(Photo by Warner Bros. / courtesy Everett Collection)
Earth Girls Are Easy sounds like one of those debased projects that occur either at the beginning of a career, out of naivete, or at the end of one, out of desperation. But we doubt Jim Carrey looks back on the 1988 comedy with embarassment, and probably not his co-stars Jeff Goldblum, Damon Wayans, and Geena Davis either. It’s silly, it’s Fresh, and it helped Carrey land In Living Color. And that show helped make the man who would talk out of his ass on the big screen, to the delight of millions. Ace Ventura: Pet Detective made over $100 million, and that was the lowest-grossing of Carrey’s comedies that year, behind Dumb & Dumber and The Mask.
After that breakout in 1994, Carrey was locked and loaded to be the manic centerpiece of 1995’s summer blockbuster event: Playing the Riddler in Batman Forever. The comic book caper was the highest-grossing movie of the year… the same couldn’t be said about 1996’s The Cable Guy, Carrey’s first box office bomb. Fret not: He sprung back in 1997 with Liar Liar, and The Truman Show in 1998.
Part of Carrey’s early enduring quality was a subtle sensitivity hiding beneath the flailing limbs and facial contortions, and the sudden pathos that could erupt from his oddball characters. Carrey began displaying this knack for drama more nakedly in serious projects like Man on the Moon, where he transformed into his comedy idol Andy Kaufman, and Eternal Sunshine of the Spotless Mind, the most memorably melancholic romance of recent decades. Of course, Carrey continued to crowd-please with slapstick like Fun With Dick and Jane, Bruce Almighty, Dr. Seuss’ How the Grinch Stole Christmas, and Yes Man.
After a quiet decade pursuing personal hobbies and middling movie work, Carrey spin-dashed into the 2020s with Sonic the Hedgehog, playing iconic villain Dr. Robotnik (see where it landed on the video game movies list). Today, though, we celebrate the 25th anniversary of The Cable Guy, which rebounded from its lowly box office performance to become a cult classic. See where it ranks in his filmography as we rank Jim Carrey movies by Tomatometer!
(Photo by Columbia Pictures/courtesy Everett Collection)
Morgan Freeman. Read this sentence in his voice. That familiar sound of authoritative benevolence, that could make an intro paragraph soar like a songbird with world-weariest wings. Freeman has lent his sonorous gift for narration to dozens of documentaries, including March of the Penguins, and to several of his narrative films, like Million Dollar Baby and, to lasting generational effect, in The Shawshank Redemption.
But before the voice of God got to play God (see: Bruce and Evan Almighty), Freeman had to humbly serve the silver screen in bit and seriously secondary parts for two decades. He got his big break performing the the lead villain in Christopher Reeve’s journalism thriller Street Smart, for which he was nominated for the Best Supporting Actor Oscar. That was released in 1987 and is where we’ll start Freeman’s filmography for this guide. Just two years later, he was on the national radar with the Best Picture-winning Driving Miss Daisy, for which he was once more nominated. The Academy has recognized his work three times since: Shawshank, Million Dollar Baby (for which he won), and Invictus.
The Daisy prestige brought in a raft of memorable roles for Freeman, including in Glory, Unforgiven, and Seven. He also seems to have a knack for being in the right comic book movie at the right time: see Red, Wanted, and his turn as Lucius Fox in The Dark Knight trilogy. We’re taking a look back on a celebrated career with this list of all Morgan Freeman movies ranked by Tomatometer!
Universal looks to score its first number one hit in nearly a year this weekend with the new Steve Carell comedy "Evan Almighty" which hits the multiplexes on Friday targeting a broad family audience.
Reaching out to adult moviegoers are MGM with the John Cusack chiller "1408" and Paramount Vantage with the Angelina Jolie starrer "A Mighty Heart." Overall, the marketplace could slow down a bit this weekend before another wave of high-profile summer blockbusters arrives towards the end of June.
The sixth consecutive sequel to open at number one has a different formula up its sleeve. "Evan Almighty" loses Jim Carrey from "Bruce Almighty," drops the rating from PG-13 to PG, and shifts the plot over to a Biblical story while courting family audiences. Michael Bay isn’t the only one with a transformer at the box office this summer. Universal’s big-budget comedy offering should easily top the charts, however the financial picture will be very different. Steve Carell, whose starpower has blossomed since the 2003’s "Bruce," takes over as the lead playing a TV anchorman-turned-congressman who is told by God to build an ark because a mighty flood is coming. Morgan Freeman reprises his supporting role as the big G.
