(Photo by Warner Bros/Courtesy Everett Collection)
Ben Affleck chose the right friends early on: His first notable appearance was in 1992’s School Ties, which happened to co-star Matt Damon. The two would go on to become household names after co-writing and co-starring in the Oscar-winning Good Will Hunting. And a few years after School Ties, Affleck starred in Kevin Smith’s Chasing Amy, and is now a regular fixture in Smith’s View Askewniverse. Damon, Smith, and Affleck would all work together in 1999’s iconoclastic Dogma.
Later on in his career, Affleck would pal around with Michael Bay, creating two bombastic feasts together: Armageddon and Pearl Harbor. He’s worked with some of the most legendary directors of their time, like John Woo (Paycheck), John Frankenhemier (Reindeer Games), Richard Linklater (Dazed and Confused), and David Fincher (Gone Girl) — experiences we’re sure all went into Affleck’s own directing career, which culminated in the Best Picture-winning Argo.
Affleck’s recent stint in the DCEU has left his image relatively unscathed: His Batman was considered among the best things out of Batman v Superman and Justice League. And after some highly public personal issues and with his last directorial effort, Live By Night, a Rotten bomb, Affleck’s now on something of a comeback trail for 2020. The Last Thing He Wanted‘s single-digit Tomatometer was probably the last thing Affleck wanted at this point. But his 2020 sports drama The Way Back transcended the inspirational sports template, giving him a meaty role to sink his teeth into, and it impressed critics along the way. Next, he’ll be directing an adaptation of The Big Goodbye, which details the making of 1974’s Chinatown. Until then, we’re ranking all Ben Affleck movies by Tomatometer!
(Photo by Weinstein Company/Courtesy Everett Collection)
The story of Kevin Smith making his first movie starts out like the story of most indie filmmakers following a dream in the ’80s and ’90s: Maxing out credit cards, risking financial ruin all in sheer tyranny of belief that the majorly groundbreaking screenplay you wrote is your ticket into the business. Smith’s story ends differently than most: He actually made it.
‘Twas the right time, right place (unlike all those contractors on the Death Star) for Smith’s Clerks. Audiences and studios alike were hungry for outsider voices, and the guy from New Jersey holding a scuzzy black-and-white comedy was as outsidery as you can get. Released the same October week in 1994 as Pulp Fiction, Clerks set a new high for those aiming low, and thus the American independent movement of the ’90s was born.
Smith’s next movie, Mallrats, showed he was serious about giving voice to pop culture nerds, slackers, and stoners, throwing more references to movies and more reverence to comic books, to the point of roping in Stan Lee as a sage, secondary character. Smith had his most promising leap forward in writing and direction with Chasing Amy, and then took on a more aggressive front against the status quo with the iconoclastic Dogma. The organized religion send-up featured a growing cadre of stars willing to yuk it up in Smith’s unified Askewniverse (like Matt Damon, Salma Hayek, Alan Rickman, and Chris Rock), with Jason Mewes and Smith himself as Jay and Silent Bob a consistent, comedy presence. (Check out our oral history of Jay and Silent bob with Smith.)
The two characters were upgraded to lead status with Jay and Silent Bob Strike Back, before Smith returned to his roots in Jersey Girl and Clerks II. With the Judd Apatow style changing the comedy landscape, Smith stuck his own thumb into the pie, mixing extreme raunchiness and sweet sincerity in Zack and Miri Make a Porno.
The 2010s began with Cop Out, a failed stab at Hollywood big-budget action filmmaking, and an experience Smith now openly derides. Red State just edged by with enough critics for a Fresh rating, and would begin a 3-movie string operating in horror. Tusk has its defenders. Yoga Hosers definitely does not. For his latest, Jay and Silent Bob Reboot, Smith hit the streets, doing roadshow screenings with Q&As city by city. Not only did that bring together his fans in community, but also played up Smith’s strengths as a world-class raconteur, whose gift of gab has helped him create an empire of podcasts and review shows, overshadowing his directing career in recent years. His next movie is horror-comedy Killroy Was Here, scheduled for a 2020 Fall release. Before then, take a look back on all Kevin Smith movies ranked by Tomatometer!
Detectives Crockett and Tubbs shot their way to number one in North America with the cop thriller Miami Vice which finally managed to knock the megablockbuster Pirates of the Caribbean: Dead Man’s Chest out of the top spot.
The new teen comedy John Tucker Must Die debuted well but the animated entry The Ant Bully got squashed in its opening weekend. Overall, the box office saw a summer slowdown as the top ten films attracted the weakest sales since early May.
