their opening weekends. Young men will make up the only audience segment for the new Lionsgate title and "Next" will provide some direct action competition. Still some hardcore wrestling fans will turn up to theaters since a movie ticket will be cheaper than ordering a pay-per-view event. But overall, prospects seem bleak. "The Condemned" will attack 2,310 theaters and may end up with $6M.


Steve Austin and some unfortunate soul in "The Condemned."

As if moviegoers don’t have enough scary films to choose from, Buena Vista offers up one more with the supernatural thriller "The Invisible." The PG-13 film follows a high school student whose spirit wanders after a brutal accident. Fright flicks have been flopping left and right recently and there is no reason to believe that this one will turn things around. The marketing volume has been stuck on low as this remake of a Swedish pic is more of a spring cleaning film tossed into the marketplace hoping to be forgotten soon. With no starpower, there will be almost nothing driving in traffic. "The Invisible" will appear in over 2,000 theaters this Friday, but might only collect roughly $5M.


One of them is "The Invisible."

Jamie Kennedy headlines the new comedy "Kickin’ It Old Skool" playing a 1980s breakdancer that falls into a coma and awakens two decades later to a much different world. Yari Film Group is targeting teenagers with this PG-13 pic which essentially offers the same laughs as the comedian’s 2003 film "Malibu’s Most Wanted." That modest hit bowed in late April to $12.6M from 2,503 theaters on its way to a $34.4M domestic final. "Skool" does not have a big studio marketing push behind it but it may grab the attention of some young dudes killing time before Peter Parker busts into theaters. DVD is where most people will find this one. Breaking into 1,600 theaters, "Kickin’ It Old Skool" could find itself with around $5M over three days.


Jamie Kennedy and Webster kick it "Old Skool."

Among holdovers, two-time champ "Disturbia" will find it difficult to hold onto its crown given the arrival of Nicolas Cage. But Paramount won’t care as it should still claim the number one film for the fifth consecutive weekend. A 40% decline would give the Shia LaBeouf pic about $8M for the frame and a healthy $51M after 17 days. The Anthony HopkinsRyan Gosling thriller "Fracture" has been well-received and competition is not too fierce so a 40% drop could be in order as well. That would leave New Line with $6.5M and a ten-day tally of $21M.

LAST YEAR: Three new flicks topped the charts led by the family comedy "RV" starring Robin Williams which opened at number one with $16.4M. The Sony hit enjoyed stellar legs and went on to collect $71.3M. Universal followed in second with the 9/11 thriller "United 93" which debuted in half as many theaters with $11.5M. The critically acclaimed pic went on to gross $31.5M. Buena Vista’s gymnastics film "Stick It" bowed in third with $10.8M on its way to $26.9M. Rounding out the top five were "Silent Hill" with $9.3M and "Scary Movie 4" with $7.8M. Also opening was the spelling drama "Akeelah and the Bee" with a weak $6M leading to a $18.8M final for Lionsgate and its promotional partner Starbucks.

Author: Gitesh Pandya, www.BoxOfficeGuru.com

Another frame packed with four new national releases is led by Oliver Stone‘s 9/11 drama "World Trade Center" from Paramount. A trio of lower profile pics round out the weekend – Sony’s family adventure "Zoom," Buena Vista’s teen drama "Step Up," and The Weinstein Company’s horror flick "Pulse." Despite all the new entries, Will Ferrell will try to win the box office title for the second consecutive time with his comedy "Talladega Nights" which has been racing well ahead of its competition since opening last weekend.

Nicolas Cage, Michael Pena, Maggie Gyllenhaal, and Maria Bello star in the high-profile story of courage "World Trade Center" which Paramount debuted on Wednesday. The PG-13 film tells the real life story of John McLoughlin and William Jimeno, two Port Authority cops who were trapped in the rubble of the Twin Towers on September 11. Rather than focus on any villains, "WTC" only tells the story of ordinary men put into extraordinary circumstances and how their families coped. Mature adults will make up the primary audience. Teen appeal seems limited. Since the box office is currently lacking choices for older adults, the Oliver Stone film will not face much direct competition. Men and women will be equally drawn to this emotionally-charged story of heroism.

There will be many moviegoers that will find it to be too soon for a film about a tragedy just approaching its fifth anniversary. However, curiousity will bring out others looking for an uplifting story about that fateful Tuesday morning. "WTC" should appeal to many of the same people who turned out for 2004’s "Ladder 49." That film featured Cage’s "Face/Off" nemesis John Travolta as a noble firefighter and just told a tale about American heroes doing the right thing for each other, and not really dwelling on any enemy. "Ladder" bowed to $22.1M over three days.

Center will also be compared to April’s United 93 which was the first Hollywood film to tackle 9/11. With a subdued release in under 1,800 locations, that pic opened well with $11.5M and a solid $6,395 average. "WTC" has more theaters, more starpower in front of and behind the camera, and is not as grim. Reviews have mostly been good which will help. Long-term prospects are encouraging since the rest of August has nothing major for mature adults. Now playing in 2,803 theaters, "World Trade Center" might open with about $18M over the weekend and around $24M over five days.

Tim Allen plays an ex-super hero who is called upon to train a group of slacker kids in Sony’s new family film "Zoom." The PG-rated pic will have plenty of competition as it marks the fourth consecutive week that studios have rolled out movies aimed at young ones. Only this time, it isn’t a toon. Allen has always been a consistent draw in this genre, most notably in his "Santa Clause" movies which sees its third installment this coming holiday season. Earlier this year, he starred in the Disney remake "The Shaggy Dog" which bowed to $16.3M in March. "Zoom," which co-stars Courteney Cox and Chevy Chase, will not reach that level as it is not generating as much excitement. Plus the volume on the marketing push has been typical of a mid-August opener. Flying into 2,501 theaters, "Zoom" might debut with around $9M.