On a budget rumored to have ballooned to $175M thanks to extensive special effects and overages, "Evan Almighty" stands as one of the priciest comedies ever. The loss of Jim Carrey means it has almost no chance of reaching the $68M three-day opening weekend gross of "Bruce" from four years ago when it shocked the film industry by kicking "The Matrix Reloaded" out of the top spot in only its second frame. It reached a domestic haul of $242.8M. "Evan Almighty" could conceivably gross half the amount of "Bruce," while costing twice as much to produce. Does that mean it will lose money? Not necessarily. "Evan" would love nothing more than to follow in the footsteps of "Night at the Museum," another effects-driven comedy led by a popular comedian aimed at families, which has grossed over $570M worldwide. If it can tap into that crowd, then it will be a divine road ahead.
"Evan"’s trim running time of about 90 minutes will help since multiplexes can schedule numerous showtimes per day. Competition will come from current chart-topper "Fantastic Four: Rise of the Silver Surfer," another action-comedy sequel tamed down to a PG to cater to eight-year-old boys on summer vacation. Teens and young adults who have to wait until the fall to see new episodes of Carell’s "The Office" may line up for "Evan" and give it a try, despite the negative reviews. There’s not much else exciting that demo right now. And given its themes, moviegoers in the Bible Belt may contribute some solid sales on opening weekend as the studio is wisely targeting churches in its marketing outreach. Opening in 3,602 theaters, "Evan Almighty" could premiere to about $40M this weekend.
John Cusack hopes to avoid the current horror curse at the box office with his new psychological thriller "1408." The MGM release finds the actor playing a writer who checks into a haunted hotel room that many have died in. Samuel L. Jackson co-stars in the PG-13 pic. Scary movies have been slaughtered at the cash registers lately. Even star-driven adult thrillers have struggled as witnessed by openings of $11.2M for "Perfect Stranger" starring Halle Berry and Bruce Willis, $10M for Hilary Swank‘s "The Reaping," $10M for Kevin Costner‘s "Mr. Brooks," and $7.6M for Luke Wilson‘s hotel-themed "Vacancy." Managing to surge a bit higher were Sandra Bullock‘s "Premonition" with $17.6M and Jim Carrey’s "The Number 23" with $14.6M. "1408" may not scare up that much business given consumer apathy towards fright flicks right now. Plus Cusack and Jackson are not really known for packing them in on opening weekend unless there are bigger stars present. Checking into 2,678 theaters, "1408" might take in about $12M this weekend.
Angelina Jolie headlines this weekend’s serious offering for adult audiences, "A Mighty Heart." Directed by Michael Winterbottom ("The Road to Guantanamo," "Welcome to Sarajevo"), the R-rated film finds the Oscar-winning actress playing Mariane Pearl, wife of slain Wall Street Journal reporter Daniel Pearl, and documents her struggle to find her kidnapped husband in Pakistan. In a summer of sequels and effects-driven action pictures for kids on vacation, Paramount Vantage is going after the adults that are often neglected at this time of year. Reviews for "Heart" have been strong with Jolie already earning kudos buzz and the film should appeal to the same audiences that came out for other acclaimed political thrillers like "United 93" ($11.5M, $6,395 average), "The Constant Gardener" ($8.7M, $6,444), and "Syriana" ($11.7M, $6,699). Competition will come from "Ocean’s Thirteen" and "Knocked Up" which have both been playing well with the 30-plus crowd. Debuting in about 1,350 theaters, "A Mighty Heart" might open in the vicinity of $7M.
Last weekend, Fox’s "Fantastic Four: Rise of the Silver Surfer" opened at the top and was just one of six sequels to land in the top ten. Its 2005 predecessor tumbled 59% in its second weekend thanks to poor word-of-mouth and intense competition from newcomers "Charlie and the Chocolate Factory" and "Wedding Crashers" which stole over $90M worth of ticket sales away from holdover pics. "Silver Surfer" has been greeted with marginally better responses and will not face as much competition from the incoming class this weekend, although "Evan Almighty" will be gunning for that PG-loving family crowd. A drop of 55% would give the new "Fantastic Four" saga around $25M for the frame and a ten-day cume of $103M.
