Dwayne Johnson

(Photo by Universal/courtesy Everett Collection. Thumbnail image: Sony Pictures, Warner Bros./courtesy Everett Collection.)

All Dwayne Johnson Movies Ranked by Tomatometer

If we had known that The Rock was indeed cooking a biggest-star-in-the-world movie career, we would’ve stuck our noses up in there a lot sooner. Yes, we would have sniffed up those early stinkers Doom and Be Cool, because at least nestled somewhere in there was The Rundown, which featured peak Seann William Scott and a cameo from Arnold Schwarzenegger passing the action torch to this upstart, the man who would be Dwayne Johnson. And indeed Johnson was the action man of the mid-aughts, tacking on the likes of Walking Tall to his brawny resume. And like his action forebears, he made a curve into family comedy, releasing The Game Plan, The Tooth Fairy, and Race to Witch Mountain to the delight, we assume, of some people. On a scale between Stop! Or My Mom Will Shoot to Kindergarten Cop, we rate Johnson’s comedy career detour Top Dog.

But things turned around in 2010. That’s the year he jumped face first off a building into the pavement. And thus was born a new action/comedy classic: The Other Guys. Meanwhile, ’70s-style throwback Faster showed a leaner, meaner Johnson back in a hard-hitting groove. He was invited into the Fast & Furious family, helping turn Fast Five into the franchise’s first Certified Fresh entry and a global phenomenon. San Andreas, Rampage, and Skyscraper turned him into the master of disaster, while Moana and Fighting With My Family, which he also produced, are among his highest-rated movies.

Central Intelligence was the first collaboration Johnson had with Kevin Hart, which was merely the opening for the main course: Jumanji: Welcome to the Jungle, the unlikely reboot-sequel that connected with audiences and critics worldwide. He, Hart, Jack Black, and Karen Gillan all came back for Jumanji: The Next Level, and we’re taking a look back on all of Dwayne Johnson’s movies ranked by Tomatometer!

#35

Tooth Fairy (2010)
17%

#35
Adjusted Score: 20924%
Critics Consensus: Dwayne Johnson brings the full force of his charm (and his appropriately pale chompers) to the title role, but flat direction and a committee-written script render The Tooth Fairy unacceptably dull.
Synopsis: Rough-and-tumble hockey player Derek Thompson (Dwayne Johnson) is a terror on the ice, earning the nickname "Tooth Fairy" by separating... [More]
Directed By: Michael Lembeck

#34

Baywatch (2017)
17%

#34
Adjusted Score: 35315%
Critics Consensus: Baywatch takes its source material's jiggle factor to R-rated levels, but lacks the original's campy charm -- and leaves its charming stars flailing in the shallows.
Synopsis: When a dangerous crime wave hits the beach, the legendary Mitch Buchannon leads his elite squad of lifeguards on a... [More]
Directed By: Seth Gordon

#33

Doom (2005)
18%

#33
Adjusted Score: 23167%
Critics Consensus: The FPS sections are sure to please fans of the video game, but lacking in plot and originality to please other moviegoers.
Synopsis: A team of space marines known as the Rapid Response Tactical Squad, led by Sarge (The Rock), is sent to... [More]
Directed By: Andrzej Bartkowiak

#32

Planet 51 (2009)
23%

#32
Adjusted Score: 26006%
Critics Consensus: Planet 51 squanders an interesting premise with an overly familiar storyline, stock characters, and humor that alternates between curious and potentially offensive.
Synopsis: When astronaut Capt. Charles "Chuck" Baker lands on Planet 51, he thinks he is the first life form to set... [More]
Directed By: Jorge Blanco

#31

Walking Tall (2004)
26%

#31
Adjusted Score: 29622%
Critics Consensus: The Rock makes a competent hero, but the movie is content to let a 2x4 do all the talking.
Synopsis: When decorated military officer Chris Vaughn (The Rock) returns to his hometown in the state of Washington to find work,... [More]
Directed By: Kevin Bray

#30

The Game Plan (2007)
29%

#30
Adjusted Score: 32931%
Critics Consensus: Despite The Rock's abundant charisma, The Game Plan is just another run-of-the-mill Disney comedy.
Synopsis: Bachelor football star Joe Kingman (Dwayne "The Rock" Johnson) seems to have it all. He is wealthy and carefree, and... [More]
Directed By: Andy Fickman

#29
#29
Adjusted Score: 35104%
Critics Consensus: Though arguably superior to its predecessor, G.I. Joe: Retaliation is overwhelmed by its nonstop action and too nonsensical and vapid to leave a lasting impression.
Synopsis: In the continuing adventures of the G.I. Joe team, Duke (Channing Tatum), second-in-command Roadblock (Dwayne Johnson), and the rest of... [More]
Directed By: Jon M. Chu

#28

Be Cool (2005)
30%

#28
Adjusted Score: 36684%
Critics Consensus: Be Cool is tepid, square, and lukewarm; as a parody of the music business, it has two left feet.
Synopsis: Having made the transition from gangster to movie producer, Chili Palmer (John Travolta) is ready for the next big move.... [More]
Directed By: F. Gary Gray

#27

Southland Tales (2006)
40%

#27
Adjusted Score: 43708%
Critics Consensus: Southland Tales, while offering an intriguing vision of the future, remains frustratingly incoherent and unpolished.
Synopsis: With the United States under the threat of nuclear attack, the lives of several people converge in a dystopian Los... [More]
Directed By: Richard Kelly

#26
#26
Adjusted Score: 44194%
Critics Consensus: Action adventure doesn't get much cheesier than The Scorpion King.
Synopsis: Inspired by the legendary Egyptian warrior, "The Scorpion King" is set 5000 years ago in the notorious city of Gomorrah,... [More]
Directed By: Chuck Russell

#25

Gridiron Gang (2006)
42%

#25
Adjusted Score: 45859%
Critics Consensus: The role of probation officer Sean Porter fits Dwayne "The Rock" Johnson like a glove; however, the execution is so cliched, the youths' stories (based on real events), fail to inspire.
Synopsis: A counselor (The Rock) at a juvenile detention facility decides to turn the young inmates in his charge into a... [More]
Directed By: Phil Joanou

#24

Faster (2010)
42%

#24
Adjusted Score: 45568%
Critics Consensus: It's good to see Dwayne Johnson back in full-throttle action mode, but Faster doesn't deliver enough of the high-octane thrills promised by its title.
Synopsis: Following a 10-year prison stint, Driver (Dwayne Johnson) sprints through the gates to take vengeance on those responsible for his... [More]
Directed By: George Tillman Jr.

