From his teen idol days in the early ’80s to his status as a marquee-lighting leading man today, Tom Cruise has consistently done it all for decades — he’s completed impossible missions, learned about Wapner time in Rain Man, driven the highway to the danger zone in Top Gun, and done wonders for Bob Seger’s royalty statements in Risky Business, to offer just a few examples. Mr. Cruise is one of the few honest-to-goodness film stars left in the Hollywood firmament, so whether you’re a hardcore fan or just interested in a refresher course on his filmography, we’re here to take a fond look back at a truly impressive career and rank all Tom Cruise movies by Tomatometer.
Critics Consensus: It's pure formula, but thanks to its breezy pace and a pair of charming performances from Tom Cruise and Cameron Diaz, Knight and Day offers some agreeably middle-of-the-road summer action.
Synopsis: June Havens (Cameron Diaz) chats up her charming seatmate on a flight out of Kansas, but she doesn't realize that... [More]
Critics Consensus: Though it features some of the most memorable and electrifying aereial footage shot with an expert eye for action, Top Gun offers too little for non-adolescent viewers to chew on when its characters aren't in the air.
Synopsis: The Top Gun Naval Fighter Weapons School is where the best of the best train to refine their elite flying... [More]
Critics Consensus: Fast-paced, with eye-popping stunts and special effects, the latest Mission: Impossible installment delivers everything an action fan could ask for. A thrilling summer popcorn flick.
Synopsis: Retired from active duty, and training recruits for the Impossible Mission Force, agent Ethan Hunt (Tom Cruise) faces the toughest... [More]
Critics Consensus: Steven Spielberg's adaptation of War of the Worlds delivers on the thrill and paranoia of H.G. Wells' classic novel while impressively updating the action and effects for modern audiences.
Synopsis: Dockworker Ray Ferrier (Tom Cruise) struggles to build a positive relationship with his two children, Rachel (Dakota Fanning) and Robbie... [More]
Critics Consensus: Anchored by dazzling performances from Tom Cruise, Cuba Gooding Jr., and Renée Zellweger, as well as Cameron Crowe's tender direction, Jerry Maguire meshes romance and sports with panache.
Synopsis: When slick sports agent Jerry Maguire (Tom Cruise) has a crisis of conscience, he pens a heartfelt company-wide memo that... [More]
Critics Consensus: An old-fashioned courtroom drama with a contemporary edge, A Few Good Men succeeds on the strength of its stars, with Tom Cruise, Demi Moore, and especially Jack Nicholson delivering powerful performances that more than compensate for the predictable plot.
Synopsis: Lt. Daniel Kaffee (Tom Cruise) is a military lawyer defending two U.S. Marines charged with killing a fellow Marine at... [More]
Critics Consensus: Gripping, well-acted, funny, and clever, Edge of Tomorrow offers entertaining proof that Tom Cruise is still more than capable of shouldering the weight of a blockbuster action thriller.
Synopsis: When Earth falls under attack from invincible aliens, no military unit in the world is able to beat them. Maj.... [More]
Wait, a movie with ‘The Last‘ in its title? Turns out we’ve seen that one before, prompting this week’s gallery of 24 best and worst Last movies.
Tom Cruise: American Made. After a few years of mostly palatable action films that saw him in cruise control, critics are responding to his new movie and role as a CIA drug runner as once again adding new pages to his acting playbook. This week’s gallery looks back on his career and the 24 Fresh and Certified Fresh movies in his filmography.
Marjane Satrapi’s dark comedy starring Ryan Reynolds is the only brand new release available to stream this week, but the entire Star Wars series is also newly available, as well as some choice selections on Netflix, like The Big Lebowski, Gladiator, and American Psycho, just to name a few. Read on for the full list.
If you’re looking forward to the new chapter in the Star Wars saga coming this year, you might be interested in rewatching all six previous installments. And now you can, thanks to a few streaming providers. (Available beginning on April 10.)
Clint Eastwood directed himself and a crew of other grizzled old men like Tommy Lee Jones, James Garner, and Donald Sutherland in this drama about grizzled old astronauts heading into space to repair a satellite.