Universal hit the top of the charts with its big-budget actioner Miami Vice which opened with an estimated $25.2M. Starring Jamie Foxx and Colin Farrell as the famous South Florida cops from the hit 1980s television series, the R-rated film averaged a strong $8,340 from 3,021 theaters. The debut was in line with the opening of director Michael Mann‘s last film Collateral which was also an R-rated actioner and bowed to $24.7M in August 2004. That film, which starred Tom Cruise and Foxx, eventually squeaked past the $100M mark domestically. The studio reported that the audience for Miami Vice was older, multicultural, and evenly split between men and women. Studio research showed that a high 62% of the crowd was age 30 and older, 51% was male, and 52% was non-white. Reviews were mixed for the $135M production.
After three weeks of ruling the box office, Pirates of the Caribbean: Dead Man’s Chest dropped to second place but still posted strong results grossing an estimated $20.5M. The Disney smash dropped only 42% and propelled its cume to a staggering $358.4M after just 24 days. More records were looted by Captain Jack Sparrow. Chest became the fastest film in history to sail past the $350M mark doing so on Saturday in only 23 days. Shrek 2 held the record previously with 26 days in 2004. The Pirates sequel also stands as the top-grossing movie ever for its studio surpassing the $339.7M of 2003’s Finding Nemo.
The middle film in the swashbuckling adventure trilogy vaulted to number 11 on the list of all-time domestic blockbusters right behind the $370.3M of 2004’s The Passion of the Christ. Pirates has also put an end to the industry’s seven-year streak of the top-grossing summer film coming out of the month of May. Johnny Depp and friends have completely dominated the moviegoing world this month as no other film since has opened north of $30M. The last time the month of July saw only one $30M+ opener was ten years ago when Independence Day ruled the mid-summer box office in 1996. Dead Man’s Chest looks to smash the $400M mark in the weeks ahead.
Teenagers pushed the high school comedy John Tucker Must Die into the number three spot with an estimated opening of $14.1M. Bowing in 2,560 theaters, the PG-13 film about a group of young women who get revenge on the guy secretly dating all of them averaged a solid $5,498 per site. However, sales plunged a disturbing 24% on Saturday from a strong Friday turnout indicating there could be trouble ahead. Still, with no pricey stars, Tucker should become a nice little hit for Fox. The studio’s divide-and-conquer marketing approach seems to have worked. Television spots aimed at females focused on the revenge-on-a-cheating-boy angle while those targeting males showed off the title character’s ability to juggle three chicks.
Sony’s digital toon Monster House dropped 48% in its second weekend to an estimated $11.5M and raised its total to $43.9M after ten days. The $75M film looks to find its way to a relatively good $65-70M.
Warner Bros. stumbled with the opening of its rival kid toon The Ant Bully which finished the weekend in fifth place with an estimated $8.1M. Playing in 3,050 locations, the PG-rated adventure about a boy who enters the world of insects averaged a weak $2,670 per location. Big-time Hollywood stars Julia Roberts, Meryl Streep, and Nicolas Cage provided the voices, but audiences were not swayed. Bully’s opening weekend couldn’t even beat the second weekend of Monster House. The kidpic market will get even more crowded on Friday when Paramount launches its own animated film Barnyard targeting the exact same family audience once again.
Sixth place was too close to call with a pair of films claiming an estimated $7M in ticket stubs this weekend. Universal’s comedy You, Me and Dupree fell 45% in its third weekend and boosted its 17-day cume to a solid $59M.
However, M. Night Shyamalan‘s bedtime story Lady in the Water followed its weak opening weekend with a steep 61% crash and gave Warner Bros. a feeble $32.1M in ten days. By comparison, ten-day totals for the filmmaker’s last films have been $85.6M for 2004’s The Village and $117.7M for 2002’s Signs. Lady, which is not even in the same ballpark, has not excited audiences and it could stumble to a final tally of about $45M making its entire total smaller than the opening weekend of his last film.
It’s been a difficult summer for Warners. First, its costly ocean liner actioner Poseidon flopped grossing $100M less than its production budget. Then Superman Returns, the most expensive movie ever, did not live up to expectations. Now the studio is suffering a double blow with Lady and Ant Bully both being ignored by moviegoers. Of course, overseas box office and worldwide home video will add more revenue, but expensive marketing campaigns will make it hard for these films to become moneymaking ventures. The studio’s other summer film The Lake House has enjoyed a respectable run though, grossing $51M.
Sony’s Wayans brothers comedy Little Man placed eighth with an estimated $5.1M, down 54%, and raised its sum to a decent $50.2M. Meryl Streep followed with the sleeper hit of the summer, The Devil Wears Prada, which grossed an estimated $4.8M. Off only 35%, the Fox hit pushed its total to $106.7M.
Crumbling 61% to an estimated $3.9M in its sophomore session, Kevin Smith‘s Clerks II rounded out the top ten and put its ten-day cume at $18.5M. The inexpensive $5M production should continue to fade fast, but looks to end with around $25M making it a nice little moneymaker for MGM and The Weinstein Company. Smith’s last summer film Jay and Silent Bob Strike Back dropped a hefty 53% in its second weekend in 2001 although the Labor Day holiday frame helped to cushion the blow.