#23
#23
Adjusted Score: 48100%
Critics Consensus: Despite the best efforts of a talented cast, Race to Witch Mountain is a tepid reboot that lacks the magic of the original.
Synopsis: Jack Bruno (Dwayne Johnson), a Las Vegas taxi driver, is swept up in the adventure of a lifetime when he... [More]
Directed By: Andy Fickman

#22
Adjusted Score: 49216%
Critics Consensus: Aggressively unambitious, Journey 2 might thrill tween viewers, but most others will find it too intense for young audiences and too cartoonishly dull for adults.
Synopsis: Now 17, Sean Anderson (Josh Hutcherson) receives a coded distress signal from an island where none should exist. Knowing that... [More]
Directed By: Brad Peyton

#21
#21
Adjusted Score: 51325%
Critics Consensus: In The Mummy Returns, the special effects are impressive, but the characters seem secondary to the computer generated imagery.
Synopsis: Ten years after the events of the first film, Rick (Brendan Fraser) and Evelyn (Rachel Weisz) O'Connell are settled in... [More]
Directed By: Stephen Sommers

#20

Skyscraper (2018)
48%

#20
Adjusted Score: 65824%
Critics Consensus: Well-cast yet derivative, Skyscraper isn't exactly a towering action thriller feat, but it's solidly constructed enough to stand among the genre's more mildly diverting features.
Synopsis: Will Sawyer is a former FBI agent and U.S. war veteran who now assesses security for skyscrapers. While he's on... [More]

#19

San Andreas (2015)
49%

#19
Adjusted Score: 58252%
Critics Consensus: San Andreas has a great cast and outstanding special effects, but amidst all the senses-shattering destruction, the movie's characters and plot prove less than structurally sound.
Synopsis: A seemingly ideal day turns disastrous when California's notorious San Andreas fault triggers a devastating, magnitude 9 earthquake, the largest... [More]
Directed By: Brad Peyton

#18

Pain & Gain (2013)
50%

#18
Adjusted Score: 58129%
Critics Consensus: It may be his most thought-provoking film to date, but Michael Bay's Pain & Gain ultimately loses its satirical edge in a stylized flurry of violent spectacle.
Synopsis: Danny Lupo (Mark Wahlberg), manager of the Sun Gym in 1990s Miami, decides that there is only one way to... [More]
Directed By: Michael Bay

#17

Get Smart (2008)
51%

#17
Adjusted Score: 58998%
Critics Consensus: Get Smart rides Steve Carell's considerable charm for a few laughs, but ultimately proves to be a rather ordinary action comedy.
Synopsis: When members of the nefarious crime syndicate KAOS attack the U.S. spy agency Control, the Chief (Alan Arkin) has to... [More]
Directed By: Peter Segal

#16

Rampage (2018)
51%

#16
Adjusted Score: 68247%
Critics Consensus: Rampage isn't as fun as its source material, but the movie's sheer button-mashing abandon might satisfy audiences in the mood for a brainless blockbuster.
Synopsis: Primatologist Davis Okoye shares an unshakable bond with George, an extraordinarily intelligent, silverback gorilla that's been in his care since... [More]
Directed By: Brad Peyton

#15

Snitch (2013)
57%

#15
Adjusted Score: 61761%
Critics Consensus: Though it features one of Dwayne Johnson's more thoughtful performances, the presentation of Snitch's underlying message is muddled by lackluster storytelling and some tonal inconsistencies.
Synopsis: At 18 years old, Jason receives a mandatory 10-year prison sentence after being caught with a package that contained illegal... [More]
Directed By: Ric Roman Waugh

#14

Hercules (2014)
58%

#14
Adjusted Score: 62730%
Critics Consensus: Hercules has Brett Ratner behind the cameras and Dwayne Johnson rocking the loincloth -- and delivers exactly what any reasonable person reading that description might expect.
Synopsis: Though he is famous across the ancient world for his larger-than-life exploits, Hercules (Dwayne Johnson), the son of Zeus and... [More]
Directed By: Brett Ratner

#13

Jungle Cruise (2021)
62%

#13
Adjusted Score: 79479%
Critics Consensus: Its craft isn't quite as sturdy as some of the classic adventures it's indebted to, but Jungle Cruise remains a fun, family-friendly voyage.
Synopsis: Join fan favorites Dwayne Johnson and Emily Blunt for the adventure of a lifetime on Disney's JUNGLE CRUISE, a rollicking... [More]
Directed By: Jaume Collet-Serra

#12
#12
Adjusted Score: 90575%
Critics Consensus: The Fate of the Furious opens a new chapter in the franchise, fueled by the same infectious cast chemistry and over-the-top action fans have come to expect.
Synopsis: With Dom and Letty married, Brian and Mia retired and the rest of the crew exonerated, the globe-trotting team has... [More]
Directed By: F. Gary Gray

#11
Adjusted Score: 88516%
Critics Consensus: Hobbs & Shaw doesn't rev as high as the franchise's best installments, but gets decent mileage out of its well-matched stars and over-the-top action sequences.
Synopsis: Brixton Lorr is a cybernetically enhanced soldier who possesses superhuman strength, a brilliant mind and a lethal pathogen that could... [More]
Directed By: David Leitch

#10

The Rundown (2003)
69%

#10
Adjusted Score: 74008%
Critics Consensus: The Rundown doesn't break any new ground, but it's a smart, funny buddy action picture with terrific comic chemistry between Dwayne "The Rock" Johnson and Seann William Scott.
Synopsis: Beck (The Rock) is a tight-lipped bounty hunter who doesn't like to use a gun and accepts any job without... [More]
Directed By: Peter Berg

#9
#9
Adjusted Score: 81502%
Critics Consensus: Kevin Hart and Dwayne Johnson make for well-matched comic foils, helping Central Intelligence overcome a script that coasts on their considerable chemistry.
Synopsis: Bullied as a teen for being overweight, Bob Stone (Dwayne Johnson) shows up to his high school reunion looking fit... [More]

#8

Fast & Furious 6 (2013)
71%

#8
Adjusted Score: 78448%
Critics Consensus: With high-octane humor and terrific action scenes, Fast & Furious 6 builds upon the winning blockbuster formula that made Fast 5 a critical and commercial success.
Synopsis: Since Dom (Vin Diesel) and Brian's (Paul Walker) heist in Rio left them and their crew very rich people, they've... [More]
Directed By: Justin Lin

#7
#7
Adjusted Score: 86151%
Critics Consensus: Like many classic games, Jumanji: The Next Level retains core components of what came before while adding enough fresh bits to keep things playable.
Synopsis: When Spencer goes back into the fantastical world of Jumanji, pals Martha, Fridge and Bethany re-enter the game to bring... [More]
Directed By: Jake Kasdan

#6
Adjusted Score: 93685%
Critics Consensus: Jumanji: Welcome to the Jungle uses a charming cast and a humorous twist to offer an undemanding yet solidly entertaining update on its source material.
Synopsis: Four high school kids discover an old video game console and are drawn into the game's jungle setting, literally becoming... [More]
Directed By: Jake Kasdan

#5

Fast Five (2011)
77%

#5
Adjusted Score: 84788%
Critics Consensus: Sleek, loud, and over the top, Fast Five proudly embraces its brainless action thrills and injects new life into the franchise.
Synopsis: Ever since ex-cop Brian O'Conner (Paul Walker) and Mia Torretto (Jordana Brewster) broke her brother Dom (Vin Diesel) out of... [More]
Directed By: Justin Lin

#4

The Other Guys (2010)
79%

#4
Adjusted Score: 85914%
Critics Consensus: A clever parody of cop-buddy action-comedies, The Other Guys delivers several impressive action set pieces and lots of big laughs, thanks to the assured comic chemistry between Will Ferrell and Mark Wahlberg.
Synopsis: Unlike their heroic counterparts on the force, desk-bound NYPD detectives Gamble (Will Ferrell) and Hoitz (Mark Wahlberg) garner no headlines... [More]
Directed By: Adam McKay