Hollywood seems to have written a new rule stating that 9/11 films must be counter-programmed with teen-girl pics that explore popular extracurricular activities. "United 93" opened against the gymnastics comedy "Stick It," and now "WTC" will face Buena Vista’s "Step Up" which finds a ballerina and a tough street dancer locking hips. The PG-13 film will play primarily to young females and the studio is hoping to score another low-cost hit like Disney’s April comedy which debuted to a better-than-expected $10.8M. "Step Up" lacks marquee stars, but does offer some faces that add value when it comes to the Clearasil crowd. The bad boy meets good girl formula is once again tested and little crossover to older patrons is likely. Competition for teens and young adults is ample so a breakout bow may not surface, but a respectable showing is likely. Dancing into 2,100 theaters, "Step Up" could debut to around $8M.

Supernatural beasties attack us innocent humans through cell phones and email in the new horror flick "Pulse." The PG-13 film is aimed at teens that have seen every other film and want some quick thrills before heading back to school. With no major stars, and a concept that is far from intriguing, the Weinstein Co. release should be in for some modest dollars over the weekend. "The Descent" will be "Pulse’s" major foe, but like most fright flicks, the chicks-in-a-cave movie should tumble down further on the charts in its second weekend. "Step Up" and "Talladega Nights" will also be distracting teens. Opening in 2,326 theaters, "Pulse" might scare up about $8M this weekend.

In foreign film releases, Yash Raj Films opens the all-star Bollywood film "Kabhi Alvida Naa Kehna" (Never Say Goodbye) in top markets across North America. Shot in New York, the Hindi-language film explores the breakdown of marital bonds. Brazilian actress Fernanda Montenegro ("Central Station") headlines "The House of Sand" which Sony Classics platforms in New York and Los Angeles this Friday. The story of three generations of women in the barren lands of northern Brazil played at the Tribeca Film Festival and will roll out into more cities throughout the rest of summer.

Last weekend’s box office champ "Talladega Nights" hopes to retain its crown in its second lap. The Will Ferrell hit is sure to see a large decline, but competition for teens and young adults is not too fierce. A 50% drop would leave Sony with about $23M for the session and a solid ten-day cume of $92M. Paramount’s "Barnyard" may fall by 40% and rake in around $9.5M pushing its total to $33M after ten days. The Johnny Depp megasmash "Pirates of the Caribbean: Dead Man’s Chest" could drop by another 40% to $6.5M lifting its jaw-dropping total to $392M.

LAST YEAR: Director John Singleton scored a top spot debut with his revenge thriller "Four Brothers" which debuted with $21.2M. Paramount found its way to $74.5M with the Mark Wahlberg drama. Opening in second was the Kate Hudson suspense thriller "The Skeleton Key" with $16.1M on its way to $47.8M for Universal. Falling from first to third was the comedy "The Dukes of Hazzard" with $13M dropping a steep 58% from its bow. Rival comedy "Wedding Crashers" held up much better easing 26% in its fifth frame to $11.8M. Opening in fifth place with $9.6M was Sony’s comedy sequel "Deuce Bigalow: European Gigolo" which ended its run with just $22.3M. The weekend’s other new release, the military drama "The Great Raid," opened modestly in tenth with only $3.4M on its way to $10.2M.

Author: Gitesh Pandya, www.BoxOfficeGuru.com

So you come in to work at Disney on Monday morning, expecting everyone to be all smiles and excited about the "pirate booty" that was made over the weekend. Or maybe you’re happy to notice that "Cars" crossed the $200 million mark over the same weekend. And the comes a memo from the boss that says "You’re fired."

From Variety by way of ComingSoon.net: "While "Pirates of the Caribbean: Dead Man’s Chest" set another record on Monday, grossing $18.1 million to beat the previous nonholiday Monday benchmark of $14.4 million set by "Star Wars: Episode III Revenge of the Sith," Disney is tightening its belt.

According to Variety, Walt Disney Pictures will announce within the next 10 days that it’s cutting back on the number of films it makes to around eight per year — it currently releases around 18 — and will substantially reduce its workforce. All movies will be Disney-branded, meaning companies like Touchstone could be vastly diminished. The cutbacks will be far greater than many anticipated, as studio chairman Dick Cook looks to reinvent the architecture of his studio. The move reflects an effort to improve the studio’s return on investment and get infrastructure back into line.

While Disney’s having a grand summer with "Pirates" and with Pixar’s "Cars," this year has seen some major misfires: "Stick It," "Annapolis," "Stay Alive" and especially "The Wild."

Despite worldwide protests and bad reviews, the heavily-hyped conspiracy thriller "The Da Vinci Code" attracted legions of fans into theaters this weekend generating the second largest global opening in box office history. The North American marketplace was on fire helped also by a solid launch for the animated film "Over the Hedge." The two new releases combined for an eye-popping $114M in ticket sales over the weekend driving the box office to a new high for the year finally giving the film industry a feeling that the summer movie season has arrived. With "Code" and "Hedge" playing well to different audiences, most holdovers suffered steep declines.

Sony faced numerous obstacles bringing "The Da Vinci Code" to the big screen but after all was said and done, the studio successfully launched its summer tentpole pic and captured an estimated $77M from North America beating out most expectations. Attacking 3,735 theaters, the PG-13 film averaged a scorching $20,616 per location. "Code" is the much-anticipated film adaptation of the best-selling book by Dan Brown which has become a pop culture phenomenon since its publication. Many religious groups have encouraged people to not see the film, but the publicity may instead have just sparked more curiosity, especially from those who have not read the book. It carried a $125M pricetag.