Opening in platform release to sensational results was Fox Searchlight’s indie comedy Little Miss Sunshine which bowed to an estimated $357,000 from only seven theaters for an eye-popping $50,980 average. Since its Wednesday launch in New York and Los Angeles, the R-rated comedy starring Greg Kinnear, Steve Carell, Toni Collette, and Alan Arkin has grossed $449,000. Sunshine was the hottest film at this year’s Sundance Film Festival and the distrib is now looking to turn it into a strong word-of-mouth hit for moviegoers numbed by all the mindless popcorn films of the summer. Reviews were outstanding and the road comedy will continue to expand in the weeks ahead. The distributor plans to widen to ten cities and about 60 theaters this Friday, 175 playdates the following weekend, and a full national release in over 600 sites on August 18.
Also debuting this weekend was Woody Allen’s latest film Scoop with an estimated $3M from 538 locations for a good $5,582 average. The Focus release stars Scarlett Johannson and Hugh Jackman and earned mixed reviews from critics.
Three films dropped out of the top ten over the weekend. Superman Returns fell 49% to an estimated $3.8M in its fifth mission and reached a cume of $185.8M. After 33 days of release last summer, Warner Bros. collected a similar $183.1M with its other super hero revival Batman Begins. However, the Caped Crusader posted a stronger $6M frame, ranked higher with a fifth place finish, and was enjoying smaller weekly declines on its way to $205.3M. With a reported production budget north of $240M, Superman Returns is on a course to end its domestic run with roughly $195M and will need some sort of special re-release in order to cross the double-century mark.
Fox also grabbed an estimated $3.8M with its super hero comedy My Super Ex-Girlfriend which tumbled 56% in its second weekend. With a weak $16.4M in ten days, the Uma Thurman–Luke Wilson comedy should find its way to only $25M.
Disney watched Pixar’s durable toon hit Cars become the second highest-grossing film of the year this weekend. The G-rated smash fell 50% to an estimated $2.5M boosting its cume to $234.6M surpassing the third X-Men flick. Add in the recent Pirates sequel and the Mouse House can now claim the two biggest box office hits of 2006 with no other films in the near future looking to get in their way.
Al Gore‘s global warming hit An Inconvenient Truth became only the fourth documentary in box office history to cross the $20M mark this weekend. The Paramount Vantage title took in an estimated $773,000 in its tenth frame, off 23%, to lift its cume to $20.2M. The only docs to score better have been Fahrenheit 9/11 ($119.2M), March of the Penguins ($77.4M), and Bowling for Columbine ($21.6M).
The top ten films grossed an estimated $107.3M which was up a scant 2% from last year when Wedding Crashers climbed to number one in its third weekend with $20M; but down 22% from 2004 when The Village opened in the top spot with $50.7M.
Author: Gitesh Pandya, www.BoxOfficeGuru.com
Johnny Depp made this weekend’s four new releases walk the plank as his megablockbuster Pirates of the Caribbean: Dead Man’s Chest became the first film of the year to spend three consecutive frames at number one and zoomed past the $300M mark in record time.
Among the new offerings debuting in theaters, Sony’s animated film Monster House posted the best results opening in second place while M. Night Shyamalan‘s latest supernatural thriller Lady in the Water stumbled in its first weekend settling for third place. The comedies Clerks II from Kevin Smith and My Super Ex-Girlfriend from Ivan Reitman debuted with more modest single-digit results outside the top five. Overall ticket sales were a healthy amount ahead of last year’s.
Sailing past more box office records with ease, Pirates grossed an estimated $35M in its third weekend to remain the top choice among summer moviegoers across North America. Off a moderate 44%, the Disney smash became the fastest film to break the $300M mark when it surpassed the milestone on Saturday, its 16th day of release. Star Wars Episode III previously held the record doing the deed in 17 days last summer. Pirates now stands at $321.7M after a mere 17 days and has soared up to number 16 on the list of all-time domestic blockbusters ahead of Harry Potter and the Sorcerer’s Stone which grossed $317.6M in 2001.
Dead Man’s Chest also entered a very exclusive club of films that reached the triple-century mark while still at number one. It joins only 1982’s E.T., 1997’s Titanic, and 2003’s The Lord of the Rings: The Return of the King. The third weekend hold for Pirates was commendable showing that the high seas adventure is not falling apart like many action sequels and instead still pleasing audiences. It now looks to be on course to reach $400M in box office treasure.