#3

Furious 7 (2015)
82%

#3
Adjusted Score: 92414%
Critics Consensus: Serving up a fresh round of over-the-top thrills while adding unexpected dramatic heft, Furious 7 keeps the franchise moving in more ways than one.
Synopsis: After defeating international terrorist Owen Shaw, Dominic Toretto (Vin Diesel), Brian O'Conner (Paul Walker) and the rest of the crew... [More]
Directed By: James Wan

#2
#2
Adjusted Score: 106889%
Critics Consensus: Much like the sport it celebrates, Fighting with My Family muscles past clichés with a potent blend of energy and committed acting that should leave audiences cheering.
Synopsis: Born into a tight-knit wrestling family, Paige and her brother Zak are ecstatic when they get the once-in-a-lifetime opportunity to... [More]
Directed By: Stephen Merchant

#1

Moana (2016)
95%

#1
Adjusted Score: 112810%
Critics Consensus: With a title character as three-dimensional as its lush animation and a story that adds fresh depth to Disney's time-tested formula, Moana is truly a family-friendly adventure for the ages.
Synopsis: An adventurous teenager sails out on a daring mission to save her people. During her journey, Moana meets the once-mighty... [More]
Directed By: John Musker, Ron Clements

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From the football field to the professional wrestling arena to the big screen, Dwayne Johnson has dominated every field he’s entered — and with his latest outing, the big-screen adaptation of the arcade classic Rampage, roaring its way into cineplexes this weekend, we figured now would be a pretty good time to honor that success by taking a fond look back at what he’s been cooking at theaters since breaking into the movie business. Oil up those pecs, because it’s time for Total Recall!


Use the arrows to rank the movies, or click here to see them ranked by Tomatometer!

The Rock
From the football field to the professional wrestling arena to the big screen, Dwayne “The Rock” Johnson has dominated every field he’s entered — and with his latest action outing, Brett Ratner’s Hercules, flexing its way into cineplexes this weekend, we figured now would be a pretty good time to honor that success by taking a fond look back at what he’s been cooking at theaters since breaking into the movie business. Oil up those pecs, because it’s time for Total Recall!


42%

10. Gridiron Gang

When Dwayne Johnson moved out of the wrestling ring and into family-friendly filmmaking, many of the roles available to him tended toward the excessively kiddie end of the spectrum, a la 2010’s Tooth Fairy. But at least in terms of its outline, 2006’s Gridiron Gang would seem to have offered the best of both worlds — a wholesomely uplifting drama about a tough-as-nails probation officer who lifts L.A. kids out of their lives of juvie crime by offering them a strong example of positive male leadership. Alas, most critics felt that this Gang didn’t flash enough of the right signs during its time on the screen; although few writers argued against the movie’s undeniably admirable aims, they felt screenwriter Jeff Maguire’s script did a poor job of bringing dramatic life to a real-life situation that deserved more depth. Still, for some scribes, the ends justified the means; as Claudia Puig wrote for USA Today, “Gridiron entertains and makes a powerful point about the faults inherent in the penal system, particularly for youths with hopes of rehabilitation.”


45%

9. Journey 2: The Mysterious Island

As acting gigs go, the prospect of taking over the reins of an effects-driven franchise from Brendan Fraser probably don’t rank high on many movie stars’ wish lists — but after Journey to the Center of the Earth made more than $240 million in 2008, a sequel was pretty much a foregone conclusion, and by securing the services of Johnson and Vanessa Hudgens to round out the cast with returning young lead Josh Hutcherson, the producers of Journey 2: The Mysterious Island probably felt like they had the makings of an all-ages blockbuster waiting to happen. In financial terms, they were right — Journey 2 broke the $300 million mark — but critically speaking, the results proved a letdown, with many writers questioning the clunky mishmash of dopey plotting and Hudgens cleavage shots. For others, though, those were minor missteps worth looking past to see a good old-fashioned adventure; Beliefnet’s Nell Minow, for example, called it “A well-paced and highly entertaining family film made with good humor, panache, and imagination.”


42%

8. Faster

Dwayne Johnson against Billy Bob Thornton in an action thriller about an ex-con out to avenge his brother’s death while on the lam from an aging lawman and psychotic hitman? By all rights, 2010’s Faster should have been exactly the sort of out-and-out smash that makes absolutely no bones about playing squarely to each of its participants’ strengths — especially given that it saw Johnson’s return to R-rated action after an uneven stretch of family-friendly fare. Sadly, most critics felt Faster failed to live up to its title, and audiences seemed to agree, sending the film to an ignominious $35 million total at the box office. Once again, however, our star’s work was singled out as a bright spot in an otherwise disappointing movie: “Johnson’s performance is one of seething rage camouflaging emotional scars as ugly as the physical ones,” wrote Gary Dowell of the Dallas Morning News, calling Johnson’s Driver “a grim, single-minded figure straight out of a Jim Thompson or Richard Stark novel.”


42%

7. Race to Witch Mountain

For viewers of a certain age, Disney’s Witch Mountain movies — adapted from Alexander Key’s classic novels — rank among the studio’s better live-action efforts, although it would be hard to argue the notion that the films’ acting and/or special effects offered room for improvement. So when director Andy Fickman took the helm for a franchise reboot in 2009, with Johnson attached to play a cab driver who ends up acting as reluctant protector for a pair of mysterious kids (AnnaSophia Robb and Alexander Ludwig) on the run from a cruel Defense Department goon (Ciarán Hinds), it didn’t seem altogether out of the question that they might produce compelling results. Unfortunately, Race to Witch Mountain wasn’t quite the sequel-starter the studio seemed to be hoping for; although it did decent business, racking up more than $145 million in worldwide grosses, many critics were let down by the movie’s lack of depth and reluctance to explore the poignant, intelligent themes in Key’s books. As tends to be the case with even his worst-reviewed films, however, Johnson earned praise for his charismatic performance. “The star of this movie universe is undeniably Dwayne. His cinematic charisma is as big as his biceps,” wrote Film.com’s Christine Champ. “Hard and soft in all the right spots, he’s a badass hero with heart, armed with world-weary one-liners and wicked comic timing.”


50%

6. Pain & Gain

Michael Bay movies are frequently derided for their general insensitivity — to character development, to all notions of filmmaking subtlety, to the art of storytelling, to viewers’ eardrums — but if ever a movie seemed like it might call for that treatment, it should have been Pain & Gain, which adapts the true-life story of a group of Miami gym rats (Johnson, Mark Wahlberg, and Anthony Mackie) whose thirst for wealth leads them to make a series of spectacularly ill-advised decisions, including kidnapping, theft, and murder. Unfortunately, Bay’s insensitivity hampered him here, too; in the eyes of many critics, his decision to treat the story as a sort of gaudy action comedy felt wrong, given that it’s a movie about horrible things that happened to real people. Set that aside, however, and you might just enjoy Pain & Gain on its own merits: “Might this be the best Michael Bay film ever?” asked Tara Brady for the Irish Times. “We know what you’re thinking. But we mean it in a good way.”