Domestically, "Code" generated the thirteenth biggest Friday-to-Sunday opening ever and the second best bow for a non-franchise film after "The Passion of the Christ" which debuted to $83.8M following a Wednesday launch in February 2004. "Code" also marked new career-high openings for Hanks and director Ron Howard surpassing the $57.4M of "Toy Story 2" and the $55.1M of "How the Grinch Stole Christmas," respectively. In fact, Howard’s last film "Cinderella Man" grossed less in its entire run than "Code" did in its first weekend punching up $61.6M last summer.

Worldwide, "The Da Vinci Code" was launched with one of the most aggressive distribution strategies ever planned invading over 12,000 theaters overseas. As a result, the film tallied a staggering $147M internationally putting its worldwide opening at a jaw-dropping $224M. That marked the second largest worldwide launch in history after the $253M of "Star Wars Episode III" this same weekend one year ago. With more appeal outside of North America than the Jedi flick, "Code"’s overseas opening inched past "Episode III" to set a new international debut weekend record.

Controversy surrounded the film during its development, shooting, and pre-release stages which in turn led to endless media coverage and speculation over whether or not moviegoers would stay away. "Code" made its world premiere at the Cannes Film Festival on Wednesday, just ahead of its day-and-date global release, and was met by mostly harsh reviews from the world’s top movie critics. Since "Da Vinci" skews to a mature adult audience which pays attention to critics, it seemed that the opening could take a hit from the bad buzz. Instead, the Hanks flick opened on the high end of the most optimistic expectations.

The road ahead will not be easy. The Memorial Day holiday weekend will certainly help give "Da Vinci" a solid second weekend. However, with so many fans of the book rushing theaters immediately to see the film, it may have already burned through much of its total audience. "Code" dipped 6% on Saturday from its opening Friday which is not too surprising given the upfront demand and media hysteria. But it does not necessarily indicate that the fan base is growing. Word-of-mouth will now be the main factor affecting future sales. The Yahoo Movies average grade from over 13,000 users is a not-so-impressive B-. Nevertheless, after "Mission: Impossible III" and "Poseidon" underwhelmed at the box office giving the summer season a sluggish start, "The Da Vinci Code" kicked things into high gear this weekend with true blockbuster numbers grossing more than the openings of both of those films combined.

Opening in second place with solid results was Paramount’s release of the DreamWorks animated film "Over the Hedge" which collected an estimated $37.2M. Playing in a whopping 4,059 theaters, the PG-rated pic averaged a strong $9,172 per venue. An all-star cast featuring Bruce Willis, Garry Shandling, Steve Carell, Nick Nolte, Wanda Sykes, and William Shatner provided voices to the story of a group of animals who venture into the zany world of suburban backyards. The opening weekend did not match up to those of other recent computer animated talking animal flicks like "Shark Tale" ($47.6M), "Madagascar" ($47.2M), or "Chicken Little" ($40M). However, with the long Memorial Day holiday weekend coming up, "Hedge" looks to continue gathering up grosses with kids and parents getting extra time off from school and work. Only four animated films have ever bowed in more than 4,000 theaters and all have been from the DreamWorks camp, which is now part of the Paramount stable.

After two weeks at number one, Tom Cruise’s "Mission: Impossible III" dropped down to third with an estimated $11M in its third weekend. Down a hefty 56%, the Paramount spy sequel crossed the $100M mark over the weekend with its cume climbing to $103.2M after 17 days. "MI3" is only the second such blockbuster film of 2006 following "Ice Age: The Meltdown," however Hollywood’s other Tom will be joining the ranks by the end of the week. For box office titan Cruise, the latest Ethan Hunt film marks the actor’s fourteenth $100M+ domestic grosser. "MI3" also represents the studio’s first film to join the century club since Cruise’s last film "War of the Worlds" from last summer. Overseas, "Mission III" has upped its total to $163M pushing the global gross to $266M and counting.

In its second weekend, "Poseidon" became a sinking ship film in more than one way. The ocean liner disaster pic sank a troubling 59% to an estimated $9.2M putting its ten-day catch at just $36.8M. That’s a rough start for a film with a production cost reported to be a hefty $160M or more. At its current pace, "Poseidon" looks to reach $55-60M domestically making it director Wolfgang Petersen‘s lowest grossing film in fifteen years.

With a big new toon in the marketplace, the Robin Williams hit "RV" finally saw a sizable decline dropping 49% to an estimated $5.1M in its fourth frame. Sony’s family comedy has grossed a solid $50.4M to date.

Wrestling superstar Kane anchored the new horror film "See No Evil" and was met with a mild sixth place opening with an estimated $4.4M. Playing in only 1,257 locations, the R-rated scarefest averaged a mediocre $3,461 per site.

The Lindsay Lohan flop "Just My Luck" grossed an estimated $3.4M in its second weekend dropping 41%. With only $10.5M in ten days, the Fox release should stumble to an unlucky final of just $16-18M. The horror flick "An American Haunting" followed with an estimated $1.7M, off 53%, for a total of $13.6M.

Universal’s 9/11 pic "United 93" fell 59% to an estimated $1.4M pushing its cume to $28.3M. Rounding out the top ten was the Lionsgate release "Akeelah and the Bee" with an estimated $1M, off 58%, for a $15.7M total.

Three films dropped out of the top ten this weekend. The year’s highest-grossing film "Ice Age: The Meltdown" took a hit from the arrival of a rival digital toon and tumbled 71% to an estimated $915,000. Budgeted at $80M, the Fox smash has grossed $189.2M to date and is heading for a final gross of a little more than $190M. The first "Ice Age" banked $176.4M in 2002.

Buena Vista’s gymnastics pic "Stick It" grossed an estimated $927,000 plunging 71% in its fourth frame. With $23.8M to date, the teen flick should finish with a better-than-expected $25M. New Line’s endangered owl film "Hoot" collapsed 85% in its third weekend and collected an estimated $350,000. Cume sits at a puny $7.3M and it will be a struggle to hit $8M.