"Ocean’s Thirteen" will see some of its adult audience get pulled away by the weekend’s two new mature-skewing flicks. A 40% decline will leave the caper sequel with roughly $12M pushing the total to $91M after 17 days for Warner Bros. Universal’s comedy sensation "Knocked Up" will smash through the $100M mark this weekend, probably on Friday. Look for a 30% fall to around $10M boosting the cume to $108M.
LAST YEAR: Adam Sandler scored his usual table at the top spot with his comedy "Click" which bowed to $40M for Sony on its way to $137.3M domestically and over $235M worldwide. The Disney/Pixar toon "Cars" dropped to the runnerup spot but dipped only 31% to $23.3M. Sophomores "Nacho Libre" and "The Fast and the Furious: Tokyo Drift" were both hit hard and tumbled by more than 50% each to $12.7M and $9.8M, respectively. Focus launched the Tyrese Gibson actioner "Waist Deep" to a solid $9.4M from just over 1,000 theaters on its way to $21.3M.
Author: Gitesh Pandya, www.BoxOfficeGuru.com
Multiplexes are stocking up on popcorn, soda, and overpriced candy in anticipation of record crowds that could make this Memorial Day holiday frame the biggest weekend in box office history.
Leading the charge will be the Johnny Depp-anchored megaflick "Pirates of the Caribbean: At World’s End," the followup to last year’s number one hit and the third biggest global grosser of all-time. Ashley Judd is set to take in a little less cash with the long weekend’s other new nationwide release, the horror film "Bug." And with holdovers like "Shrek the Third" in its second round and "Spider-Man 3" in its fourth spin, the North American box office will expand greatly as moviegoers may just spend all their free time at the local moviehouse.
Hysterical anticipation for the return of Captain Jack Sparrow will help Disney become a much richer studio. After the cliffhanger ending of last summer’s "Dead Man’s Chest," "At World’s End" is ready to bring all those fans back once again for another ticket purchase. Its spot at the top of the charts this weekend, and probably next weekend too, is guaranteed so the real question is will the new "Pirates" film break the all-time opening weekend record set just three weeks ago by "Spider-Man 3"?
If the ultimate answer ends up being no, that won’t necessarily be a bad thing or anything to be disappointed by. "At World’s End" is having a different type of debut so it will not be an apples-to-apples comparison. Firstly, the new high seas adventure begins its run with 8pm shows on Thursday night which are being aggressively advertised. "Dead Man’s Chest" grossed a scorching $9M from its Thursday night shows which began at midnight so with the earlier time, the treasure chest will be much more full. But the night-before shows will pull millions of dollars of sales from hardcore fans out of the official weekend period of Friday-to-Sunday thus diluting the three-day take. "Spider-Man 3" began with midnight shows on Thursday night so those numbers were all concentrated within the official opening weekend tally.
Also, "At World’s End" will face tremendous competiton, something Spidey did not have to deal with. The rest of the top five is likely to steal away over $80M during the three-day portion of the holiday weekend. For the latest webslinger’s bow, the next four films in the market made less than $16M. And although "Pirates" will secure thousands of screens, it will still enter a box office where close to 15,000 auditoriums will already be booked up with the third servings of "Shrek" and "Spider-Man." It will be tougher for "Pirates" to land that sixth or seventh screen within a megaplex.
But working in Sparrow’s favor is the Monday holiday which will make Sunday perform more like a Saturday which will certainly help its quest for new records. Also overall anticipation for the franchise seems to be higher than it was for Peter Parker. MovieTickets.com reported that advance sales for "At World’s End" is beating both "Spider-Man 3" and "Dead Man’s Chest" at the same point in their sales cycles. Plus "Pirates" has the highest female appeal for any action movie franchise out there which is a key contributor to its immense grosses. This one will bring in everyone and with all Americans having extra time off, there will be plenty of time for people to eventually find a showtime that’s not sold out.