51%

5. Get Smart

By 2008, Steve Carell’s work as Michael Scott on NBC’s The Office had elevated him to the ranks of comedy’s preeminent doofuses, so he was a natural choice to step into Don Adams’ hallowed shoe phones when Warner Bros. decided to put together a modernized film adaptation of the classic 1960s TV spy comedy Get Smart. Alas, in spite of Carell’s suitably bumbling turn as clueless spy Maxwell Smart — and the presence of a strong supporting cast that included Alan Arkin as Smart’s exasperated chief, Anne Hathaway as the inexplicably amorous Agent 99, and Dwayne Johnson as the impossibly smooth Agent 23 — Smart left many critics cold. For others, the key to enjoyment was lowered expectations; as Susan Tavernetti argued for Palo Alto Weekly, “You’ll have a better time if you don’t expect this re-imagined work to resemble the original. The phone shoe does fit Carell, and he wears it well.”


57%

4. Snitch

It’s got a one-word title and a tough-lookin’ Dwayne Johnson behind the wheel of a truck, but Snitch isn’t your average Rock action thriller. Directed by Ric Roman Waugh, it’s actually something of a message movie, starring Johnson as the anguished father of a boy (Rafi Gavron) whose trumped-up drug-dealing charges could send him to prison for at least 10 years — unless Dad follows through on a hastily struck deal with the US Attorney’s office, the terms of which require him to infiltrate a local drug kingpin with no support from law enforcement. With Johnson in the lead, the temptation to turn Snitch into a typically overdriven action flick had to have been high, and it’s to Waugh’s credit that he actually practices a modicum of restraint; unfortunately, many critics felt that left the movie stranded in a rather dull no-man’s-land between thoughtful drama and brainless thrills. Still, it wasn’t without its admirers; as Tom Russo wrote for the Boston Globe, “Nobody is going to confuse a Dwayne Johnson movie with Les Misérables. But Snitch gets a decent amount of drama (and action, of course) out of the argument that there’s paying for a crime, and then there’s overpaying.”


71%

3. Fast & Furious 6

Retooled into an action franchise that just happened to include lots of cars, the Fast & Furious series roared into its sixth installment with a lot more momentum than most similarly persistent film properties, and although the reviews for Fast & Furious 6 weren’t quite as kind as they’d been for Fast Five, critics were still generally on board for another round of Johnson, Vin Diesel, and Paul Walker wreaking extralegal mayhem in order to bring down a truly nasty bad guy. The heavy this time around is Shaw (Luke Evans), whose nefarious plot stretches beyond your average multi-national criminal ring; in fact, he’s gone and — you guessed it — made things personal for our heroes. “Some of the action sequences are insane,” enthused the Denver Post’s Lisa Kennedy. “No, really. Absurd, impossible, physics defying, triage-required stuff. No matter. That’s the foolish rush of a franchise that must go faster and faster and furiouser and furiouser.”


69%

2. The Rundown

It’s a formula as old as film: Take a big, strong guy, give him a more averagely built comedic foil, and stand back while the laff-a-minute hijinks fly. Kind of a cheap cinematic trick, but one that still tends to work pretty well; why, just take a look at The Rundown, which throws Johnson and Seann William Scott together in an action caper about a retiring bounty hunter (Johnson) who’s wheedled into hunting down his boss’s twerpy wayward son (Scott) in a Brazilian rainforest where he’s managed to tick off an unscrupulous mining kingpin (Christopher Walken) while pursuing some treasure. It’s the kind of movie that delivers the expected beats at the expected moments, but thrives on the charisma of its stars; as James Berardinelli wrote for ReelViews, “The Rundown offers everything a good movie of this sort should: plenty of suspenseful action, a few good laughs, and a share of obligatory ‘reluctant buddy’ bonding.”


77%

1. Fast Five

The Fast and the Furious franchise seemed to be petering out after 2006’s Tokyo Drift, but things got back on track with 2009’s The Fast and the Furious — which in turn set up 2011’s Fast Five, the fifth installment that turned the series into the sequel-churning heist thriller factory it’s become. Aside from jump-starting FF‘s creative prospects, Five also gave Johnson the part he may have been born to play: government agent Luke Hobbs, the bounty hunter-turned-U.S. Marshal who goes bicep-for-bicep against series mainstays Vin Diesel and Paul Walker. This time around, even critics — who’d always been notoriously recalcitrant where the Fast and Furious movies were concerned — climbed on board, including Connie Ogle of the Miami Herald, who applauded it as “Embarrassingly fun, the sort of speedy, senseless, violence-crammed action flick that virtually defines the summer season, with superheroes who aren’t gods or crusaders in tights but guys in T-shirts and jeans who can drive cars really fast.”


In case you were wondering, here are Johnson’s top 10 movies according RT users’ scores:

1. Fast & Furious — 84%
2. Gridiron Gang — 82%
3. Fast Five — 82%
4. The Game Plan — 70%
5. Get Smart — 67%
6. The Rundown — 67%
7. Snitch — 62%
8. Walking Tall — 61%
9. Journey 2: The Mysterious Island — 60%
10. G.I. Joe: Retaliation — 49%


Take a look through Johnson’s complete filmography, as well as the rest of our Total Recall archives. And don’t forget to check out the reviews for Hercules.

Finally, here’s Mr. Johnson’s famous catch phrase:

A few weeks ago, we discussed a CHUD report about Frank Herbert’s Dune possibly heading back to the big screen. Now, according to Ain’t It Cool News, some of the details surrounding the project might be starting to fill in.

In the CHUD report, Herbert’s grandson was quoted as saying:

“We’re getting VERY close to a deal. Heard that news today…although only rumor, I’ve heard that ‘someone’ at the studio wants Dune reallllly bad and has been a fan of the novel for ‘years.’ They’re not saying who this is (and it might just be hype) but I’m holding out hope that whoever this might be is a big enough fan that he/she will do the book justice. Supposedly it’s some director.”

According to AICN‘s Merrick, a source named Checkyr has shared the possible identity of the studio — and the “someone” — in question. All the typical rumor caveats apply, but we’ll just cut right to the chase. From AICN:

In short, Checkyr says the studio in question is Paramount…which is aggressively building a formidable arsenal of franchises via TRANSFORMERS, JJ AbramsSTAR TREK re-deployment, and spin-off potential built into INDIANA JONES AND THE KINGDOM OF THE CRYSTAL SKULL.

And the director in question? Writer/Director Peter Berg. He directed FRIDAY NIGHT LIGHTS, THE RUNDOWN (hooray for monkey love!), and…more recently…THE KINGDOM.

AICN‘s commenters have already jumped all over this rumor — and judging from their comments’ subjects, they aren’t exactly overjoyed with the news. What say you, RT faithful? Is Berg’s name a killing word?

Source: Ain’t It Cool News

Jamie Foxx, Jennifer Garner, Chris Cooper, Jason Bateman and Jeremy Piven star in "The Kingdom," a terrorism-focused action thriller from the director of "The Rundown" and "Friday Night Lights." The movie doesn’t open until April 20th, but there’s a brand-new trailer worth checking out.

Synopsis: "A team of U.S. counter-terrorism investigators set out to find the perpetrators behind a deadly attack on Americans in a Middle Eastern country. In order to work through the bureaucracy and cultural hostility, the team enlists a local police officer, but still find itself target for the terrorists."

Check out the trailer at Yahoo! Movies.

Four new films open wide, but they may not be enough to stop the North American box office from suffering its third consecutive down weekend.

Leading the way is the Paramount sequel "Jackass: Number Two" which will enjoy the widest release by far. The rest of the films will take moviegoers back in time just as so many other recent releases have done. Focus Features unleashes Jet Li‘s martial arts epic "Fearless," MGM takes off with the World War I adventure "Flyboys," and Sony remakes the political thriller "All the King’s Men."