The top ten films grossed an estimated $151.4M which was off only 3% from last year when "Star Wars Episode III" opened at number one with a colossal $108.4M; and down 7% from 2004 when "Shrek 2" debuted in the top spot with a massive $108M.

Author: Gitesh Pandya, www.BoxOfficeGuru.com

Tom Cruise‘s spy sequel Mission: Impossible III remained the most popular film in North America for the second straight weekend while the big-budget disaster film Poseidon opened in second place to disappointing results.

The frame’s other new releases, the Lindsay Lohan comedy Just My Luck and the soccer drama Goal! The Dream Begins, opened miserably as well giving the industry little to celebrate. Overall ticket sales fell behind those of the comparable weekend in each of the last four years as a sluggish marketplace waits for that one true summer blockbuster that draws the masses into the multiplexes.

Despite a weaker-than-expected opening weekend, Paramount’s MI3 enjoyed a respectable sophomore frame dropping 49% to an estimated $24.5M to retain its standing as the number one film. Playing in an ultrawide 4,059 theaters, the Ethan Hunt actioner averaged a solid $6,039 per location and raised its ten-day total to $84.6M. The decline was very similar to the 48% second weekend fall for last summer’s big spy flick Mr. & Mrs. Smith which grossed $26M in its sophomore shot after a $50.3M bow. The Pitt-Jolie vehicle, however, captured a more muscular $96.7M in its first ten days thanks in part to a June release when more students were out of school.

With so many action sequels tumbling by 55% or more on the second weekend, Mission: Impossible III managed to hold up relatively well. Competition from Poseidon was not formidable so moviegoers were not drawn away to another big event pic. The latest Ethan Hunt film will face its true test this Friday when the much-anticipated thriller The Da Vinci Code starring that other Tom opens followed a week later by the mutant juggernaut X-Men: The Last Stand. At its current pace, look for MI3 to reach $130-140M domestically making it the lowest grossing installment of the decade-old franchise. The first Mission: Impossible grossed $181M in 1996 while MI2 took in $215.4M in 2000. Overseas, MI3 jumped to $129.2M in foreign sales putting the worldwide tally at $213.8M in under two weeks. The global box office gross looks to be on a trajectory to hit $350M.

Failing to sink Cruise’s ship, the ocean liner disaster pic Poseidon settled for the runner-up spot this weekend opening with an estimated $20.3M from 3,555 locations. Warner Bros. generated a decent but not impressive per-theater average of $5,717 with its first pricey entry of the summer movie season. Directed by Wolfgang Petersen (The Perfect Storm, Air Force One), the PG-13 film was a remake of the 1972 picture The Poseidon Adventure and starred Kurt Russell, Josh Lucas, and Richard Dreyfuss as passengers on a luxury ship who must fight to survive after a rogue wave capsizes the vessel. Poseidon opened weaker than other big-budget maritime action films like 2003’s Master and Commander ($25.1M), 2000’s The Perfect Storm ($41.3M), and even 1995’s infamous Waterworld ($21.2M).

Although audiences in years past have flocked to May disaster films like Twister, Deep Impact, and The Day After Tomorrow, this time Poseidon lacked the goods to draw in a paying audience. Reviews were not kind which also made the adult-skewing picture a tough sell. Varying reports on the film’s budget put the production cost in excess of $160M so a stellar run internationally and on DVD will be needed in order to turn a profit. Poseidon set sail in a handful of Asian countries to the tune of $4.4M this weekend, but will open in most foreign territories in June and July.

Once again scoring the best hold among all wide releases was the Robin Williams family comedy RV which dipped a mere 14% in its third weekend to an estimated $9.5M. The Sony hit has collected a solid $42.8M in 17 days.

Ticket buyers ignored Lindsay Lohan’s new film Just My Luck which flopped in its opening weekend grossing a mere $5.5M, according to estimates. The Fox release averaged an unlucky $2,165 per location and played almost exclusively to a teen girl audience. Studio research showed that the crowd for Luck was a remarkably high 80% female and 70% under the age of 25. Critics, not surprisingly, panned the film.

Horror flick An American Haunting enjoyed a solid sophomore session dropping only 36% to an estimated $3.7M for fifth place. Distributed by Freestyle Releasing, the PG-13 thriller has banked $10.9M in ten days and should scare its way to a mediocre $17-19M. Universal’s 9/11 thriller United 93 followed with an estimated $3.6M, down just 33%, lifting the cume to a decent $25.6M.

The teen gymnastics pic Stick It dropped 41% to an estimated $3.2M to land in the number seven spot with a total to date of $22.2M for Buena Vista. Fox’s animated sequel Ice Age: The Meltdown, still the top-grossing film of 2006, grossed an estimated $3M sliding just 29% in its seventh weekend. No other film has spent as many weeks in the top ten this year. Cume stands at $187.4M domestically and over $600M worldwide.

Sony’s fright pic Silent Hill placed ninth with an estimated $2.2M, off 45%, for a sum of $44.5M thus far. The New Line flop Hoot fell 37% to an estimated $2.1M in its second outing as the total inched up to a dismal $6.2M. Last weekend, the owl film had the distinction of suffering the worst opening in history for a film debuting in over 3,000 theaters. Hoot’s puny $3.4M bow in 3,018 sites beat out the dismal $6M launch from 3,006 theaters of 2004’s New York Minute starring the Olsen Twins for that unfortunate honor.

Another film failing to connect with kids was Buena Vista’s new soccer drama Goal! The Dream Begins which kicked off its run with a weak estimate of only $2M. The PG-rated film failed to qualify for the top ten this weekend and averaged a poor $1,989 from 1,007 locations.

