After welcoming in four new wide releases per week for seven straight weekends, the North American box office slows it down a bit on Friday with only one saturation release and a pair of moderate national bows.

Sony courts the teen horror crowd with its supernatural thriller "The Covenant." Meanwhile, Focus targets mature adults with the crime thriller "Hollywoodland" and The Weinstein Co. goes after the action audience with the martial arts pic "The Protector." With a slate of Labor Day weekend pics coming off of their lukewarm holiday performances, the overall marketplace is sure to be sluggish and could slump to its lowest point of the year.

Four prep school dudes learn of their ancestral powers and stir up some evil in the new teen chiller "The Covenant." Sort of a "Lost Boys" for today’s youth, the PG-13 film will target the horror audience as well as the back-to-school date crowd. Renny Harlin, who has seen highs with "Die Hard 2" and lows with "Cutthroat Island," directs. "Covenant" should play primarily to teens and young adults and Sony has a strong track record when it comes to attracting that crowd with these kinds of films. Last fall, the studio scored a big hit with "The Exorcism of Emily Rose" which bowed this very weekend with $30.1M, but saw more modest results with "The Fog" which opened in October with $11.8M. Each one still hit the top of the charts. The marketing push on "Covenant" has not been too fierce so a debut closer to "Fog’s" is likely. Competition for teens is not very strong at the moment so many should pick this for their weekend moviegoing choice. Attacking 2,681 theaters, "The Covenant" could scare up around $11M in ticket sales this weekend.


More teen-horror hijinks in "The Covenant"

Academy Award winner Adrien Brody plays a not-so-super sleuth in the 1950s who investigates the suicide death of Superman actor George Reeves in the new crime thriller "Hollywoodland." The R-rated Focus release also stars Diane Lane, Ben Affleck, and Bob Hoskins. After last year’s dominance at the Oscars by numerous indie flicks, "Hollywoodland" tries to get the awards season started early by getting a headstart over some of the fall’s other promising non-studio films. The casting of the "Gigli" star as the Man of Steel, however, might diminish its chances a bit as many industry voters won’t be able to help but snicker when the daredevil himself comes on screen. Mature adults will be the target audience and women might outnumber the guys by a small margin. The film’s subject matter will certainly be intriguing for film industry folks, but it will be a tougher sell to mainstream moviegoers. "Hollywoodland" will have to reach its audience in a hurry as parent company Universal will target the exact same crowd with its ensemble-driven period crime mystery "The Black Dahlia" a week later. Debuting in moderate national release in 1,548 theaters, "Hollywoodland" might capture about $8M this weekend.


Adrien Brody gets rough while investigating the death of tv’s Superman

The "Quentin Tarantino Presents" marketing technique is back once again with the Thai martial arts pic "The Protector" starring Tony Jaa. The R-rated film from The Weinstein Co. finds the acrobatic action star seeking revenge on those who wronged his people. Jaa’s "Ong Bak" made a moderate splash at the North American box office last year when it opened to $1.3M from 387 theaters for a mild $3,449 average on its way to a $4.6M domestic take. A year and a half later, more American action fans know of Jaa, though he’s still far from a sizable draw. Two years ago, the Weinsteins saw stellar results when using the "Pulp Fiction" director’s
name in the marketing of Jet Li‘s "Hero" which ended up topping the box office for two straight weeks on its way to a $53.6M gross. Lionsgate also used the QT tactic to drive in business for its horror pic "Hostel" last January which also bowed in the top spot. "Protector" will appeal mostly to young men who love martial arts and crossover to other groups is unlikely. The second weekend of "Crank" will draw upon many of the same folks so competition will be tough. Fighting its way into around 1,400 theaters, "The Protector" might kick up about $6M this weekend.


Tony Jaa, doing his own stunts, in "The Protector"

More independent films open in New York on Friday hoping to expand further around the country in coming weeks. Polychrome Pictures debuts the Asian American pic "Red Doors" in a pair of Manhattan locations. The dysfunctional family pic won the top prize at last year’s Tribeca Film Festival. Film Philos goes into one solo house with the coffee cart vendor drama "Man Push Cart" which world premiered at Sundance last winter.

"Invincible‘s" undefeated season should come to an end this weekend as the Disney sports drama enters its third outing. A 40% decline would see the Mark Wahlberg pic gross around $7M pushing the 17-day cume to $47M. After a second place bow over the weekend, the Lionsgate actioner "Crank" pumped itself up to the top spot on Tuesday with solid midweek business. Jason Statham saw his "Transporter 2" fall 55% a year ago when it came off of its Labor Day debut. "Crank" could see a slightly smaller drop. A 50% tumble would give the poison pic roughly $5M for the sophomore frame and a ten-day sum of $20M.

Nicolas Cage‘s "The Wicker Man" did not make too much of a dent at the box office last weekend. A 45% drop to around $5M seems likely giving Warner Bros. only $19M in ten days. Indie sensation "Little Miss Sunshine" should step back a bit after a strong Labor Day frame and could slide 30% to $5M as well. That would lift the cume for the year’s most recommended film to $42M making it the fifth biggest hit in company history for Fox Searchlight after "Sideways" ($71.5M), "The Full Monty" ($45.9M), "28 Days Later" ($45.1M), and "Napoleon Dynamite" ($44.5M). In another week, it will vault to number two for the Fox subsidiary.