Reviews have been mixed for the latest "Pirates" and its running time with trailers is close to three hours. But the two biggest openings of all-time were also long pics at about two-and-a-half hours in length each without trailers so multiplexes will find a way to dump underperforming titles (and there are plenty to choose from) and make room for Davy Jones and his gang. Friday-to-Monday starts for those smashes were $161.4M for "Spider-Man 3" and $153.8M for "Dead Man’s Chest." Seizing screens in over 4,000 theaters, "Pirates of the Caribbean: At World’s End" might open to about $162M over four days and roughly $183M from Thursday to Monday.
The daring folks at Lionsgate will open their own film nationally on Friday challenging the triumvirate of threequels. The horror flick "Bug" stars Ashley Judd as a lonely waitress who thinks that insects (spiders that bite teenage photographers maybe?) are out to get her. The R-rated film will try to court the fright crowd not interested in ahoy matey shenanigans, but will find an incredibly tough time floating in this weekend’s marketplace. There is nothing about "Bug" that tells fans that they should pay top dollar now instead of renting the DVD a mere three months down the road. Judd’s starpower has been on the decline for years. She’s not that hot star from "Double Jeopardy" anymore. And marketing the film as being from the director of "The Exorcist" will do little as well. Opening in 1,661 theaters, "Bug" might crawl to about $6M over four days.
Dropping to the runnerup spot with what could be one of the largest grosses ever for a second-place film will be the animated blockbuster "Shrek the Third" which is coming off of the third largest debut in box office history. "Shrek 2" had mostly the same release pattern in 2004 and saw its four-day Memorial Day weekend tally dip only 12% from its three-day opening weekend figure. The holiday is one of the busiest times for families at the multiplexes so kidpics typically hold up very well. As the third chapter in the series, audience erosion should be faster for the new ogre film. Plus with "Pirates" set to launch with such astonishing numbers, "Shrek the Third" can’t help but be pushed aside by the competition. Still a 35% drop would give Paramount a stunning $80M over four days and would make the 11-day total skyrocket to $230M.
"Spider-Man 3" will drop another notch to third and should definitely see much of its audience get swiped by Depp and company given how much overlap there is between the audiences for the two franchises. "X2: X-Men United," another Marvel super hero sequel that opened on the first weekend of May, saw its four-day Memorial Day weekend gross drop by only 24% in 2003 when "Bruce Almighty" was the new opener. "Spider-Man 3" has more direct action competition and less fan support so a larger decline is likely. The Venom flick could drop 35% and post a four-day gross of about $19M which would boost the webslinger’s cume to $308M.
LAST YEAR: Mutants were all the rage as "X-Men: The Last Stand" towered over the competition with a record Memorial Day opening of $122.9M over four days. The Fox super hero saga went on to collect $234.4M domestically, making it the third biggest grosser of the summer, and over $455M worldwide. Tom Hanks ranked second with "The Da Vinci Code" which fell sharply but still took in $42.4M over the long holiday weekend for Sony. Paramount followed with the DreamWorks toon "Over the Hedge" with $35.3M in its sophomore round. Action entries "Mission: Impossible III" and "Poseidon" rounded out the top five with $8.9M and $7.1M, respectively.
Author: Gitesh Pandya, www.BoxOfficeGuru.com
Following a busy holiday weekend when five new releases opened nationwide, the crowded marketplace will now face another four new films invading multiplexes everywhere.
Jim Carrey tries out the horror genre in "The Number 23," TV comedy comes to the big screen in "Reno 911!: Miami," Billy Bob Thornton longs to be in outer space in "The Astronaut Farmer," and more frights pop up in "The Abandoned." Overall ticket sales should simmer down after the record Presidents’ Day holiday weekend led by "Ghost Rider" which will fight to keep its box office crown. Meanwhile, aging Oscar contenders will compete over last-minute biz ahead of Sunday’s Academy Awards which will bring some drama of its own.