Sony generated a solid debut for the animated film Monster House which opened in second place with an estimated $23M from 3,553 locations. The PG-rated tale about three kids who discover an evil home averaged an impressive $6,473 per theater. Oscar-winning directors Steven Spielberg and Robert Zemeckis served as executive producers and had their names used prominently in the marketing. As the first toon for kids in over a month, Monster scored with children and parents who made up the bulk of the audience. The studio released the $75M production in 163 3-D theaters which collected $2.6M of the overall gross for a sizzling $16,012 average. Reviews were mostly positive.
Suffering his worst opening since becoming an A-list director, M. Night Shyamalan saw his latest thriller Lady in the Water struggle in its debut grossing an estimated $18.2M from 3,235 theaters. The PG-13 film about a mysterious creature from the water who must return to her world averaged $5,629 per site. The opening was less than half the size of the $50.7M bow of Shyamalan’s last film The Village and less than one-third of the $60.1M that his previous film Signs took in when it opened in 2002. Critics panned Lady which was promoted as being a "bedtime story" as the Oscar-nominated filmmaker earned the worst reviews of his career.
Shyamalan’s last four thrillers were all released by Disney but after The Village, the studio passed on the opportunity to make Lady. The project found itself over at Warner Bros. Village opened impressively based on the brand name of Shyamalan, however negative word-of-mouth led to it crashing 68% on the second weekend and quickly disappearing soon after. In fact, its final domestic tally of $114.2M remains the lowest gross ever for any film opening north of $50M. Many former fans may have decided to pass on his follow-up which was Lady. It could be rough seas ahead for Water as well since its Saturday sales were flat compared to Friday’s. Plus, it has scored a weak B- average grade from over 3,000 users of Yahoo Movies which means ticket buyers have not been very thrilled.
Universal’s hit comedy You, Me, and Dupree dropped a moderate 41% in its second weekend and placed fourth with an estimated $12.8M. With a solid $45.3M in ten days, the $54M picture should find its way to a sturdy $70-75M. Fellow sophomore comedy Little Man saw a larger drop and fell 49% to an estimated $11M for a total of $40.6M in ten days. Sony’s $64M Wayans brothers film looks to find its way to $60-65M.
Fans showed support for Kevin Smith whose comedy sequel Clerks II debuted in sixth place with an estimated $9.6M from 2,150 theaters. Averaging a good $4,477 per site, the R-rated story of a pair of slackers still doing little with their lives in their thirties opened a bit weaker than Smith’s 2001 late-summer pic Jay and Silent Bob Strike Back which bowed to $11M on its way to $30.1M. Ticket sales for Clerks II fell a sharp 18% on Saturday from Friday indicating that Smith’s loyal fans rushed out on opening day and that there may not be much of an audience left for future weeks. The film earned favorable reviews and was released by MGM and The Weinstein Company.
Fox saw a disappointing opening for its romantic comedy My Super Ex-Girlfriend which debuted to an estimated $8.7M from 2,702 theaters for a mild $3,220 average. The PG-13 film stars Uma Thurman as a woman who is secretly a super hero that exacts revenge on her ex-boyfriend (Luke Wilson) for dumping her. Reviews were mixed for the Ivan Reitman-directed pic. Studio research showed that the audience was split evenly between men and women with those age 25 and older making up 59% of the crowd. With so many other comedies in the marketplace from Owen Wilson, the Wayans brothers, Kevin Smith, Meryl Streep, and Adam Sandler, plus Pirates still raking it in, audiences found no special reason to spend money on Ex-Girlfriend.
Superman Returns dipped 39% in its fourth flight to an estimated $7.5M and pushed its cume to $178.4M. The pricey Warner Bros. film is still ahead of the $171.9M that its last super hero film Batman Begins collected after the same amount of time. The Caped Crusader pic, however, held up better grossing $10M in its fourth frame. The $200M domestic mark still seems reachable for Superman. Overseas, the international cume climbed to $110M.
Meryl Streep’s hit comedy The Devil Wears Prada enjoyed another solid hold suffering the smallest decline in the top ten. The Fox release took in an estimated $7.4M, off only 29%, to lift its sum to $97.6M. Devil opened on the same weekend as Superman Returns with a much smaller gross, but is now doing nearly identical weekend business.
Disney bookended the top ten with its Pixar smash Cars which dropped 37% to an estimated $4.9M in its seventh lap. The animated hit has now grossed $229.4M putting it at number 49 on the list of all-time domestic blockbusters after X-Men: The Last Stand which opened two weeks earlier and has taken in $232.8M to date.
The weekend’s four new releases tossed a quartet of summer pictures out of the top ten. Adam Sandler’s latest winner Click grossed an estimated $4M in its fifth frame, off 45%, for a total of $128.2M. The $83M Sony title should finish with $135-140M. Fellow comedy Nacho Libre with Jack Black tumbled 69% to an estimated $505,000 for a cume of $78.7M to date. Paramount looks to end its run with just under $80M.