Mel Gibson once again plays tricks on the box office bringing forth one of the most unpredictable grossers of the year in "Apocalypto." The R-rated film examines the end of the once-great Mayan civilization from five centuries ago with the story of one brave man, captured by warriors and set to be sacrificed, who must break free and rescue his pregnant wife and young son. As one of the bloodiest and most violent films of 2006, the Buena Vista release is also one of the most challenging to market. Like the director’s last effort, 2004’s smash hit "The Passion of the Christ," "Apocalypto" is made in a language now dead and is subtitled all the way through. But whereas "Passion" had some small level of starpower, Gibson’s new offering boasts a cast of unknowns including many non-actors.
Selling a subtitled film with no stars about a part of history that few today are talking about is risky enough. But Gibson’s arrest over the summer for drunk driving and his anti-Jewish remarks led to horrible PR for "Apocalypto’s" only marketable asset. A few weeks ago, this film looked like it would have a tough road to travel in order to succeed. But like with "Passion," targeted marketing at those audience segments most likely to embrace the pic has helped fuel positive buzz and even good reviews have sparked more interest, not only with moviegoers, but also with exhibitors. Disney upped its opening weekend run from 2,000 to 2,500 theaters as the exhibition community is showing more confidence in the box office potential of the film. "Passion" also saw its theater bookings jump in the final weeks before launching.
Because of Gibson’s summer escapade, there are some who cannot be convinced to spend money and time on a Mel movie. However, the controversy has given "Apocalypto" a ton of free media exposure over the last couple of months and curiosity has grown. Plus the studio has wisely targeted the large Latino audience which never gets to see a big Hollywood epic made about its ancient history. They came out in big numbers for "Passion" and are expected to show up again this weekend. Also there are moviegoers sick of wasting time and money on sequels and remakes who want something fresh and unique that are looking at the Mayan adventure as an experience they can’t get anywhere else. It will be a closely-watched opening for "Apocalypto," but a weekend tally of about $15M could result giving Gibson a reasonable shot at scoring back-to-back number one hits with foreign language movies.
Mel Gibson’s "Apocalypto."
Moviegoers in search of less bloodshed and a lower body count this weekend will be checking out the new romantic comedy "The Holiday" which stars Cameron Diaz and Kate Winslet as two frustrated professionals who decide to swap homes in order to get away from their woes. The PG-13 film finds Diaz going to snowy England while Winslet’s character heads to sunny Los Angeles. Jude Law and Jack Black play the love interests in the Nancy Meyers film. "Holiday" boasts plenty of starpower even though the casting of Nacho Libre in a date movie will have many scratching their heads. Teenage girls and adult women will make up the primary audience, but male interest will be there too thanks to the sassy Diaz who remains a big box office pull with both genders.
Female audiences have been neglected in recent weeks with most major grossers tapping into male or family audiences. The December marketplace will welcome a multi-star romantic comedy set during the Christmas season, however the whites-only casting policy may prevent a more diverse turnout. Sony offered sneak previews last Saturday to boost awareness and word-of-mouth. "Holiday" looks to reach the same crowds that came out for previous mid-December romantic comedies like last year’s "The Family Stone" ($12.5M opening), Meyers’ 2003 hit "Something’s Gotta Give" ($16.1M), and 2002’s Yankee-Brit combo "Two Weeks Notice" ($14.3M). "The Holiday" should receive good cheer from ticket buyers and take in roughly $15M this weekend.
Kate Winslet and Jack Black in "The Holiday."
Like this weekend’s Mel Gibson epic, Leonardo DiCaprio’s new film "Blood Diamond" is also a violent tale of a man whose village is ransacked by warlords and who must fight to retrieve his wife and family. This time, the action takes place only seven years ago in the African nation of Sierra Leone where rebels fight to protect their illegal diamond trade. Djimon Hounsou and Jennifer Connelly co-star in the R-rated film directed by Ed Zwick ("The Last Samurai," "Glory"). Warner Bros. has poured some major marketing dollars into hyping up its new political thriller and like most major releases these days, "Blood Diamond" has some controversy of its own which the studio hopes will help generate more interest. Many stories have been written about how the film might impact the global diamond industry as more Americans (by far the world’s largest consumers of the gem) learn about how conflict diamonds make their way into the market.