After tackling comedy, drama, super hero flicks, and kids movies, Jim Carrey explores his darker side in the new psychological thriller "The Number 23." The Riddler reteams with his "Batman Forever" director Joel Schumacher in this R-rated story about a man obsessed with a book that seems to reveal mysteries about his own past. Virginia Madsen co-stars. Older teens and young adults will make up the target audience here and many in the horror camps will come out of curiosity too. The title is strong and the marketing has been solid so "23" will be able to make a serious challenge for the top spot. Jim Carrey’s starpower will be put to the test once again since this is not a "Bruce Almighty" or "Liar, Liar" situation. Actually, "23" might post one of the best openings of his career for a non-comedy. Maybe if it opens big, he’ll be cast in one of the next twenty-three "Saw" films. Opening in over 2,500 locations this weekend, the new Carrey film may end up grossing $23M – $2M – $3M.
After making a mint on "Borat," Fox looks to another raunchy comedy for some income. "Reno 911!: Miami" finds the cast of the popular Comedy Central series hitting the road to Florida for a national convention. The R-rated pic will play almost exclusively to fans of the show which while successful, is not really a runaway smash so the potential could be limited. Trailers and commercials actually look funny so a slightly wider crowd may come in. Though "23" could not be more different of a film, it will still offer plenty of competition for older teens and young adults. Moviegoers paying top dollar for a ticket are more likely to try out a Jim Carrey film, even if he’s testing out a new genre. By not screening for critics and releasing the film in the most theaters of any new release this weekend, Fox is basically hoping that those who have seen the show will come out and give this one a try. Steep declines in subsequent weeks are assured. But for the opening frame, a debut in 2,702 venues could lead to a weekend tally of around $14M for "Reno 911!: Miami."
Billy Bob Thornton plays an ex-astronaut who tends to his farm in the aptly-titled "The Astronaut Farmer" from Warner Bros. The PG-rated film co-stars Virginia Madsen who pulls double duty this weekend playing the wife to both a bad santa and a grinch. The former Mr. Jolie sells more tickets when he’s not the anchor of a film, so it could be a rough ride this weekend. Appeal to teens and young adults seems weak as the turnout could come from older adults who may also bring with them younger children thanks to the rating. With the violence of "Ghost Rider" and the debut of a trio of R-rated pics, there could be an opportunity with the family crowd. That is, if they already have seen "Bridge to Terabithia." The marketing push has not been too loud so don’t expect a high altitude here. "The Astronaut Farmer" opens in over 2,000 theaters on Friday and may find itself with about $8M.
Hitting theaters on a pitstop to what could be solid DVD revenue, the horror film "The Abandoned" enters the marketplace as the weekend’s other new scary movie. The R-rated film tells the story of an American woman who finds terror in Russia when she sets out to find her birth parents. Obviously, opening against Jim Carrey’s new spookfest will hurt the grosses for "The Abandoned." If it were a PG-13 film aimed at teenage girls, it could have been another story, but those over the age of 17 who want a fright will be thinking "23." Lionsgate is only launching "The Abandoned" in about 1,250 locations so a mild $3M gross could result.
Last weekend, Nicolas Cage enjoyed a record-breaking Presidents’ Day opening with "Ghost Rider" which grabbed $45.4M over the three-day portion of its holiday bow. The Marvel super hero flick opened much like 2003’s "Daredevil" which launched on the same frame and suffered a 55% drop on the sophomore session. "Ghost Rider" should see similar results as it also attracted much of its fan base last weekend and is facing the same level of competition that the Ben Affleck actioner saw in its second attack. Look for "Ghost Rider" to burn up another $20M which would lift its ten-day tally to $79M.
Disney’s "Bridge to Terabithia" should enjoy a better hold since there is little new competition for its family audience. A 30% decline would give the PG-rated fantasy around $16M for the weekend and a solid $48M after ten days. Aside from crossing his fingers for an Oscar, Eddie Murphy will see another sizable drop in sales for his comedy "Norbit." A 45% fall would give the Paramount release a $9M frame bumping the cume to $74M.
LAST YEAR: Tyler Perry‘s comedy "Madea’s Family Reunion" opened atop the charts with a powerful $30M debut for Lionsgate. The hit flick found its way to $63.3M. Holdovers rounded out the top five with Disney’s "Eight Below" dropping a spot to second with $15.9M in its sophomore frame. The Steve Martin remake "The Pink Panther" took in $11.1M and was followed by "Date Movie"’s $9.1M and the $7.2M of "Curious George." Opening to poor results were the animated film "Doogal" with $3.6M and New Line’s "Running Scared" with $3.4M. Final grosses reached only $7.6M and $6.9M, respectively.