Four years ago, Paramount shocked the industry with the number one bow for its crude stunts flick "Jackass: The Movie" which managed to keep "The Ring" out of the top spot on the weekend right before Halloween. Its $22.8M debut and eventual $64.3M domestic take and DVD success helped to bring about a sequel, "Jackass: Number Two" which hopes to conquer the charts once again. The R-rated pic regroups the team from the hit MTV reality series including Johnny Knoxville and finds them taking part in another series of outlandish don’t-try-this-at-home antics. Males in their late teens and early twenties are the target audience here although slightly older guys who were devoted followers a half-decade ago might also be up for some nostalgia.

The first "Jackass" bowed to a muscular $9,073 average from 2,509 playdates which at today’s ticket prices would be over $10,000. "Number Two" is not likely to match that amount though. A wider launch will dilute the average a bit and the franchise has aged and is no longer at the peak of its popularity. But since Knoxville has found more mainstream success recently with films like "The Dukes of Hazzard" and "The Ringer," the studio is hoping that some new fans will give "Two" a try. Competition for males will be fierce with last weekend’s top film "Gridiron Gang" still playing to sports-loving boys and men while Jet Li’s new film "Fearless" will
steal away dudes who dig martial arts fighting, bones cracking, and necks breaking. Male dollars will be stretched to the limit this weekend and an already sluggish marketplace will mean that there will only be so much overall traffic. Busting into over 3,000 theaters, "Jackass: Number Two" will rank number one and may open with around $23M.


Mr. Knoxville and co. are back to cheat death and reason.

Also gunning for young men with R-rated fare is Focus Features with the historical martial arts actioner "Fearless" starring Jet Li. Already a hit at cinemas in Asia, Australia, and parts of Europe, the period pic tells the true story of a legendary fighter who inspired his nation in China at the start of the twentieth century. With a bigger star in the lead, "Fearless" is sure to perform better than Tony Jaa‘s Thai actioner "The Protector" which bowed to just $5M two weeks earlier. Li has a consistently loyal fan following that is likely to turn out especially since the marketing campaign is pushing the claim that this is his final martial arts film ever. This tactic gives the pic a level of urgency, although it should not mean much to those outside of his fan base. Crossover potential to mainstream action fans is not very likely, though the actor’s pull with urban males should not be underestimated.

Still, Li has posted some impressive numbers in his career. Each of his six films from this decade has launched with an opening weekend average of at least $5,500 with five having averaged more than $6,000. His last effort "Unleashed" bowed last summer to $10.9M and a solid $5,570 average while 2004’s Chinese blockbuster "Hero" conquered the North American charts for two straight weeks bowing to an impressive $18M and $8,865 average. Foreign language films pretty much never do that in the U.S. market. "Fearless" will not duplicate the success of "Hero" which used the "Quentin Tarantino Presents" tag to attract extra biz. Plus with "Jackass" taking away many young men this weekend, only the true followers will make it out. But reviews have been very positive (the best for any new
release) and advance buzz from overseas has been encouraging too. Kicking its way into roughly 1,806 theaters, "Fearless" might debut to about $9M.


Jet Li inviting us to his last Martial Arts flick.

World War I bi-planes are the draw in "Flyboys," a new historical action adventure being released by MGM. The PG-13 film stars James Franco as a courageous American pilot in France who devotes his life to fighting for the Allies. With a high pricetag and no proven stars that can sell in America, this is yet another risky period film packed into the slow month of September. The "inspired by a true story" description used by half of the films in the current top ten is once again in play here. With sex and bad language kept to a minimum, "Flyboys" hopes to appeal to a broad family audience so adults can bring their kids. However, the starpower and subject matter are both lacking making this a tough sell at the box office especially since the marketplace is already filled with mediocre product. Zooming into 2,033 theaters, "Flyboys" might climb to around $7M over the weekend.


The real star of "Flyboys": the CGI.

After taking a beating at the Toronto International Film Festival, Sony’s remake "All the King’s Men" enters the marketplace on Friday with more subdued expectations. The PG-13 reworking of the classic 1949 political thriller stars Sean Penn as a charismatic politician from the South who gains power and flirts with corruption in the process. The all-star cast also includes Jude Law, Kate Winslet, Anthony Hopkins, Mark Ruffalo, and James Gandolfini. Distributors often utilize the Toronto fest to generate buzz for their Oscar contenders right before their fall commercial openings, but in this case, it seemed to have backfired with so many reviewers panning the pic. "Men" should play exclusively to a mature adult audience as teens will yawn at the premise. The marketplace has been flooded with period dramas in recent weeks with "The Black Dahlia," "Hollywoodland," and "The Illusionist" all going after the same audience. Competition will be a major factor.

Sony is not giving its usual saturation release to "King’s Men," but instead campaigning in just 1,514 theaters this weekend hoping some positive buzz will spread. The lack of screens will keep the gross in check and the bad reviews should sting even more. Last weekend, "Dahlia" found out the hard way how far a serious film for adults can go when the critics give a thumbs down. The film’s starpower is about its only major asset right now, but will it be enough to make moviegoers risk their dollars? With negative press, an abundance of direct competition, and only a moderate amount of theaters, "All the King’s Men" could find itself with only $7M this weekend and a rocky road ahead.


Sean Penn’s politician wins over his constituents, but not the critics.

In limited release, The Weinstein Co. unleashes its horror flick "Feast" in 140 theaters with special midnight shows across the country on Friday and Saturday. The latest winner from the Project Greenlight series is directed by John Gulager and finds a group of people trapped inside a bar fighting off flesh-eating creatures. Filmmaker Michel Gondry ("Eternal Sunshine of the Spotless Mind") returns to the surreal with "The Science of Sleep," a new fantasy drama starring Gael García Bernal ("The Motorcycle Diaries") as a man whose dreams collide with reality. Warner Independent is opening the film on Friday in eight major U.S. markets and will expand it across the country next weekend. Miramax platforms its futuristic sci-fi toon "Renaissance" in New York and Los Angeles. Set in Paris in the year
2054, the R-rated tale is the latest film to bring the look of a graphic novel to the big screen.

Last weekend’s top film "Gridiron Gang" is sure to lose its first place ranking. The Rock‘s films never have very good legs on the second weekend as evidenced by the sophomore declines of his recent films – 48% for 2003’s "The Rundown," 46% for 2004’s "Walking Tall," and a horrendous 73% for last fall’s "Doom." While "Gang" was not a favorite with critics, it has been getting favorable responses from moviegoers so its drop this weekend may not be too bad. Competition for young males will be a factor with the dueling R pics "Jackass" and "Fearless," but younger boys may still be up for an uplifting football tale. "Gridiron Gang" might see a decline of 45% to around $8M giving Sony a reasonable ten-day cume of $25M.

Universal’s murder mystery "The Black Dahlia" was not too powerful in its opening last weekend and both critics and moviegoers are giving negative feedback. A 50% fall would leave the Brian De Palma flick with $5M for the frame and a weak $18M after ten days.