Story and starpower should be the main factors at the box office, however. DiCaprio has pull and Hounsou has been getting lots of notice for this role including winning the Best Supporting Actor award from the National Board of Review this week. A year ago this weekend, DiCaprio’s "Departed" foe Matt Damon teamed up with George Clooney for the international political saga "Syriana" which went nationwide with a $11.7M opening from 1,752 theaters for a $6,699 average. With mixed reviews and only 158 more theaters, "Blood Diamond" could find itself in the same neighborhood as it will appeal to much the same audience. Young women who dig the "Titanic" boy and want more upbeat entertainment may get steered over to "The Holiday" and young men who seek screen violence will find much more of it in "Apocalypto" so competition will be fierce this weekend. Opening in 1,910 theaters, "Blood Diamond" might shine with around $12M this weekend.
Leo and Djimon in "Blood Diamond."
Kids have just one new movie aimed at them this weekend. Warner Bros. offers up its second wide release of the frame with "Unaccompanied Minors," a story about a group of children causing chaos when left behind at an airport. The PG-rated film will play exclusively to the family crowd and with "Happy Feet," "Deck the Halls," and even "The Santa Clause 3" still lingering in the marketplace, competition will be tight. Lewis Black and Wilmer Valderrama are the only major names here so starpower will not be much of a factor in drawing in paying customers. "Minors" just does not have enough bells and whistles to rise above the crowded arena. Although the film opens with the most number of theaters, it may end up with the worst gross among the newbies. "Unaccompanied Minors" sneaks into 2,775 sites and could take in about $9M.
A group of kids up to airport hijinks in "Unaccompanied Minors."
After a three-week party atop the box office charts, "Happy Feet" will dance its way down a couple of notches thanks to the wave of new product. "Unaccompanied Minors" will be the only true competitor so the drop should not be too hard. A 35% fall to about $11M could result giving Warner Bros. $136M overall.
James Bond has also been celebrating a solid box office run with its three straight silver medals and is hoping to surpass "The Devil Wears Prada" ($124.7M) and "Over the Hedge" ($155M) to eventually become the top-grossing film of 2006 to not reach the number one spot. This weekend, a 40% decline could be in order giving Agent 007 around $9M for the session pushing the cume for Sony to $129M.
LAST YEAR: Making a big splash at the box office was "The Chronicles of Narnia: The Lion, The Witch, and The Wardrobe" which bowed to a ferocious $65.6M for the second largest December opening in history. Disney’s effects-filled adventure went on to capture $291.7M domestically and a stunning $750M worldwide. Opening far back in the runnerup spot, but still posting solid numbers, was the oil industry drama "Syriana" with $11.7M and a $6,699 average. The Warner Bros. release went on to gross $50.8M domestically and $93M globally. "Harry Potter and the Goblet of Fire" dropped to third after three weeks at number one and grossed $10.3M. The Johnny Cash flick "Walk the Line" followed with $5.7M and the family comedy "Yours, Mine & Ours" rounded out the top five with $5.1M. Debuting in limited release with explosive averages were "Memoirs of a Geisha" with a $85,313 average from eight locations and "Brokeback Mountain" with a $109,485 average from only five theaters. Final domestic grosses reached $57M and $83M and each won three Oscars.
The post-turkey blues will kick in as the North American box office should slump this weekend following a busy Thanksgiving holiday frame.
Three new releases venture into the multiplexes. The Biblical drama "The Nativity Story" will open in the most theaters and try to court a faith-based audience as Christmas nears. Teens and young adults looking to push the envelope with R-rated fare have the college comedy "Van Wilder: The Rise of Taj" and the horror thriller "Turistas." Meanwhile, the penguin toon "Happy Feet" and the James Bond actioner "Casino Royale" will both be past the $100M mark by Friday and will try to stay atop the charts for a third straight time.