Keanu Reeves grossed an estimated $661,000 for his sci-fi toon A Scanner Darkly and an estimated $625,000 for his sci-fi romance The Lake House this weekend. Warner Independent Pictures has taken in $3.2M with Scanner and is shooting for the $5M mark. Parent company Warner Bros. has grossed $50.7M with its Sandra Bullock tale and is heading for $52M.
The global warming documentary An Inconvenient Truth remains a popular summer flick slipping just 14% to an estimated $1M in its ninth weekend. Paramount Vantage has collected $18.8M to date and is enjoying remarkable momentum.
The top ten films grossed an estimated $138.2M which was up 12% from last year when Johnny Depp’s Charlie and the Chocolate Factory remained at number one for the second time with $28.3M; and up 2% from 2004 when Matt Damon‘s The Bourne Supremacy opened in the top spot with $52.5M.
Author: Gitesh Pandya, www.BoxOfficeGuru.com
Directors take center stage this weekend providing starpower to four new films opening in North American theaters all hoping to take down reigning box office king Pirates of the Caribbean: Dead Man’s Chest.
M. Night Shyamalan leads the way with his latest creepy tale Lady in the Water while fellow east coast helmer Kevin Smith lets the expletives fly in the comedy Clerks II. Oscar winners Steven Spielberg and Robert Zemeckis serve as producers on the animated film Monster House which is aiming for kids, and Ivan Reitman provides a different type of super hero film in My Super Ex-Girlfriend. With four interesting new films and Johnny Depp still firing off his cannons, the overall marketplace should expand as it moves into the late July period.
Writer/director M. Night Shyamalan returns to theaters with his fantasy chiller Lady in the Water which marks his departure from the Disney family. The Warner Bros. release tells the story of a superintendent who discovers a mysterious creature in his building’s pool that must be sent back to her world. Paul Giamatti, Bryce Dallas Howard, Jeffrey Wright, and Bob Balaban star in the PG-13 pic. Known for his small cameos in previous pics, Shyamalan the actor has been promoted this time around and gets a meaningful supporting role. As they say, it pays to know the director. Could he be preparing himself for playing the lead role in a future film? Only time will tell.
The Philadelphia-based director has been seeing diminishing returns at the box office over the last few years. In 2002, his alien drama Signs with Mel Gibson opened to a sturdy $60.1M on its way to a robust $228M. Two years later, The Village tested Shyamalan’s brand name since it lacked any A-listers and the opening was still strong with $50.7M. But poor word-of-mouth quickly set in with the film plunging 68% in its second frame on its way to $114.2M overall. This time around, the director is once again the biggest name attached to the project. Giamatti won plenty of acclaim with Sideways, but he’s still not a star who drives in audiences on opening weekend. Shyamalan’s starpower will be put to the test once again, and some who left The Village with a bad taste might just pass on Lady. The new film should also open weaker than Village because it will debut in 500 fewer theaters.
Many elements to the film and its marketing are new this time around. With a different studio in charge, a notable difference is the female voiceover on the television commercials where a little girl whispers to viewers in a creepy way. This reinforces the new angle where the picture is being sold as a bedtime story. Shyamalan also became very visible this year with his American Express commercial. Instead of relying again on a twist, Lady instead plays out like a fantasy arthouse film that offers more comedy than all of Shyamalan’s past films combined. Audiences may end up once again dividing themselves into the love and hate camps after coming out of theaters. But in a world where people complain about the lack of originality coming out of Hollywood, the filmmaker does deserve credit for offering moviegoers something new and different.
The summer has not seen too many scary movies yet so Lady in the Water will stand out to audiences who like a good fright. With a story that is really out there, the film may find more fans with the fantasy and sci-fi crowds than with mainstream moviegoers. That will hurt ticket sales in the long term. Still, like with other Shyamalan movies, there is a mystery to them which draws in fans. That magic will work its charm again as the film will try to attract enough moviegoers to knock the popular Pirates out of first place. Emerging in 3,235 locations, Lady in the Water might find itself with around $33M this weekend.
The late-summer cartoon wars begin with Sony launching the first attack with its computer-animated entry Monster House. The PG-rated film tells the story of some teenage kids who believe that a neighborhood house is actually a ferocious beast. Although directing duties fell on newcomer Gil Kenan, it’s executive producers Spielberg and Zemeckis whose names are used most prominently in the marketing materials. Many families are sure to be fooled into thinking these brilliant filmmakers were behind the camera. The studio reported encouraging results for the sneak previews it offered last weekend to help spread advance buzz.
And advance buzz will be essential to box office success since rival studios will be unleashing their big toons in each of the next two weekends with Warner Bros. opening The Ant Bully on July 28 and Paramount tossing in Barnyard on August 4. There might not be room for all three to thrive so Sony’s early jump on the competition gives it a major leg up. The Disney/Pixar hit Cars has raced past the $220M mark, but is aging so young kids will be looking for something new to rally behind. Direct competition should not be too fierce for Monster this weekend since even the PG-13 Pirates is a bit too scary for smaller children. Sony is going all out with their push of Monster House which debuts in 3,553 sites on Friday. An opening of about $25M could result.