LAST YEAR: One A-list Hollywood blonde replaced another at the top of the charts. Jodie Foster‘s kidnapping thriller "Flightplan" flew to number one opening with a strong $24.6M. The Buena Vista release went on to gross $89.7M making it the top-grossing film in the September-October corridor for 2005. In second place, Warner Bros. expanded its animated film "Corpse Bride" nationally taking in $19.1M. The Tim BurtonJohnny Depp collaboration found its way to $53.4M. Reese Witherspoon fell from first to third with her comedy "Just Like Heaven" which collected $9.6M. Opening in fourth place with moderate results was the skating drama "Roll Bounce" which bowed to $7.6M on its way to $17.4M from less than 1,700 theaters. Close behind in fifth was the hit thriller "The Exorcism of Emily Rose" with $7.5M in its third round.

Author: Gitesh Pandya, www.BoxOfficeGuru.com

Wrestler-turned-actor The Rock suffered the worst opening of his career with the football drama Gridiron Gang, but thanks to weak competition, it was still enough to capture the number one position at the North American box office.

The new murder mystery The Black Dahlia bowed in second place with moderate results, but fellow freshmen Everyone’s Hero and The Last Kiss both failed to excite moviegoers. For the first time in over a year, only three movies were able to gross more than $5M during the frame. Overall ticket sales rose slightly from last weekend’s dismal showing, but still managed to post the second worst performance of 2006 giving the fall season a worrisome start.

For the third time in the last four weekends, football ruled the box office as Gridiron Gang topped the charts with an estimated $15M kickoff. Playing extremely wide in 3,504 theaters, the PG-13 drama averaged a decent $4,281 per site and gave The Rock the fifth number one opener of his career, but also his smallest debut ever. The action star continued to see diminishing returns on opening weekend with Gang which followed last fall’s Doom ($15.5M), 2004’s remake of Walking Tall ($15.5M), The Rundown ($18.5M) in 2003, and 2002’s The Scorpion King ($36.1M). The Rock also saw a $23.5M bow for 2005’s John Travolta flick Be Cool, but his comedic turn was only a supporting role.

In Gridiron Gang, the charismatic actor plays a juvenile detention camp counselor who inspires delinquent kids by coaching them in football. Budgeted at about $30M, the pic played to a younger and more male audience, as expected. Studio research showed that 52% of the crowd consisted of guys and 55% was under the age of 25. Reviews were not very good.

For Sony, Gang’s top spot bow marked the tenth number one opening of the year for the studio setting a new industry record. Having already banked over $1 billion in box office this year, Sony aims to extend its record performance with promising sequels like The Grudge 2 and Casino Royale which debut in October and November, respectively. The studio has opened a whopping 18 films so far in 2006, the most of any distributor. It has placed films in the top ten in all but two weekends this year.

September is often the worst month of the year at the box office as people shift their attention to other distractions like a new school year, a new television season, and the return of NFL football. But this year, the late summer and early fall have been especially slow at theaters. Over the past two months, only one film (Talladega Nights) has managed to open north of $30M. Four films did the deed during the same period in each of the last two years while five surpassed that mark in 2003.

Universal debuted its new crime thriller The Black Dahlia in second place with an estimated $10.4M. Playing in about 1,300 fewer theaters than Gridiron Gang, the Brian De Palma-directed pic averaged a moderate $4,655 per location giving it the best average among all the weekend’s wide releases. Starring Josh Hartnett, Scarlett Johansson, Aaron Eckhart, and Hilary Swank, Dahlia played to a mature adult audience with its tale of the investigation behind the brutal murder of a Hollywood starlet in the 1940s. The $60M film needed strong reviews to score with its target audience, but was met with little support from critics. In fact, the film scored only a 30% rating on RottenTomatoes.com’s critic scale which was even lower than Gridiron Gang’s 43%.

The weekend’s two other new national releases were mostly ignored by moviegoers. Fox opened its animated baseball kidpic Everyone’s Hero to an estimated $6.2M from a very wide 2,896 theaters. Co-directed by the late Christopher Reeve, the G-rated film averaged a soft $2,124 per site. 2006 has seen nearly a dozen toons invade the multiplexes. Hero’s opening ranks as the second worst of the year for an animated pic trailing only Doogal‘s $3.6M launch in February.

Paramount quietly opened its DreamWorks romantic comedy The Last Kiss in fourth place with only $4.7M, according to estimates. Landing in a mere 1,357 theaters, the R-rated film starring Zach Braff as a soon-to-be-dad with jitters averaged a mild $3,465 per location. Reviews were mixed.

Falling from first place was the supernatural teen thriller The Covenant which grossed an estimated $4.7M as well, off 47% from its debut. With $15.7M collected in ten days, Sony’s $20M pic could end its run with $24-26M. Another former number one, Buena Vista’s football drama Invincible, placed sixth with an estimated $3.9M, down only 31%, lifting the total to $50.9M.

A pair of solid word-of-mouth hits from smaller distributors followed. Yari Film Group’s period mystery The Illusionist slipped just 17% to an estimated $3.8M in its third weekend of wide release and upped its cume to $23.3M. Fox Searchlight’s indie hit Little Miss Sunshine became the company’s second-biggest grosser of all-time this weekend taking in an estimated $3.4M, down just 22%, raising the sum to $46.4M. The distributor’s only bigger hit has been 2004’s Sideways with $71.5M thanks to a prolonged Oscar run.

The George Reeves murder mystery Hollywoodland fell sharply in its second weekend tumbling 54% to an estimated $2.7M. Suffering the worst decline in the top ten, the Focus release has taken in a disappointing $10.5M in ten days and looks headed for a quick finish with only $15-17M. Rounding out the top ten was the Jason Statham actioner Crank with an estimated $2.7M as well, down 45%, giving Lionsgate $24.4M to date.

Buena Vista offered sneak previews in 800 theaters on Saturday for its upcoming marine adventure The Guardian and drew a well-balanced audience with males slightly edging out the women with 51% of the crowd. The Ashton KutcherKevin Costner pic played to 70% capacity and will officially open on September 29 opposite Sony’s animal toon Open Season and MGM’s comedy School for Scoundrels.

Arthouses were flooded with new product this weekend as a number of films platformed in hopes of generating strong indie buzz. Lionsgate got off to a good start with its documentary The U.S. vs. John Lennon which debuted in only six theaters and grossed an estimated $72,000 for a solid $12,000 average. The film expands on September 29 into more than ten additional markets.

Proving once again that he is not much of a box office draw without pirates or Hobbits around, Orlando Bloom‘s new revenge thriller Haven flopped in its debut grossing an estimated $38,000 from 24 sites for a dismal $1,588 average for Yari Film Group. Fox Searchlight also struggled with its new wedding mockumentary Confetti which debuted to an estimated $20,000 from a dozen sites for a poor $1,701 average. Both films still plan to expand this Friday with Haven widening to about 75 theaters and Confetti falling into over 130 playdates.

Four films dropped out of the top ten this weekend. The Thai action pic The Protector grossed an estimated $2.5M in its sophomore frame falling 51% from its opening. The Weinstein Co. has kicked up $9M in ten days and should end up with only $13-15M. Nicolas Cage‘s suspense thriller The Wicker Man dropped 48% to an estimated $2.1M pushing the cume to a lukewarm $20.7M. The Warner Bros. title looks to complete its run with around $25M.