The story of Baby Jesus comes to the big screen with New Line’s "The Nativity Story" which stars Keisha Castle-Hughes ("Whale Rider") as Mary. The PG-rated film should appeal to Christian parents wanting to share the religious saga with their children in an environment that the whole family can enjoy. Certainly "The Passion of the Christ" showed how big a Biblical film could be at the box office. However, "Nativity" is completely different and does not have that film’s high-profile director, controversy, or national media frenzy.
Keisha Castle-Hughes and friends in "The Nativity Story."
Instead, it may tap into the same audience as October’s Babylon epic "One Night With the King" which opened to $4.1M from just 909 theaters for a $4,518 average. "The Nativity Story" will launch in more than twice the number of theaters and has a more timely release with December 25 right around the corner, but could generate a similar per-theater average. Critics have not been kind to the pic which might prompt some to wait for the DVD. Opening in around 2,800 theaters, "The Nativity Story" could collect about $13M over the weekend.
Four and a half years after the release of National Lampoon’s first raunchy college comedy "Van Wilder" comes a new installment with "Van Wilder: The Rise of Taj." This R-rated tale finds Taj (Kal Penn) from the first film moving to England to teach a group of misfits how to party down. It’s been a tough road in recent weeks for R-rated films aimed at young males. "Tenacious D in The Pick of Destiny," "Let’s Go to Prison," and "Harsh Times" all opened with about $2M or $3M a piece. "Taj" has some brand recognition since the first "Van Wilder" went on to become popular on video and on cable. In theaters, it opened to $7.3M and a $3,612 average in April 2002 leading to a $21M final. However, a crowded marketplace will make it tough for the sequel to stand out. And "Borat" becoming a runaway smash with four straight $10M+ weekends won’t help either. Opening in 2,000 around theaters, "Van Wilder: The Rise of Taj" might debut with about $5M.
Kal Penn returns in "Van Wilder: The Rise of Taj."
Fox’s new division Fox Atomic, which will cater to teen and young adult audiences, sets sail with its first film with the horror pic "Turistas." The R-rated thriller is directed by John Stockwell ("Blue Crush," "Crazy/Beautiful") and follows a group of American tourists on vacation in Brazil who cross paths with creepy organ harvesters. No starpower here. Instead, Fox is hoping to appeal to college kids looking for a good scare. Outside of older teens and twentysomethings, appeal should be minimal. Even with its core audience, "Turistas" will have to share shelf space with "Taj" so potential will be limited. Opening in less than 2,000 theaters, "Turistas" could find its way to a weekend gross of roughly $4M.
A trio of scared turistas in "Turistas."
Among holdovers, films usually suffer steep declines on the weekend after the Thanksgiving holiday frame. Overall box office spending contracts and studios usually avoid programming any of their heavy hitters into the slot. In fact in the last 15 years, only one new release has opened at number one during this particular weekend – 2003’s "The Last Samurai."
This weekend, it could end up being "Happy Feet" and "Casino Royale" duking it out for box office supremacy for the third straight time. Family pics do extremely well over the turkey frame, but then come down hard a week later. Plus "The Nativity Story" could provide some competition for families. Warner Bros. might suffer a 55% fall for its penguin film which would leave it with $17M for the weekend and $120M after 17 days.
The new blonde Bond is pleasing audiences worldwide and in the United States, "Casino Royale" is set to give "Die Another Day" a run for its money thanks to good word-of-mouth. With kids back in school, the Sony adventure film has taken over the number one spot during the mid-week period. "Casino" could drop by 50% this weekend to around $15M which would push the domestic cume to $116M. Look for the global tally to surpass the $400M mark with ease by the end of the holiday season.
Last weekend, Denzel Washington‘s action thriller "Deja Vu" got off to a good start with a $28.6M five-day bow. Buena Vista may witness a 50% drop and collect roughly $10M over three days and raise its 12-day total to $43M.