Mixing the date movie formula of The Break-Up with the comic book antics of X-Men, Fox unleashes its new comedy My Super Ex-Girlfriend. The PG-13 film stars Luke Wilson as a man who dumps his squeeze only to learn that she is secretly a famous super hero who now will use her powers to exact revenge. The plot has ample appeal to both men and women so interest from the date crowd will be solid. But the marketplace has been flooded with comedies over the last several weeks so those looking for a laugh can easily go elsewhere. The concept does, however, offer a unique what-if scenario that is sure to attract business. A slight female skew is likely.
Starpower is also an important component here. Uma Thurman has had many hits and though Wilson is not much of a leading man, he does offer value when playing second fiddle to a bigger star, like in this case. Trailers in front of the studio’s recent mutant sequel have raised awareness with the comic book crowd. But Wilson’s brother Owen, coming off of a $21.5M bow for You, Me and Dupree, won’t help any and Super probably has the most direct competition in its way among the weekend’s four freshmen. Flying into 2,702 theaters, My Super Ex-Girlfriend could take off with around $13M this weekend.
Kevin Smith leaves the Jersey girls behind and revisits the boys in Clerks II, a sequel to the 1994 indie hit that launched his career. The R-rated film finds his Garden State slackers in their thirties and working at a fast-food restaurant where colorful customers make their way in and out each day. Released by The Weinstein Company and MGM, Clerks II has a very specific audience of Smith fans it will appeal to. Others will be hard to reach as there is little starpower on the screen. The director’s 2001 summer comedy Jay and Silent Bob Strike Back opened to $11M from 2,765 theaters for a $3,985 average while 1999’s Dogma starring Matt Damon and a pre-J. Lo Ben Affleck bowed to $8.7M from 1,269 theaters for a $6,832 average.
Clerks II will debut in a level of theaters that is in between those two pics. Males in their twenties and thirties will make up the core crowd and there will be other options competing for their attention like Pirates and Lady. The marketing push has been good, but multiplexes will be crowded this weekend so getting in the undecided vote will be difficult. Opening in over 2,100 sites, Clerks II might bow to roughly $12M this weekend.
After two weeks of sailing ahead of the rest of the box office fleet, Pirates of the Caribbean: Dead Man’s Chest will face a serious challenge for its number one position this weekend. The Johnny Depp megahit dropped 54% in its second frame, but should suffer a smaller decline this time around. A number of new enemies will invade its waters so audiences will be scattered and competition should be formidable. Pirates may fall by 45% this weekend giving Disney about $34M for the frame. That would push the adventure sequel past the triple-century mark in a record 16 days and up to a staggering $321M by the end of the weekend.
Last weekend, the competing comedies Little Man and You, Me and Dupree battled it out for the distinction of being the biggest non-pirate movie in the country. Man inched ahead of Dupree by less than $100,000, but this weekend, the Wayans Brothers could see the larger decline losing about half of its business. That would give Sony around $11M for the frame and a ten-day cume of $40M. Dupree won’t have it easy though. My Super Ex-Girlfriend will offer direct competition for its core audience. A 45% drop could occur leaving Universal with roughly $12M for the frame and a stronger $44M after ten days.
Superman Returns has been chugging away trying to get itself to the $200M mark. But the Man of Steel’s third weekend gross of $12.3M was weaker than the corresponding takes of some of last summer’s big action offerings like Mr. & Mrs. Smith, Batman Begins, War of the Worlds, and even Fantastic Four. Pirates has been taking its toll on Superman and this weekend, the Clark Kent flick will no longer be in a massive 3,700+ theaters. Warner Bros could see a 45% decline to about $6.5M which would push the cume to $178M.
LAST YEAR: Johnny Depp spent his second weekend atop the charts with his cooky comedy Charlie and the Chocolate Factory which fell 50% to $28.3M fending off competition from a quartet of new releases plus some solid holdovers. Owen Wilson and Vince Vaughn spent another week in the runnerup spot with Wedding Crashers which held up remarkably well in its sophomore date slipping only 24% to $25.7M. The super hero flick Fantastic Four remained in third with $12.6M in its third mission. Among new movies, the highest gross came from the action thriller The Island which bowed to $12.4M. Given its enormous budget, it was a big disappointment for DreamWorks which found its way to just $35.8M. Paramount did not fare much better with the remake Bad News Bears which debuted in fifth with $11.4M. The Billy Bob Thornton pic scored just $32.9M overall, but at least it didn’t have a huge production cost. Opening in fewer theaters, but with an impressive average, was the pimp drama Hustle and Flow which bowed to $8M and a $7,915 average. The horror film The Devil’s Rejects followed with a $7.1M opening. Final tallies reached $22.2M for the Paramount Classics hip hop pic and $17M for the Lionsgate gorefest.
