Another wide assortment of summer offerings will hit the multiplexes across North America this weekend. The action-comedy sequel Rush Hour 3 leads the way as the main course and will be joined by side dishes like the fantasy adventure Stardust, the family comedy Daddy Day Camp, and the horror flick Skinwalkers. The third mega-opening in a row should keep overall ticket sales abnormally high for this time of year.
Six years and one week after the last installment opened, Rush Hour 3 hits theaters from coast to coast hoping to recapture the magic that made its two predecessors shatter industry expectations. Jackie Chan, Chris Tucker, and director Brett Ratner have all reteamed (with some handsome raises) for a story about the world’s biggest organized crime syndicate whose secrets are hidden in Paris. The first Rush Hour smashed the September opening weekend box office record with a $33M launch in 1998. Rush Hour 2 set a new August opening record in 2001 with its $67.4M debut which it held until last weekend’s The Bourne Ultimatum arrived. Together, Carter and Lee have arrested $367M domestically and $575M worldwide with their pair of cross-cultural buddy cop hits.
But a lot of time has passed since the last Rush Hour film and some fans may have lost interest in a formula that can easily get tired the third time around. The new pic should play mostly to existing fans and will not create too many new ones. Still, Rush Hour 3 does offer the most ethnic starpower of any film this summer so business from multicultural moviegoers should be very strong. Jason Bourne’s second weekend will provide ample competition for the action crowd, then again Rush Hour 2 had to deal with the second weekend of Planet of the Apes which opened the week before with a similarly potent $68.5M which at the time was the second biggest opening in history. So Chan and Tucker can handle the pressure. Expect those who like this dish to come back for a third helping for what should be the final big bow of the summer season. Crashing into more than 3,100 theaters, Rush Hour 3 could speed to about $61M this weekend.
Fox’s hit toon The Simpsons Movie, already the third highest grossing animated film of the year after the ogre threequel and the rodent comedy, should stabilize this weekend after its hefty sophomore slump of two-thirds. A 50% decline would give Homer and pals around $12.5M for the weekend and a 17-day total of $153M.
LAST YEAR: Will Ferrell stayed put at number one with the hit comedy Talladega Nights despite a 53% drop to $22.1M in its second lap for Sony. Buena Vista raced past expectations with its teen sensation Step Up which bowed in the number two spot with a stellar $20.7M on its way to $65.3M. Paramount’s 9/11 drama World Trade Center debuted in third with $18.7M over three days and $26.5M over five days. The Oliver Stone pic went on to gross a solid $70.3M. The studio’s animated film Barnyard slipped only 39% in its sophomore session to $9.7M taking fourth place. Opening to mild results in fifth was the thriller Pulse with $8.2M on its way to $20.3M for The Weinstein Co. Sony crashed and burned in ninth with the kidpic Zoom which bowed to just $4.5M leading to a weak $11.6M final.
Author: Gitesh Pandya, www.BoxOfficeGuru.com
With everyone buzzing about Paul Greengrass‘ United 93, another 9/11-centric project has fallen into the background … for now, anyway. But IGN FilmForce has a few tidbits reharding Oliver Stone‘s World Trade Center, including a plot recap, a cast list, and a pair of pics.
Says IGN FF: "Set for release on August 11th, 2006, is Oliver Stone’s World Trade Center, starring Nicolas Cage (Matchstick Men), Michael Pena (Crash), Maria Bello (Coyote Ugly), Maggie Gyllenhaal (Donnie Darko) and Frank Whaley (The Doors). The movie tells the story of John McLoughlin (Cage) and William Jimeno (Pena), Port Authority police officers who were trapped for 22 hours at Ground Zero.
In early November of last year, upon commencement of photography, the filmmakers were quick to emphasize that the movie will not focus on the large political issues. "We’re not doing the Towering Inferno–Titanic version," producer Michael Shamberg told The Associated Press. "We’re not doing everyone’s story that day. We’re trusted with the accuracy of the particular story that we’re telling."
A pack of sled dogs brave the cold ("Eight Below"). A detective works on a case with potentially explosive ramifications ("Freedomland"). A movie parodies other movies ("Date Movie"). It’s this week’s wide releases!
Over the years, Disney has produced many adventures with animals struggling to survive in the harsh wild ("White Fang" comes to mind). And critics say "Eight Below," the story of a group of sled dogs who must brave the cold of Antarctica, carries on that proud tradition. Paul Walker stars in the based-on-a-true-story of a guide who must take a visiting researcher across a particularly perilous stretch of territory. The scribes say this is more than just a shaggy-dog story; it’s infused with a real sense of drama and some of the warmest canine thespians ever to grace the silver screen. It’s Mr. Walker’s best reviewed film since "Pleasantville" (86 percent on the Tomatometer), and his best in a leading role. At 82 percent, "Eight Below" proves that every dog has its day. And "Eight Below" is not only Certified Fresh, is also the best-reviewed wide release of the year, besting a pair of family films, "Nanny McPhee" (75 percent) and "Curious George" (72 percent).
Sometimes the noblest of intentions can make for the clumsiest of films. Case in point: "Freedomland," a drama that delves into the thorny issue of race relations after a white woman dubiously claims she has been carjacked and her child kidnapped in a largely African American housing project. Critics say the film features perhaps the weakest performances in the distinguished careers of Samuel L. Jackson and Julianne Moore, and the script lacks the nuances that should give the film its emotional punch. (Strange, since Richard Price, the screenwriter, also penned the source novel for Spike Lee’s "Clockers," a deft mixture of police procedural and social issues. It’s at 75 percent on the Tomatometer.) At 16 percent on the Tomatometer, "Freedomland" may not be worth a visit.
Like someone on who has a stunning picture on the Internet personals but looks a lot different in person, "Date Movie" claims to be a comedy, but, since it wasn’t screened for critics, we’re guessing it may be a little short on laughs. (Here’s a hint, in love as in cinema: just be honest!) So, kids, it’s time for the funnest game since Spin the Bottle: Guess the Tomatometer! The closest guess wins a date with Critical Consensus. Or at least some props.
Want to see a move in which Paul Walker takes second billing to a bunch of dogs? What about if the movie were a Disney-produced and uber-inspirational tale of love, loyalty, and survival? No? OK, just check out the trailer for "Eight Below" anyway right here.
"Inspired by a true story, three members of a scientific expedition: Jerry Shepard (Paul Walker), his best friend, Cooper (Jason Biggs), and a rugged American geologist (Bruce Greenwood), are forced to leave behind their team of beloved sled dogs due to a sudden accident and perilous weather conditions in Antarctica."
Directed by Frank Marshall, "Eight Below" (oh, nooow I get it!) hits theaters on Fenruary 17th.