Two April releases fell from the top ten this weekend. The spoof comedy Scary Movie 4 dropped 44% to an estimated $2.1M in its fifth frame. With $86.6M to date, The Weinstein Co. release looks to finish with roughly $90M which would not be far off from the $110M of its predecessor 2003’s Scary Movie 3. The Lionsgate family drama Akeelah and the Bee declined 41% to an estimated $2M in only its third turn. Cume sits at just $13.6M and should reach $16-18M.

Opening in limited release this weekend, Miramax’s family reunion comedy Keeping Up with the Steins grossed an estimated $621,000 from 138 locations for a respectable $4,500 average. The PG-13 film stars Garry Marshall, Jeremy Piven, and Daryl Hannah. The Swaziland-set drama Wah-Wah debuted in 25 theaters and grossed an estimated $57,000 for a mild $2,270 average. Starring Gabriel Byrne, Miranda Richardson, and Emily Watson, the R-rated film is distributed by Roadside Attractions and Samuel Goldwyn Films.

Among indie films expanding into more markets, Sony Classics grossed an estimated $1.2M from its comedy Art School Confidential after widening from 12 to 762 theaters across the country. That left the John MalkovichAnjelica Huston starrer with a pitiful $1,593 average per venue as it failed to register with moviegoers on a national level. Cume is $1.4M. Fox Searchlight expanded its Indian drama Water from 36 to 62 locations and grossed an estimated $257,000 for a $4,138 average. Total sits at $593,000 with more markets opening on Friday.

The top ten films grossed an estimated $77.7M which was down 15% from last year when Monster-in-Law opened at number one with $23.1M; and down 23% from 2004 when Troy debuted in the top spot with $46.9M.

Author: Gitesh Pandya, BoxOfficeGuru.com

The summer movie season’s second big action contender rolls into theaters this weekend as the sinking ship flick Poseidon takes aim at last week’s Mission: Impossible III for the number one spot across North America.

Two smaller new releases will aim for younger moviegoers. Lindsay Lohan lets loose her girlpower with the comedy Just My Luck while soccer boys are being courted by the sports drama Goal! The Dream Begins. With spring holdovers fading fast and the new May titles only showing so much strength, there is no guarantee that the seven-week streak of the box office beating out last year’s will continue.

Warner Bros. sets sail with its first big-budget entry of the summer with Poseidon, a modern retelling of the 1972 disaster film The Poseidon Adventure. After The Perfect Storm and Troy, veteran A-list director Wolfgang Petersen is back with another pricey summer action pic reportedly spending $160M to produce this new film. Poseidon finds a group of ordinary people on a luxury cruise ship who must fight for survival after a mammoth wave capsizes the ship while at sea. Kurt Russell, Josh Lucas, Richard Dreyfuss, and Andre Braugher star.

Poseidon does work as an escapist treat for the summer season. Despite a lame beginning with the usual setup, the PG-13 film quickly kicks into the disaster scenario and becomes a non-stop action film. No hour-and-a-half of teen courting before an iceberg hits in this one. Audiences that find their way into the theaters should have a relatively good time. But getting them to buy the tickets in the first place is the challenge that Warner Bros. faces. None of the stars has much pull and the original source material isn’t exactly something that moviegoers have been clamoring to have a remake of. Plus Poseidon’s appeal to teens is not very strong making it a film that will be going after mature adults just like MI3 currently is. The direct competition should keep the sinking ship’s grosses in check.

Unlike most disaster films, Poseidon comes with a trim running time of under 100 minutes which means that theaters will be able to provide an ample amount of showtimes per day. Plus, a few dozen Imax locations will open the film day and date which will add a bit to the overall tally. The studio has invested heavily in the marketing push for its first entry in the summer sweepstakes. But that has not driven excitement beyond a manageable level. May has been kind to disaster films in the past. The Day After Tomorrow bowed to $68.7M two years ago, Deep Impact opened to $41.2M in 1998, and Twister bowed exactly one decade ago to a then-shocking $41.1M. Poseidon is not hitting the marketplace on a wave of momentum the way those hits did. And with recent real-life tragedies like Hurricane Katrina and the tsunami, only so many people will have an appetite to see hundreds of innocent people drown to death on the big screen. Docking in 3,555 theaters on Friday, Poseidon could open in the neighborhood of $31M.

Paparazzi magnet Lindsay Lohan stars as a lucky young gal who comes across a wave of misfortune after a magical kiss in the fantasy comedy Just My Luck. Directed by Donald Petrie (Mystic Pizza, How to Lose a Guy in 10 Days), the Fox release basically has one audience in its crosshairs – readers of Us Weekly and Teen People. Yes, teenage girls and young women should make up the bulk of the audience as male appeal is lacking. Lohan brings with her a respectable box office track record. Some of her recent openings include Herbie: Fully Loaded ($12.7M after a Wednesday bow and a $3,610 average), Mean Girls ($24.4M debut, $8,606 average), and Confessions of a Teenage Drama Queen ($9.4M, $3,736 average). This time, Lohan has to carry the film on her shoulders with no big co-star or studio brand name to help out. A not-so-interesting plot won’t help matters.

Teen girls can be a fickle audience rejecting what seem to be surefire hits and flocking to lower profile pics that speak to their generation. Stick It exceeded expectations a couple of weeks ago by connecting with this crowd. With two big action entries dominating theaters and playing to an older and more male crowd, plus RV playing to young kids, Fox does have an opportunity to connect with a group that is underserved at the moment with a star that is still very popular with the target audience. This weekend, Lohan will put her drawing power to the test with Just My Luck which opens in 2,541 theaters. An opening weekend gross of around $11M could result.