Author: Gitesh Pandya, www.BoxOfficeGuru.com
This week we’ve got some magic in ordinary dwellings (M. Night Shyamalan‘s "Lady in the Water" and "Monster House") and some funny couples ("My Super Ex-Girlfriend," with Uma Thurman and Luke Wilson, and Kevin Smith‘s "Clerks II," featuring Jay and Silent Bob). What do the critics have to say?
For a moment, it appeared that M. Night Shyamalan would join the top tier of contemporary directors. "The Sixth Sense" and "Signs" were commercial and critical hits, establishing a winning combination of spooky, twisty plots and spiritual quests. But now, after the lukewarm critical reaction to "The Village," and the absolute drubbing that his latest, "Lady in the Water," is taking, it’s looking like Shyamalan may be adrift. (The fact that "Water" star Bryce Dallas Howard‘s dad was piloting the craft when Fonzie jumped the shark is purely coincidental.) The film tells the story of a super (Paul Giamatti) at a drab apartment complex who discovers a mythical creature (Howard) living beneath the swimming pool. Though its description makes "Lady" sound like a simple fairy tale, critics say the film is needlessly complex, ponderous, and pretentious. At 22 percent on the Tomatometer, "Lady in the Water" is out to sea.
On every street, there’s one house that’s just a little creepy, a place that inspires trepidation and even fear among the neighborhood kids. In "Monster House," there’s a residence that actually attacks people. The critics say this CG film, featuring the voices of Maggie Gyllenhaal, Nick Cannon, and Steve Buscemi, is technically excellent and effective as a funny, scary funhouse ride of a movie. But perhaps it’s a little too effective; more than a few of the scribes say the movie may be way too scary for younger viewers. Still, at 66 percent on the Tomatometer, this "House" may be a prime piece of real estate.
"My Super Ex-Girlfriend" has a pretty amusing premise: A guy is on the outs with his girlfriend, but she’s a superhero, and uses her powers to thwart his budding romance with a coworker. Plus, director Ivan Reitman and stars Uma Thurman and Luke Wilson are pretty adept at light comedy. So what’s the problem? Well, the critics say the movie never quite transcends its premise. While the scribes say the leads are solid and the script does a decent job of poking fun at the superhero genre, the execution is ultimately too flat to make this material soar. "My Super Ex-Girlfriend" is at 45 percent on the Tomatometer.
It appears Uma has seen "The Texas Chainsaw Massacre" one too many times.
If it wasn’t for Bruce Springsteen, Kevin Smith would likely be the voice of New Jersey. His "Clerks" changed the landscape of indie cinema in the 1990s; its DIY aesthetic inspired hundreds of other kids in the suburbs with demented minds and big dreams to pick up a camera and document their existential crises. In "Clerks II," he revisits Dante and Randal, those lovable, potty-mouthed slackers, who’ve barely changed a lick in a decade (aside from the release of the "Lord of the Rings" trilogy and the presence of Rosario Dawson, which at least gives them something new to talk about). The critics say that while "Clerks II" will not break any new ground, it will please the legions of Kevin Smith acolytes with its witty, ribald humor. At 70 percent on the Tomatometer, "Clerks II" may be worth a stop, though it’s still a cut below the original, at 85 percent.
Also in theaters this week in limited release: Ryuhei Kitamura‘s "Azumi" is at 57 percent on the Tomatometer; "Shadowboxer," starring Cuba Gooding Jr. and Helen Mirren, is at 44 percent; and the bloody indie "Mad Cowgirl" is at 17 percent.
I saw "Harsh Times" almost a year ago, and I remember thinking "Wow, Christian Bale is a force of freakin’ nature in this flick." I also expected that the actor’s fans would have a field day with this movie — which I’m sure they will, if the thing ever gets a release date. Until then, we do have a trailer link.
MGM / Bauer Martinez are the ones who own the movie, so you could probably direct your questions to them. But be sure to visit YouTube.com and check out the first international trailer for the rather intense crime flick.
"Harsh Times" represents the directorial debut of screenwriter David Ayer, whom you might remember from titles like "Dark Blue," "Training Day," "S.W.A.T.," "U-571," and "The Fast and the Furious." The flick’s about a blisteringly aggressive former Army Ranger who finds himself struggling to get used to "normal life" again. Freddy Rodriguez, also excellent, plays Bale’s best pal — and a guy who really should have better taste in friends.
After screening at Cannes to an eight-minute standing ovation, "Clerks II" is beginning to garner precious positive reviews from print and online critics, who have given Kevin Smith‘s latest film an 88% Unofficial Tomatometer rating.