Author: Gitesh Pandya, www.BoxOfficeGuru.com
This week at the movies, we’ve got wacky cops ("Reno 911!: Miami"), numerological tension ("The Number 23," starring Jim Carrey), a rocket man ("The Astronaut Farmer," starring Billy Bob Thornton), and a haunted house ("The Abandoned"). What do the critics have to say?
On the small screen, the "COPS" parody "Reno 911," with its incompetent lawmen, zany situations, and absurd fashions, is good for its share of laughs. In the multiplex? Critics say "Reno 911!: Miami" is a slightly less arresting proposition. The gang heads to Miami to break up a terrorist plot on spring break; hilarity ensues. Sketch comedy is often on shaky ground when moved from the tube to the big screen, and a few of the critics say "Reno 911" is no exception; they feel the film has some good laughs but ultimately runs out of steam. Others say that fans of the show will get exactly what they want. At 55 percent on the Tomatometer, "911" is a call you have to make for yourself. (Check out an interview with "Reno 911" cast members by RT’s own Jen Yamato.)
I don’t know about you, but when I think of the number 23, visions of Michael Jordan dance in my head. (Or perhaps former Red Sox first baseman Brian Daubach.) Director Joel Schumacher and star Jim Carrey want the titular figure to be synonymous with psychological intrigue, but the critics say it’s more like the law of diminishing returns. Carrey stars as a man whose wife (Virginia Madsen) has given him a pulp novel that appears to be about his life, and he subsequently becomes fixated on the number 23, which seems to turn up everywhere he goes. The pundits say "The Number 23" is incomprehensible and overly busy, draining the film of suspense. At 11 percent on the Tomatometer, you may want to subtract "The Number 23" from your list.
Here’s a high concept for you: "Field of Dreams" in orbit. Sound ridiculous? Well, cynics be darned; critics say "The Astronaut Farmer" is a heartwarming fairytale, an inspirational family film that seems out of place in contemporary Hollywood. The movie tells the tale of a former astronaut (Billy Bob Thornton) who, facing foreclosure on his farm, dreams of building his own rocket against all odds. The pundits say "The Astronaut Farmer" is a heartwarming ride, featuring a strong sense of its Midwestern locale helmed with an unpretentious, pleasant directorial touch by the Polish brothers. At 78 percent on the Tomatometer, "The Astronaut Farmer" may be worth a ride.
It appears that the people behind "The Abandoned" have, ahem, abandoned it, since it wasn’t screened for critics. The film tells the story of a woman who returns to the house where she was born in a remote part of Russia; horrifying events ensue. Get a search party together and Guess that Tomatometer.
Also opening this week in limited release: "Starter for 10," a Britcom about a working class kid at a posh university, is at 86 percent; "Glastonbury," a rockumentary about England’s most venerable music festival, is at 73 percent; "Cocaine Angel," a harrowing no-budget indie about a few days in the lives of Florida addicts, is at 60 percent; "Amazing Grace," about William Wilberforce’s 20 year struggle to end slavery in the British Empire, is at 55 percent; and "Gray Matters," a rom-com about a brother and sister expanding their romantic horizons starring Heather Graham, is at 20 percent.
Finally, props to FernandoDANTE and alwaysforevernow for coming the closest to guessing "Ghost Rider"’s Tomatometer of 27 percent. Get your respective motors running, and then, subsequently, head out on the highway.
Recent Jim Carrey Movies:
27% — Fun With Dick and Jane (2005)
71% — Lemony Snicket’s A Series of Unfortunate Events (2004)
93% — Eternal Sunshine of the Spotless Mind (2004)
49% — Bruce Almighty (2003)
42% — The Majestic (2001)
Recent Billy Bob Thornton Movies:
27% — School for Scoundrels (2006)
46% — The Ice Harvest (2005)
45% — The Bad News Bears (2005)
79% — Chrystal (2004)
82% — Friday Night Lights (2004)
Jim Carrey did such a bang up job as the live-action "Grinch" that he’s landed himself another Dr. Seuss gig. The "Horton Hears a Who" film will be animated with Carrey only providing the voice of Horton, but it pays to please the Seusses.