A young Mexican-American man follows his dreams of playing professional soccer in Disney’s new sports drama Goal! The Dream Begins. Directed by Danny Cannon (Judge Dredd, I Still Know What You Did Last Summer), the PG-rated film packs zero starpower, but offers an inspirational tale that young boys can relate to. In the United States, Hollywood films about the sport we call "football" typically do much better at the turnstiles than ones about what the rest of the world uses that term for. Buena Vista is not giving Goal! a big push, but rather is hoping to collect a respectable amount of business before seeing the real audience on DVD. Uplifting against-the-odds sports dramas often do well as the studio has seen in the past with Remember the Titans, Miracle, and this year’s Glory Road. However, Goal! lacks the visibility of those films and overall awareness is not too high. Opening in more than 1,000 theaters, Goal! might debut to around $4M.

Last weekend, Mission: Impossible III opened below expectations to $47.7M and now runs the risk of being booted into second place in its sophomore frame. Reviews and word-of-mouth seem to be positive, however that may not provide much help this time. As a heavily-hyped action sequel, MI3 has its audience carved out already and most moviegoers have already made their minds up as to whether or not they plan to see it. This is a film made to make its money upfront. Plus Poseidon will be playing to the same audience of adults over 30 looking for an action thrill ride. A 50% drop for the Tom Cruise vehicle could leave Paramount with about $24M for the weekend and $84M in ten days. By comparison, ten-day cumes for recent summer kick-off films include $85.1M for 2004’s Van Helsing, $147.7M for 2003’s X2: X-Men United, and an eye-popping $223M for 2002’s megahit Spider-Man.

Robin Williams enjoyed a solid hold for his family comedy RV last weekend. Once again, competition for kids is mild so the Sony release should see another small decline. RV may drop 30% to around $8M this weekend lifting the film’s total to $41M after 17 days.

LAST YEAR: J Lo. and J Fo. went head to head in the marital comedy Monster-in-Law which opened at number one with $23.1M. New Line’s hit summer film went on to gross a solid $82.9M. Opening in second was Will Ferrell’s soccer comedy Kicking and Screaming which debuted close behind with $20.2M on its way to $52.7M for Universal. While those two new releases entered more than 3,400 theaters, another freshman title bowed in less than 2,000 sites and placed third. The Jet Li actioner Unleashed opened to $10.9M for Focus and found its way to $24.5M. Fox’s Crusades epic Kingdom of Heaven fell 51% in its second weekend dropping from first to fourth with $9.6M. Fellow sophomore Crash held up exceptionally well in fifth dipping only 23% to $7M. The frame’s final new release, the Miramax thriller Mindhunters, debuted to a weak $1.9M before limping to a $4.5M total.

Author: Gitesh Pandya, BoxOfficeGuru.com

Tom Cruise climbed into his usual number one spot at the box office with his heavily-hyped spy sequel Mission: Impossible III, however ticket sales fell below most industry expectations as the debut was not spectacular.

The weekend’s other new releases, the horror flick An American Haunting and the kid drama Hoot, both generated lukewarm openings. But thanks to a weak early May in 2005, the overall marketplace still beat out last year for the seventh consecutive frame.

Paramount claimed the top spot with MI3 which invaded a staggering 4,054 theaters collecting an estimated $48M in ticket sales over the Friday-to-Sunday period. The third installment in the decade-old franchise averaged a potent $11,846 per venue. But Tom Cruise’s box office muscles were expected to lift the tally much higher given all the factors that were working in the $150M film’s favor. The newest Mission pic obviously had plenty of starpower but with its early May bow, it had virtually no competition in the multiplexes to deal with. Plus the studio’s marketing hype was deafening, the pic opened in the second highest number of theaters in history for a live-action film (behind Spider-Man 2‘s 4,152), and even the reviews were mostly favorable. That was a welcome bonus as critics are rarely kind to big-budget action sequels.

According to studio research, MI3 connected with the same audience that the previous two did. Men made up 56% of the crowd and 64% were age 25 or older. Joining Cruise in the PG-13 film’s cast were Ving Rhames, Jonathan Rhys Meyers, Keri Russell, and recent Oscar winner Philip Seymour Hoffman.

Openings for other high-profile action films debuting on the first weekend of May include $68.1M for 2001’s The Mummy Returns, $85.6M for 2003’s X2: X-Men United, and $51.7M for 2004’s Van Helsing. MI3 didn’t even reach the level of Van Helsing. In fact, its opening gross was even weaker than that of Mission: Impossible 2 which launched over Memorial Day weekend six years ago with $57.8M over three days, $70.8M over four days, and $91.8M over its six-day Wednesday-to-Monday span. Even with higher ticket prices, a Friday bow, and hundreds of more theaters, MI3 still failed to reach the heights of MI2. Adjusting for inflation, MI3’s opening was the weakest among the Ethan Hunt flicks. The first Mission bowed to $74.9M over its six-day holiday frame in May 1996 including $45.4M over the Friday-to-Sunday span.

Instead, the new J.J. Abrams-directed IMF saga opened in the same neighborhood as other recent star-driven spy films like last summer’s Mr. & Mrs. Smith ($50.3M), 2004’s The Bourne Supremacy ($52.5M), and 2002’s James Bond film Die Another Day ($47.1M). Although opening near the $50M mark over three days is an impressive feat, Cruise’s new film was backed by one of the most expensive marketing campaigns in recent memory. The highly-paid star/producer attended premieres all around the world, popped up on major talk shows and magazine covers, and press coverage, not surprisingly, was non-stop.

Industry watchers must now wonder – was there too much marketing? Were audiences sick and tired of hearing and seeing Tom Cruise everywhere? Did they really want to spend money seeing even more of him? Media-saavy moviegoers voted with their dollars and those who seemed to have had enough chose to stay away. The MI3 hype machine brought back memories of Sony’s Charlie’s Angels: Full Throttle from three years ago. That action sequel also arrived in theaters on a disturbingly loud wave of promotion revolving around its flamboyant stars and Demi Moore‘s relationship with Ashton Kutcher which was constantly covered on the airwaves. Despite the pricey marketing investment, Throttle debuted weaker than expected with $37.6M and crumbled 63% in its sophomore frame.