From USA Today: ""In the first movie Jackie was a fish out of water (in L.A), then Chris was one in the second movie (in Hong Kong). Now they are both fish out of water," says director Brett Ratner ("X-Men: The Last Stand"). Targeted for an August 2007 release, Rush Hour 3’s villains include one played by Hiroyuki Sanada ("The Last Samurai"). "He’s a brilliant actor with a martial arts background who has done some incredible films," Ratner says. Also in the cast: Max Von Sydow and Roman Polanski."
Like I said… Weird.
When Tim Burton and Johnny Depp get together, pretty wild movies tend to happen. Frankly I think all five of their previous collaborations have been darn fine films, and here’s some good news: That "Sweeney Todd" adaptation they’ve been planning is finally locked down and ready for production…
"DreamWorks Studios announced today that Johnny Depp has been set to star and Tim Burton to direct "Sweeney Todd," the award-winning Stephen Sondheim musical thriller.
Walter Parkes and Laurie MacDonald will partner with Richard Zanuck and John Logan to produce the screenplay adaptation which was written by Logan. Production is planned to begin early next year for a late 2007 release. Paramount will distribute for DreamWorks domestically and Warner Bros. internationally.
The Broadway production of "Sweeney Todd," with Sondheim’s music and lyrics and a book by Hugh Wheeler based on the play by Christopher Bond, opened in 1979 and won eight Tony Awards, including Best Musical. Its mix of the comic, the dramatic and the macabre held together by Sondheim’s movie-like score has had hundreds of productions throughout the world. A highly acclaimed revival is now playing in New York.
The story of "Sweeney Todd" is of a wrongfully imprisoned barber in Victorian England who sets out to seek revenge on the judge who imprisoned him. The plot is foreshadowed in the first lines of the opening number: "Attend the tale of Sweeney Todd./His skin was pale and his eye was odd./He shaved the faces of gentlemen/Who never thereafter were heard of again."
You wouldn’t believe how many couch-jumps it took to train for this shot…
Ok, first the bad news: According to critics, the plot of "Mission: Impossible III" makes precious little sense. The good news: Who cares? The third time’s a charm for the espionage/explosion series, and the scribes say "Alias"/"Lost" creator J.J. Abrams brings a fresh, loopy energy to the proceedings. Tom Cruise is back once again to save the world, this time from Philip Seymour Hoffman. With absurd-but-exhilarating action sequences and interesting supporting players, "M:I:III" is the best reviewed film of the series, and at 78 percent on the Tomatometer, it’s Certified Fresh.
Recently, the makers of horror films have found that adding a "based on true events" handle gives their fright-fests an added jolt of heft. "The Exorcism of Emily Rose" tried it, and now comes "An American Haunting," a ghost tale set in 1820s Tennessee. The critics say the film has an atmospheric gloominess and some solid performances (particularly from Sissy Spacek and Donald Sutherland), but its scares are pretty rote. It currently stands at 29 percent on the Tomatometer.
These kids give a "Hoot"…but will audiences?
Despite the deep divisions wrought by divergent political leanings in recent years, I think we can all agree on several things. It’s a bad idea to pave the wetlands in order to build a pancake house. Luke Wilson is pretty cool. And "Margaritaville" is darned catchy. Unfortunately, the scribes say "Hoot," a tale of some kids who save the habitat of the wise old owl (which features songs by Jimmy Buffett) is an innocuous, but not particularly rousing, family picture. At 30 percent on the Tomatometer, the scribes just don’t, ahem, give a hoot.
Thanks to ComingSoon.net for sharing a press release from Fox Searchlight regarding Danny Boyle‘s "Sunshine" — and the fact that it began shooting yesterday.
Plot: "Fifty years from now, the sun is dying, and mankind is dying with it. Our last hope: a spaceship and a crew of eight men and women. They carry a device which will breathe new life into the star. But deep into their voyage, out of radio contact with Earth, their mission is starting to unravel. There is an accident, a fatal mistake, and a distress beacon from a spaceship that disappeared seven years earlier. Soon the crew is fighting not only for their lives, but their sanity."