The summer’s top-grossing comedy, Tallageda Nights: The Ballad of Ricky Bobby, slipped 34% to an estimated $2M in its seventh lap and boosted its stellar total to $145M. Sony’s Will Ferrell smash could cross the $150M line before calling it quits. Paramount’s Barnyard, another late-summer hit, grossed an estimated $1.6M while also in its seventh weekend. Down 40%, the animated entry has laughed up $69.1M thus far and is headed for $72-74M.

The top ten films grossed an estimated $57.4M which was down 14% from last year when Just Like Heaven debuted at number one with $16.4M; and down 4% from 2004 when Sky Captain and the World of Tomorrow opened in the top spot with $15.6M.

Author: Gitesh Pandya, www.BoxOfficeGuru.com

Following the worst box office weekend in three years, Hollywood has nowhere to go but up. It hopes.

Four new pictures enter wide release on Friday led by the sports drama "Gridiron Gang" from Sony which is gunning for its tenth trip to the number one spot this year. Universal goes after an older crowd with the crime thriller "The Black Dahlia," Fox aims for kids with the animated film "Everyone’s Hero," and Paramount tries to court the adult date crowd with "The Last Kiss." Overall, the North American marketplace should bounce back from last weekend’s horrible showing, but only by a small margin.

Dwayne "The Rock" Johnson hopes to score the fifth number one opening of his career this weekend with the football saga "Gridiron Gang." The PG-13 film finds the wrestler-turned-actor playing a juvenile camp officer who assembles a pigskin squad in order to give lost kids some hope in life. Sony is targeting one of the most reliable moviegoing segments with "Gang" – urban youth. With a young and multicultural cast, plus a star in the lead role, this new film hopes to appeal to the same crowd that made hits out of other sports flicks like "Remember the Titans" and "Coach Carter." Of course, the star this time is not an Oscar-caliber actor. "Gang’s" marketing push has been strong and an ultrawide release will make the product available everywhere.


Dwayne "The Rock" Johnson in "Gridiron Gang."

The Rock provides solid starpower, although his box office muscle in recent years has delivered openings in a very narrow range. Pics like "The Rundown," "Walking Tall," and "Doom" have all debuted within the $15-19M range. "Gridiron Gang’s" rating should open the doors to a wider audience and with the start of the NFL and college football seasons, the subject matter is very relevant at this time of year. Plus with a dead marketplace featuring choices that are exciting nobody, teens and young adults should find this one the only film worth rallying behind. Charging into 3,504 locations, "Gridiron Gang" will have no problem conquering the box office and could score around $17M this weekend.

Moviegoers opting for a trip back to the 1940s instead of a football pic can choose Brian De Palma‘s "The Black Dahlia" which Universal opens on Friday. The R-rated thriller stars Josh Hartnett and Aaron Eckhart as Los Angeles cops investigating the mysterious death of a young woman chopped in half and disemboweled. Scarlett Johansson and two-time Oscar winner Hilary Swank take the token female roles. Just as with "Hollywoodland" which bowed last weekend, "Dahlia" will play to an older adult audience interested in LA-based crime noir pics from the mid twentieth century. Unlike with the younger-skewing "Gridiron Gang," reviews will play a big part in the success or failure of "Dahlia." This one needs more support from critics than it’s getting in order to become a commercial winner. Starpower is certainly there, but the subject matter may not pique the interest of adults across all 50 states. Add in competition for the target audience plus an overall slowdown in moviegoing activity and it may be hard for the studio to break even on this one. "The Black Dahlia" enters 2,224 theaters and might collect around $9M this weekend.


Josh Hartnett and Aaron Eckhart are on the case in "The Black Dahlia."

Following this summer’s "Superman Returns" and last week’s George Reeves mystery "Hollywoodland," the Man of Steel spotlight now turns to the late Christopher Reeve whose final project, the animated sports tale "Everyone’s Hero," makes its way into theaters on Friday. With voices provided by Rob Reiner, Whoopi Goldberg, and William H. Macy, the G-rated flick tells of a boy on a mission to retrieve Babe Ruth’s stolen bat. Reeve co-directed with Colin Brady and Dan St. Pierre. Fox will be looking to attract kids and Little League coach parents with "Hero." The film is not registering too high on the priority lists of children. But the studio does have one thing working in its favor – the current marketplace has nothing major for children. And don’t expect the other new releases to appeal to the family crowd either. Opening surprisingly wide in 2,896 theaters, "Everyone’s Hero" could score around $7M this weekend.


The animated Babe Ruth in Christopher Reeve’s "Everyone’s Hero."

TV stars Zach Braff of NBC’s "Scrubs" and Rachel Bilson of Fox’s "The O.C." join forces on the big screen in "The Last Kiss" which Paramount inherited from its DreamWorks tie-up. The R-rated remake of an Italian film about a man in the early stages of a mid-life crisis also stars Casey Affleck, Blythe Danner, and Tom Wilkinson. The marketing push behind "Kiss" has been lacking so look for the romantic dramedy to become a small blip on the box office radar this weekend. Adult women will make up the primary audience making period pics "Dahlia" and "Hollywoodland" direct competitors. Consumer excitement is pretty low for "The Last Kiss" which heads into only 1,100 theaters. A weekend gross of roughly $4M could result.


Zach Braff and that chick from "The Real World" in "The Last Kiss."

The new fall season brings a flood of activity in limited-release action. Balcony Releasing got the frame started on Wednesday with its New York opening of the political doc "Al Franken: God Spoke" which adds a second Manhattan venue on Friday. The raunchy softball comedy "Artie Lange’s Beer League" opens on Friday in about 175 theaters. With Ralph Macchio in the cast, the R-rated Echo Bridge release should find itself stuck in six-digit territory. Yari Film Group unleashes the Cayman Islands-set drama "Haven," which stars Orlando Bloom and Bill Paxton, into 24 theaters across the country.

The mockumentary wedding comedy "Confetti" bows in a dozen sites from Fox Searchlight. American troops in Iraq are the focus of the Focus Features documentary "The Ground Truth" which attacks eight theaters. Lionsgate offers up its own non-fiction flick "The U.S. vs. John Lennon" in six playdates examining the Beatles icon’s rage against the establishment.

Sony’s ninth number one of the year "The Covenant" looks to get booted out of the top spot by the studio’s tenth chart-topper. A 50% drop would give the teen thriller about $4.5M for the frame and a modest ten-day cume of $15M. "Hollywoodland" lacked strength in its debut and will now face a direct hit from "Dahlia" so a 45% decline could be in order. That would give Focus around $3.5M over the weekend putting the total at a weak $11M after ten days.

LAST YEAR: Reese Witherspoon captured the number one spot with her latest comedy "Just Like Heaven" which grossed $16.4M on its way to $48.3M for DreamWorks. Sony’s surprise suspense hit "The Exorcism of Emily Rose" lost half its business and dropped to second with $14.9M in its sophomore frame. Nicolas Cage bowed in third with his new actioner "Lord of War" with $9.4M. The Lions Gate release reached $24.1M. Steve Carell enjoyed his fifth week in the top five with "The 40-Year-Old Virgin" which laughed up $6M. The horror pic "Cry Wolf" bowed poorly in fifth with only $4.4M leading to a $10M finish.

Author: Gitesh Pandya, www.BoxOfficeGuru.com

After her work in "Sin City," "The Rundown," and "Clerks 2," (and that ONE scene in "Alexander"!) there’s probably not a more movie-geek-friendly mega-hottie than Ms. Rosario Dawson. And now she’s spilling some beans on "Sin City 2" AND her participation in the Rodriguez / Tarantino flick "Grind House." (She ALSO informs us that "SC2" will star … Angelina Jolie??)