Charlie’s Angels: Full Throttle

Paramount was pleased with the international results for Mission: Impossible III as the actioner took in an estimated $70M over the weekend opening in almost all major markets around the world except for Japan. The spy sequel blanketed the globe with roughly 9,500 theaters in 55 markets putting its worldwide opening weekend tally at $118M. The ratio between sales outside and within North America remained the same as with previous Mission pics. The 1996 original grossed 61% of its $465M global tally overseas while MI2 took in 60% of its $538M internationally. This weekend, 60% of MI3’s dollars came from abroad.

With no major competition for the family audience, the Robin Williams comedy RV enjoyed the smallest decline in the top ten easing just 32% to an estimated $11.1M. The Sony release dropped one notch following its top spot bow and has grossed a solid $31M to date. In just ten days, RV has already become the second biggest live-action grosser for Williams in the past seven years after the $67.4M of 2002’s Insomnia. Look for the $50M road trip flick to end its journey in the neighborhood of $60M.


R.V.

Opening in third place was the supernatural thriller An American Haunting which scared up an estimated $6.4M in ticket sales in its first three days. The PG-13 film averaged a decent $3,825 from 1,668 theaters. Reviews were mostly negative for the Donald SutherlandSissy Spacek starrer about a possessed young woman in the 1800s. Distributor Freestyle Releasing’s weekend estimate included an unusually low Saturday-to-Sunday decline of less than 5%. Final grosses released on Monday could see the figure come down.


"An American Haunting," "Stick It," and "United 93"

The gymnastics comedy Stick It tumbled 49% in its second weekend to an estimated $5.5M giving Buena Vista $18M in ten days. Look for the teen pic to reach $27-29M which is commendable for its genre. After a solid takeoff last weekend, the 9/11 hijack thriller United 93 declined a substantial 55% in its sophomore frame and grossed an estimated $5.2M. After ten days, Universal’s $15M pic has collected $20.1M and should find its way to roughly $30M domestically.

Fox’s Ice Age: The Meltdown dropped 45% to an estimated $4M in its sixth frame to boost its cume to $183.3M. Crumbling 58% in its third spook was Sony’s fright flick Silent Hill which grossed an estimated $3.9M lifting the cume to $40.8M.


"Ice Age: The Meltdown," "Silent Hill," and "Scary Movie 4"

The spoof sequel Scary Movie 4 fell 52% to an estimated $3.8M and brought its total to $83.7M. The Starbucks-promoted kid drama Akeelah and the Bee enjoyed a respectable second weekend hold dropping 43% to an estimated $3.4M. After ten days, the Lionsgate release has still only grossed $10.7M and seems likely to finish close to $20M.

Opening to dismal results with an estimated $3.4M from 3,018 theaters was the kid drama Hoot from New Line. The PG-rated story of a group of boys who set out to save endangered owls averaged a pitiful $1,127 per location. Fans of the best-selling book apparently avoided the film adaptation and critics for the most part were unimpressed.


"Akeelah and the Bee," "Hoot," and "The Promise"

A handful of films opened in limited release to mixed results. Warner Independent debuted the Chinese epic The Promise in 213 theaters but grossed only $271,000 according to estimates for a poor $1,272 average. The Golden Globe-nominated adventure was China’s official submission to this year’s Oscars and is reportedly that country’s most expensive film ever made. U.S. critics were not very pleased.

Sony Classics bowed its indie comedy Art School Confidential which grossed an estimated $142,000 from a dozen sites in New York and Los Angeles averaging a strong $11,833 per site. The Terry Zwigoff-directed film expands to nearly 800 theaters in most major markets on Friday. ThinkFilm debuted its Edward Norton starrer Down in the Valley to an estimated $26,000 from three New York houses for a solid $8,770 average. The film widens to three more cities on Friday before gradually expanding throughout May.


"Art School Confidential"

Among holdovers, Fox Searchlight expanded its widow drama Water from five to 36 theaters and grossed an estimated $188,000 for a $5,222 average. The ten-day total stands at $270,000 and this Friday the Deepa Mehta film will widen to about 60 sites. The distributor’s indie sensation Thank You for Smoking collected an estimated $1.1M, off 40%, for a $20M cume.

Three April releases were pushed out of the top ten this weekend. The Michael Douglas political thriller The Sentinel took a big hit from MI3 and crashed 62% to an estimated $3M putting its 17-day cume at $30.9M. Fox should find its way to about $36M. Disney’s underperforming toon The Wild slumped 46% to an estimated $2.6M. With only $32M in the bank, the animated film looks to conclude with $36-38M. Sony, on the other hand, has generated solid numbers for its sports comedy The Benchwarmers which grossed an estimated $2M this weekend. Down 54%, the Rob SchneiderDavid Spade film has taken in $55.6M thus far and is set to end with just under $60M.

The top ten films grossed an estimated $94.7M which was up a healthy 24% from last year when Kingdom of Heaven opened at number one with $19.6M; but off 4% from 2004 when Van Helsing debuted in the top spot with $51.7M.

Author: Gitesh Pandya, BoxOfficeGuru.com

Proving that farcical family vacations are more enticing than gymnastics, spelling bees, and historical plane crashes, Sony’s "RV" landed atop the weekend box office tally by grossing an estimated $16.4 million from over 3,600 theaters. Because nothing says "box office hit" like a good septic tank gag.