"I love, and have always loved all Dr. Seuss, and I’m lucky enough to have been the Grinch," said Carrey. "Audrey Geisel, Dr. Seuss’ widow, liked what I did and she asked me to do Horton."
The Horton story has bled into Carrey’s own personal musings on life. "I love that idea that a person is a person no matter how small and the idea of worlds within worlds within worlds. Because sometimes I sit out in my backyard and I look at the birds, and a hummingbird will come down, ‘Wap!’ goes flying past my head and will threaten me and stuff like that and I realize that he has no respect for my deed to the land. That’s his property as far as he’s concerned. And that’s just the reality, we think that we’re the ones in control, everybody does."
Carrey’s "Bruce Almighty" costar Steve Carell will voice the Mayor of Who-Ville, but they won’t cross paths until the film is done. "Everybody pretty much does their thing solo in those cartoons. We’ll be promoting it together I’m sure."
When Paramount shelved Tim Burton‘s "Ripley’s Believe It or Not" a few months back, some people thought the project was dead in the water. Well hey, apparently not.
Not only are Burton and Jim Carrey still attached to the project, but it looks like Paramount is eying a late-2008 production date. Plus they’ve hired comedy expert Steve Oedekerk to rejigger the screenplay originally written by Scott Alexander and Larry Karaszewski.
From Variety: "Oedekerk, who’ll be paid a seven-figure fee, has long been a Carrey go-to-guy. They began collaborating on "In Living Color," and Oedekerk wrote and directed "Ace Ventura: When Nature Calls" and scripted "Bruce Almighty." Oedekerk most recently scripted the Tom Shadyac-directed "Evan Almighty," starring Steve Carell."
In most cases, a sequel that’s missing its original leading man is NOT a good thing — but for some reason I still have fairly high hopes for "Evan Almighty." Oh yeah, I remember the reason now: Steve Carell.
Click here to visit ComingSoon.net and enjoy the teasery goodness.
And here’s the plot synopsis from the CS gang: "In the Tom Shadyac-directed follow-up to "Bruce Almighty," Steve Carell reprises his role as Evan Baxter — the polished, preening newscaster of the first film — who finds himself the next one anointed by God (Morgan Freeman) to accomplish a holy mission.
Newly elected to Congress, Evan leaves Buffalo behind and shepherds his family to suburban northern Virginia. Once there, his life gets turned upside-down when God appears and mysteriously commands him to build an ark. But his befuddled wife (Lauren Graham) and kids just can’t decide whether Evan is having an extraordinary mid-life crisis or is truly onto something of Biblical proportions…"
Sure to be one of next summer’s biggest comedies, "Evan Almighty" opens on June 22nd. (Hey, it’s got Steve for the grown-ups and all those animals for the kids: Surefire hit.)
Few doubt that Steve Carell is an outsized comic talent. But the Los Angeles Times is suggesting that his current project, "Evan Almighty," is getting a reputation for its outsized budget, one that could ultimately run as high as $225 million, which would make it the costliest comedy of all time.
The film, a sequel to 2003’s "Bruce Almighty" starring Jim Carrey, tells the story of a congressman ordered by the Lord to load up a giant craft ship full of animals, a la Noah. Unfortunately, like Joan Crawford and Bette Davis, it can be a volatile situation on a movie set when two conflicting species attempt to interact; as the Times puts it, "Predatory creatures such as lions and tigers cannot be shot with monkeys and giraffes. Filmmakers must abide by numerous regulations regarding the treatment of animals, and even the best-trained animals do not always follow orders. Sometimes a color or a scent can throw off an animal, delaying filming."
In addition, limited preparation time, bad weather, and unexpected costs for visual effects have created increases in the budget well beyond the original $140 million estimate. The Times notes that the track record for big-budget comedies is decidedly mixed; although "Men in Black II," which cost $175 million, was a hit, "Wild Wild West" ($170 million) was a bomb.
Still, the studio isn’t panicking, at least in public.
"This movie is a great bet," Universal Chairman Marc Shmuger told the Times. "It’s a spectacle fantasy and also a comedy. And a sequel to one of the most successful hits in the studio’s history."
Or, as studio co-Chairman David Linde told the paper, "It’s based on two story sources: ‘Bruce Almighty’ and the Bible, both of which were incredibly successful."