LAST YEAR: Sony scored a huge surprise winner with the suspense thriller "The Exorcism of Emily Rose" which bowed bigger than expected with a hefty $30.1M grossing more than the next five films combined. The fright flick went on to scare up a sturdy $75.1M. Comedy sensation "The 40-Year-Old Virgin" followed in second with $7.7M in its fourth date while "Transporter 2" fell from first to third with $7.4M. The political drama "The Constant Gardener" and the airline thriller "Red Eye" rounded out the top five with $4.7M and $4.5M, respectively. Samuel L. Jackson debuted poorly in sixth with his action-comedy "The Man" which took in a weak $4.1M on its way to just $8.3M for New Line.

Author: Gitesh Pandya, www.BoxOfficeGuru.com

This week at the movies, we’ve got some unwanted houseguests, in the guise of a guy with a bad case of arrested development ("You, Me and Dupree," starring Owen Wilson, Kate Hudson and Matt Dillon) and a pint-sized thief on the lam ("Little Man," starring Marlon and Shawn Wayans). Will the critics be welcoming, or will they boot these flicks into the street?

Owen Wilson has made a side career of crashing things. He (literally and figuratively) crashed weddings in "The Royal Tenenbaums" and "Wedding Crashers," and now, in "You, Me and Dupree," he’s crashing on the couch of uptight newlyweds, played by Kate Hudson and Matt Dillon (who’s been involved in a "Crash" of his own). The plot involves the recently jobless Wilson, whose free-wheeling antics get under the skin of his hosts. While the critics say "Dupree" is reasonably warm and fun, it’s inconsistent and lacks the real comic punch to be anything more than mildly amiable. At 22 percent on the Tomatometer, "Dupree" may not be for you and me.


An unemployed Owen Wilson considers a career as an interior decorator.

Shawn and Marlon Wayans‘ previous film, "White Chicks," has legions of guilty defenders, despite (or, perhaps more accurately, because of) the fact that it’s tasteless, ludicrous, and often downright bizarre. Now they’re back with "Little Man," the story of a diminutive thief who poses as a baby in order to infiltrate the home of a suburban couple unwittingly in possession of stolen goods (said couple wisely takes the baby in, despite the fact that he has a mouthful of teeth). The question among critics is not whether "Little Man" is a good movie, but whether it contains laughs. Many say no, some resoundingly so, but for those of you who treasure lowbrow humor, politely ignore "Little Man"’s Tomatometer of 20 percent.


What’s the least realistic thing in this picture? I say it’s the fact that no babies wear bonnets like that anymore. Or the tat. One or the other.

Also opening this week, albeit in limited release: Francois Ozon‘s latest, "Time to Leave," is at 87 percent on the Tomatometer; "Gabrielle," starring Isabelle Huppert, is at 73 percent; "Changing Times," starring Catherine Deneuve and Gerard Depardieu, is at 70 percent; the black comedy "Mini’s First Time" is at 50 percent; the David Mamet adaptation "Edmond" is at 33 percent; Ed Burns‘ latest guy-bonding flick "The Groomsmen" is at 29 percent; and the sex comedy "The Oh in Ohio" is at 24 percent.

Recent Owen Wilson Movies:
————————————
76% — Cars (2006)
75% — Wedding Crashers (2005)
51% — The Life Aquatic With Steve Zissou (2004)
63% — Starsky and Hutch (2004)
17% — The Big Bounce (2004)

Recent Movies Written and Starring Marlon and Shawn Wayans:
——————————————————————————
13% — White Chicks (2004)
11% — Scary Movie 2 (2001)
52% — Scary Movie (2000)
24% — Don’t Be A Menace… (1996)

The Hollywood Reporter brings more news that should please fans of Will Arnett (best known as "Gob" on "Arrested Development"). The now-very-busy actor will star in "We’re the Millers," a pot-laced comedy from the guys who wrote "Wedding Crashers."

"The story follows a a drug dealer (Arnett) who on his 30th birthday realizes that he wants out of the business. He decides to do one more job, which forces him to travel to Mexico and create a make-believe family, the Millers, in order to bring 1,400 pounds of marijuana into the U.S.

The script was written by Steve Faber and Bob Fisher, who penned "Wedding Crashers" for the studio," and will be directed by Peter Cattaneo ("The Full Monty").

"Canada-born Arnett has been on a roll since he began starring as a member of the Bluth clan on Fox’s award-winning "Arrested Development." Arnett will appear opposite Robin Williams in the Barry Sonnenfeld-helmed comedy "R.V." and also is attached to star in the comedies "Dad Can’t Lose" and "Get ‘Em Wet," both for Paramount, as well as in "Most Likely to Succeed," which is set up at Universal. "Dad" and "Most" are being directed by Joe and Anthony Russo, both of who won an Emmy for directing the "Arrested Development" pilot."

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