Debuting in second place (and 1,800 theaters) was Universal’s lauded and controversial "United 93," which managed about $11.6 million in its opening frame, while Disney’s gymnastics flick "Stick It" was a close third, grossing approximately $11.2 million from just over 2,000 theaters.

Fourth and fifth place went to a pair of horror-related hangers-on: Sony’s "Silent Hill" added another $9.3 million to its $34.2 million total, and Dimension’s "Scary Movie 4" yanked another $7.8 million out of moviegoers’ pockets, giving it a grand total of $78.1 million.

Lionsgate’s "Akeelah and the Bee" debuted to relatively meager numbers by pulling in only $6.2 million from 2,200 theaters.

The summer movie officially kicks off next weekend with the arrival of Paramount’s "Mission: Impossible III," New Line’s family flick "Hoot," and Freestyle’s fact-based chiller "An American Haunting."

For a closer peek at the weekend numbers, click on over to the Rotten Tomatoes Box Office Page.

This week we have "United 93," a somber movie about 9/11. We also have lighter fare in "RV," "Stick It" and "Akeelah." What do the critics have to say?

Is it too soon for the studios to make movies about the terrorist attacks on Sept 11, 2001? Directed by Paul Greengrass (Bloody Sunday) with a cast of unknowns, "United 93" re-enacts the hijacking of United Airlines flight 93 and its eventual crash into a field in Pennsylvania, killing everyone on board. Critics say, while difficult to watch, "United 93" is made with skill and treats the subject matter with respect, never resorting to the aggrandizement Hollywood is known for. As of this writing, "United 93" is Certified Fresh with a Tomatometer reading of 93%, the best-reviewed drama of 2006 for movies with at least 50 reviews.

If you’ve been to a Starbucks lately, you’ll notice that you’re seeing more on the walls and chalkboards than art decor and beverage suggestions. It’s hard to miss those "Akeelah and the Bee" note cards and stickers. That’s because besides making caffeinated beverages, Starbucks is dabbling in movies as well. The movie centers on Akeelah who, through the tutelage of a mentor played by Laurence Fishburne, rises above the odds to compete in the Scripps National Spelling Bee contest. Despite its predictability, "Akeelah" is doing quite well with the critics, scoring 84% on the Tomatometer. Critics say its star Keke Palmer‘s winning performance makes it easy to forgive the film’s flaws.

If "Stick It" does well at the box office, will we see the writer of "Bring It On" pen a movie about sychronized swimming? For all we know, that script is probably done, just waiting for a greenlight from studio execs. While that movie may hold promise, "Stick It" fails to score well with the critics with a reading of 21% on the Tomatometer. Filled with teen speak and shopworn cliches, the movie may appeal to teenage mallrats, they say.

In Robin Williams‘ latest comedy "RV," his family dreads the prospect of taking an extended road trip with him in a Winnebago, and with a reading of 32% on the Tomatometer, so do the critics. The reason? The movie’s not that funny. While "RV" does have the occasional chuckle, it’s a mediocre effort at best.

Notable Paul Greengrass Movies:
———————-
81% — The Bourne Supremacy (2004)
91% — Bloody Sunday (2002)
59% — The Theory of Flight (1998)

Recent movies about the Spelling Bee:
——————————
41% — Bee Season (2005)
98% — Spellbound (2003)

They’re not exactly blockbusters but we couldn’t resist sharing the new photo galleries for "Stick It," "Wassup Rockers" and "The Proposition."

From the creators of that modern classic, "Bring it On," comes another flick about girl athletes that don’t get enough respect: gymnasts. Starring Missy Peregrym as the punkish, rebellious teen protagonist, "Stick It" promises lots of flipping, twisting, tumbling action for the family crowd.

Writer-director Jessica Bendinger must have channeled both Busby Berkeley and taken a cue from star Jeff Bridges‘ dream sequence in "The Big Lebowski" to get this memorable shot.

The Larry Clark fans out there might be interested to peek at the American Apparel-esque stills from his latest pseudo-doc drama, "Wassup Rockers." This tale is set in South Central LA and follows a band of Latino skater-teens (all first-time actors, using their real names) as they voyage out of the "safety" of the hood and into the uncharted territory of Beverly Hills.

"Wassup Rockers" screened at this year’s Slamdance, and is set for limited release June 23, 2006.

Another festival film with some indie buzz was Australian western "The Proposition," starring Guy Pearce, Danny Huston, Ray Winstone and Emily Watson. First Look Pictures will distribute in limited release May 5 in New York City.

An ultra-violent, starkly beautiful pic, "The Proposition" was written and scored by none other than Nick Cave; if you know Cave’s music, you can guess what the film’s vibe will be like. For Tim’s Sundance capsule review, click here.

Sony rode a press blackout to first place with their video game horror flick "Silent Hill." The gothic creepfest earned an estimated $20.2 million from 2,900 theaters, handily knocking last week’s champ, "Scary Movie 4," into second place.

Chapter numero cuatro in the seemingly endless spoof series, "Scary Movie 4" grabbed another $17 million, placing its total somewhere in the range of $67.7 million. Debuting in 2,800 theaters (and third place) was Fox’s secret service thriller "The Sentinel," with $14.7 million.


Silent Hill

Fourth and fifth place went to a pair of animated animal-fests: "Ice Age: The Meltdown" ($12.8 million weekend, $168 million total) and "The Wild" ($8.1 million weekend, $22 million total), respectively.


Keifer Sutherland and Eva Longoria in "The Sentinel"

Arriving next weekend are the last four flicks before May kick-starts the "summer" movie season: Lionsgate’s family drama "Akeelah and the Bee," Sony’s slapsticker "RV," Disney’s tween-sports flick "Stick It," and Universal’s inevitably controversial 9/11 drama, "United 93."

For a more thorough examination of this past weekend’s box office results, please do click by the Rotten Tomatoes Box Office Page.

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