The MGM release isn’t due in theaters until July 21, but early reviews from the pic’s Cannes debut and other sneak screenings are already trickling in. Among 8 early reviews, 7 are positive critiques that applaud Smith’s return to his raunchy roots, while the lone negative review (written by Kevin Smith enthusiast Phil Villareal) declares "Clerks II" an eagerly anticipated disappointment.
"After Jersey Girl, some felt that Smith had spunked his mojo, and heading back to Clerksworld could so easily have been a mad dash back to the comfort zone. It’s good to report, then, that Clerks II is what Smith does so well; it’s a tender, scabrous and very, very funny comedy that picks up 12 years after the original."
"Filled with tart dialogue and the kind of pop culture diatribes that propelled the original Clerks, this is a return to both the form and the substance that brought Smith to public attention in the first place."
"If ‘Clerks II’ doesn’t have quite the scabrous kick of its predecessor, the chance to revisit a classic premise must have renewed the writer in Smith, whose banter here often achieves a sharpness and quality that haven’t been in evidence since 1999’s ‘Dogma.’"
"The film’s problems are myriad. The new clerk, an ultraconservative Christian 19-year-old ‘Transformers’ and ‘Lord of the Rings’ geek played by Trevor Fehrman, is a sloppy caricature that strives and fails for the bizarro elegance of a Screech or an Urkel."
"The original was gleefully nasty for the sake of ingenious pop culture jabs, while the sequel, sadly, is raunchy for the sake of gag-inducing obscenity alone. The same is true about Smith’s trademark consumer satire."
The sequel to Smith’s indie breakout "Clerks" (85% on the Tomatometer) has the potential to bring up the cult fave director’s own Tomatometer ranking, which started out strong with 1994’s "Clerks," dipped with 1995’s "Mallrats" (58%), peaked with 1997’s "Chasing Amy" (93% Tomatometer), and subsequently declined following 1999’s "Dogma" (67%), 2001’s "Jay and Silent Bob Strike Back" (53%), and 2004’s "Jersey Girl" (41%).
"Disney’s Touchstone has made a deal for a pic based on a true story that will star Ben Affleck and Matt Damon as lawyers who spent 15 years overturning a murder conviction.
Affleck will play Michael Banks and Damon will be J. Gordon Cooney, two lawyers at a Philadelphia firm that took on a pro bono appeal that turned into a 15-year crusade. The lawyers won nine stays of execution for death-row inmate John Thompson and finally got him exonerated of all charges."
Films that have included both Ben Affleck and Matt Damon include "School Ties," "Good Will Hunting," "Chasing Amy," "Dogma," "Jay and Silent Bob Strike Back," and "Jersey Girl," if we’re including jokey cameo appearances.
Every news outlet, movie site, and cine-blog is reporting the news, so I’ll just cite good ol’ ComingSoon.net as our source, but there’s the good news: Everyone’s favorite comedic news host, Jon Stewart, has been tapped to host the March 5th Academy Awards broadcast, which automatically bumps the ‘must-see’ quotient up by about twenty-hundred percent.
"Los Angeles Times’ The Envelope is reporting that Jon Stewart, the Emmy-winning writer-host of Comedy Central’s The Daily Show with Jon Stewart, will host the 78th Academy Awards. The Hollywood Reporter has confirmed the news and the Academy is expected to make it official on Thursday morning.
Stewart previously hosted the Grammy Awards in 2001 and 2002.
Nominations for the 78th Academy Awards will be announced on Tuesday, January 31, 2006, at 5:30 a.m. PST, in the Academy’s Samuel Goldwyn Theater.
Academy Awards for outstanding film achievements for 2005 will be presented on March 5, 2006, at the Kodak Theatre at Hollywood & Highland, and televised live by the ABC Television Network beginning at 5 p.m. PST."
A few years back funnyman Will Ferrell played a character called "Marshall Willenholly" in Kevin Smith‘s "Jay and Silent Bob Strike Back," but who knew Kevin Smith was psychic? Yes, Will Ferrell has signed on to play the lead role in a big-screen version of the cult-classic kid’s series "Land of the Lost."The Universal project will be directed by frequent Ferrell collaborator Adam McKay ("Anchorman"), from a screenplay by Chris Henchy and Dennis McNicholas. For those a bit too young to have enjoyed "Land of the Lost" during after-school reruns, the show was about a dad and two precocious kids ("Marshall, Will and Holly! Now I get it!") who fell into a warp of some sort before ending up in a prehistoric world full of dinosaurs, Chakas, and Sleestaks. Will Ferrell is no stranger to TV-based movies; he previously appeared in "Starsky & Hutch," and his "Bewitched" is due to hit the screens this summer. No word yet on how closely the movie will adhere to the TV series, although according to Variety, "the kids won’t be part of the movie."