With more and more shows being released jockeying for your attention, Rotten Tomatoes offers up our Winter/Spring 2016 TV Scorecard where we rank new and returning shows by Tomatometer. We’re updating this countdown every Monday with new scores and critics responses, so say goodbye to being stuck with bad binges this season!
Critics Consensus:Rosewood comes up anything but roses with a poorly written, ill-paced, and overall insubstantial entry in the crowded procedural genre.
Critics Consensus:Heartbeat is a Frankensteined drama made up of hospital genre cliches and unlikable characters, though the cases-of-the-week are sporadically interesting.
Critics Consensus:Beyond Borders relies on the same characters and storylines the franchise has used for years, with an extra undertow of xenophobic paranoia.
Critics Consensus:Second Chance boasts a few interesting ideas and Robert Kazinsky's game performance, but there aren't enough functioning parts in what's ultimately yet another mediocre take on the Frankenstein myth.
Critics Consensus: A talented cast is left with no room to flourish in Crowded, a misfire whose dated feel is compounded by a pronounced lack of laughs.
Critics Consensus:Bordertown's controversy-rich premise is an idea disappointingly ill-served by its execution, which repeatedly mistakes crass, desperate gags for topical humor.
Critics Consensus:Those Who Can't is sporadically funny, but its attempts at light-hearted comedy are undone by derivative writing and a crude, somewhat depressing tone.
Critics Consensus: Banish thee from the airwaves, oh Angel from Hell, for sins of commonplace sitcom triteness and obnoxious use of an iconic comedic lead.