From IGN FilmForce: "Sin City 2 does not yet have a start date. "I don’t know," says Dawson. "I think, I’m doing Death Proof in August and September and I know that just finally, Angelina [Jolie] just finished having her baby…"

Jolie had been rumored for the part, but never confirmed. "I’m pretty sure [she’s in it]. That’s what we’ve basically been holding out on, because we were supposed to start that last year or earlier. I think he wanted to do that sooner rather than later, so that will probably be coming up soon…"

For the newest info on "Grind House" and "Sin City 2," check out the full article right here.

Yowch. Let’s all send a group "get well" to Dwayne "The Rock" Johnson, who went and ruptured his Achilles tendon while practicing some football for his next movie, "The Game Plan." I’ve never ruptured that tendon myself, but I’m told it hurts like crazy.

From The Hollywood Reporter: "An injury sustained by Dwayne "The Rock" Johnson is forcing Walt Disney Pictures to write a whole new playbook for its family football comedy, "The Game Plan." Johnson suffered a ruptured Achilles tendon injury Monday during a football practice in preparation for his upcoming role as a professional quarterback in the movie, which was previously known as "Daddy’s Girl." Johnson is slated to undergo surgery Friday in Miami. Production has been put on hiatus and the studio said it will continue when he can resume his role in the film, though that will not be determined until after surgery and will have to take into consideration recovery and rehab time."

Be safe: Click here to learn all there is to know about Achilles tendons!

"Alias" star Jennifer Garner seems likely to take a visit to "The Kingdom," an FBI flick from "Rundown" director Peter Berg. Jamie Foxx and Chris Cooper are already on board.

According to The Hollywood Reporter, "Jennifer Garner is in talks to star opposite Jamie Foxx in the Peter Berg-helmed thriller "The Kingdom" for Universal Pictures. Chris Cooper also co-stars in the film that revolves around an FBI team on assignment in a Middle Eastern country investigating a terrorist bombing in one of the compounds housing Western workers. Matthew Michael Carnahan penned the screenplay."

Seann William Scott, best known for playing horny goofball Steve Stifler in the American Pie series, will soon play a janitor who becomes an inspiriational tennis coach in … Gary the Tennis Coach.

Says The Hollywood Reporter: "Seann William Scott has signed on to topline and produce the indie comedy Gary the Tennis Coach for Michael Nathanson‘s O.N.C. Entertainment and John Penotti and Fisher Stevens‘ GreeneStreet Films. Penned by Andy Stock and Rick Stempson, "Tennis Coach" centers on an overzealous high school janitor (Scott) who takes on the task of coaching a group of lovable misfits to the Nebraska state championship, overcoming their motley backgrounds in the process."

Mr. Scott’s non-Pie pics include Final Destination, Road Trip, Stark Raving Mad, Bulletproof Monk, The Rundown, and The Dukes of Hazzard.

Cult filmmaker Monte Hellman is on his way back with a new movie, a western epic entitled "Desperadoes." Good news in and of itself, but get this: Martin Scorsese and Paul Thomas Anderson are on board as producers!

Says Variety: "Cult filmmaker Monte Hellman is set to direct "Desperadoes," based on the novel of the same name by Ron Hansen about the infamous Dalton gang. Joyce Wethington’s Jammee Rose Prods. is producing, while Paul Thomas Anderson and Martin Scorsese are exec producers.

Hansen also penned "The Assassination of Jesse James by the Coward Robert Ford," which writer-director Andrew Dominik is adapting for Warner Bros. Brad Pitt starrer, produced by Scott Free and Pitt’s Plan B, will be released this fall.

Scribe Charles Eastman is adapting "Desperadoes," which revolves around the exploits of the Dalton gang and the beautiful Eugenia Moore, who fell in love with Bob Dalton and helped the brothers rob trains, either directly or by distracting the local marshal.

Film is skedded to begin lensing this fall in Alberta. Casting has not been set."

Mr. Hellman’s films include "Ride in the Whirlwind" (1965), "Two-Lane Blacktop" (1971), "Cockfighter" (1974), and "Silent Night, Deadly Night 3: Better Watch Out!" (1989).

As negotiations with Columbia Pictures wrap up, multiple award-winning hyphenate Paul Haggis is adding another project to his plate: "Against All Enemies," based on former counterterrorism agent Richard A. Clarke’s best-selling memoir.

According to the trades, Haggis — who weeks ago lost his bid for Best Director but won Best Screenplay and Best Pic for "Crash" — will be producing and directing the adaptation, which will be written by young scribe James Vanderbilt ("The Rundown," "Zodiac"). Busy Haggis is also currently working on the script for war drama "Death and Dishonor," so it’s unclear which high-profile political flick will be next.

From The Hollywood Reporter:

"Based on Richard A. Clarke’s best-selling memoir, "Enemies" chronicles how the Bush administration handled the al-Qaida threat before and after the Sept. 11 terrorist attacks. Clarke, a former U.S. terrorism czar, offers the ultimate insider’s account into the nation’s security apparatus, featuring a cast of power brokers that includes President Bush, Condoleezza Rice, Donald Rumsfeld and Clarke.

The book was published by Free Press in March 2004 and hit No. 1 on the New York Times best-seller list, fueling intense criticism over the administration’s security failures and its decision to go to war with Iraq.

John Calley is producing through his Sony-based shingle, while Len Sherman is executive producing. Haggis’ manager Larry Becsey will serve in an as-yet-determined producer’s capacity."

Haggis has won numerous nominations and awards for his writing talents, including an Oscar nod for "Million Dollar Baby," which date back to his television days (an Emmy for "thirtysomething," Gemini awards for "Due South"). He reteamed with "Million Dollar Baby" helmer Clint Eastwood to adapt the WWII historical drama "Flags Of Our Fathers," which is in post-production, and was infamously called upon to doctor (or, polish) the script for the currently filming Bond film, "Casino Royale."

From MTV.com, a post-Oscar interview with Haggis:

"It will be completely different, I think. You know, it takes James Bond from the very first Ian Fleming book, "Casino Royale," when he becomes James Bond — when he gets his "Double 0" status, which means he has two kills, and therefore has his license to kill. But all the bells and whistles, all the things that Q used to give him, the gadgets, those are all gone. So you deal with the character as an assassin and what it feels like to be an assassin. And I ask the question, "Why does he treat women the way that he treats them?"

So I’ve either helped to re-energize this series, or I’ve just ruined James Bond for everybody forever."

Word from The Hollywood Reporter is that Oscar-winner Jamie Foxx has signed to head up "The Kingdom," a political thriller to be directed by Peter "The Rundown" Berg.

"Jamie Foxx has signed to star in Universal Pictures’ "The Kingdom," a political thriller being directed by Peter Berg. Scott Stuber also is coming on board the project as a producer, joining Michael Mann, who is producing via his Forward Pass banner.

Based on an original idea by Berg and Mann, the story centers on Foxx’s character, who is leading an elite team of counter-terrorism investigators trying to find those responsible for a deadly bombing attack on American workers the Middle East. Once inside the previously off-limits desert kingdom, the Americans engage a local police officer to help in their investigation but end up frustrated by bureaucracy and tradition, and find their lives threatened."

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