Comics On TV

HBO’s Watchmen Episode 1 Explained: Squid Storms, Masked Police, and Rorschach's Hijacked Legacy

We break down what Damon Lindelof’s show changed, what stayed the same, and why some fans my take issue with this unsettling world.

by | October 21, 2019 | Comments

After all the puzzlement, wonder, and possible curses, HBO’s Watchmen is finally out in our world. Exquisitely produced and full of the sort of heady content the prestige cable channel favors, it is easy to see how people will be commenting on its cops-vs.-white supremacists A-plot for the next nine weeks.

But as these ideas are only just percolating in the first episode, fans of the original graphic novel have another viewpoint to grapple with: how Watchmen builds on the tangential world of the original 1986 comic book maxiseries by Alan Moore, Dave Gibbons, and John Higgins. As it is now clear this is a story set in that same world with the potential to become a direct sequel, it is fair to examine how executive producer Damon Lindelof (The Leftovers) and his team used the iconography devised by the comic book’s creative team to put their treatise on race relations in the Watchmen context.

Let’s take a look at what the season premiere revealed about the program’s world so far and how it draws from the comic book to establish its reality.


Points of Departure

Watchmen season 1, Regina King - photo: Mark Hill/HBO

(Photo by Mark Hill/HBO)

Any good piece of fiction set in an alternate reality must address the point in history where its world diverges from our own, as Amazon’s The Man in the High Castle, for example, communicates easily. The point at which Watchmen diverges is a little more subtle, as it is not based in a historical event but a movement in fictional storytelling. Considering Moore and his collaborators were working for DC Comics, we’ll use June of 1938 – the publication date of Superman’s first appearance in Action Comics #1 – as the rough moment at which Watchmen‘s world and our own diverge. If the Watchmen comic book is an examination of a world in which costumed heroes had a real effect on U.S. history, then it is reasonable to assume they first debuted during that pre-war summer.

While the point of departure is not addressed in the episode itself, it is worth making that assumption as the episode’s opening scene – a depiction of the Tulsa Race Riot – takes place in 1921, a good decade and change prior to the arrival of masked crusaders. Opening on that tragedy, and the racial motivations behind it, is very much a statement of intent from Lindelof. The Watchmen comic contains a wide number of themes, but race is only partially addressed. In the television series, it is the foundation of its major plotline. In using a real historical event, in which the most affluent black community in the U.S. at the time was leveled, and setting the series in the same city, Watchmen reminds the audience that both our reality and it share an abiding wound despite very different outcomes for Watchmen‘s World War II and Vietnam War — as well as other conflicts altered thanks to the mere existence of Dr. Manhattan and the other Minute Men.

Since the riot took place prior to our presumed point of departure, the legacy of those events simmer under the other, more fantastical events of the Watchmen world. The program’s opening moments – a silent film detailing the exploits of real life U.S. Marshal Bass Reeves – suggests the world of Watchmen may have other points of departure predating 1938.


Rorschach’s Mask As a Symbol of White Supremacy

Watchmen season 1 teaser trailer 1 screenshot (HBO)

(Photo by HBO)

Back in Watchmen, it is easy to see Rorschach’s journal as a manifesto more aligned with extremist ideologies. Of course, nothing is truly black and white in that story – which is, in many ways, the whole point – so it is doubly interesting to see his iconography so closely related with the Seventh Kavalry, the unambiguous bad guys of the Tulsa storyline. For readers of the original comic, the journey his mask makes following his death could be one of the most interesting elements of the series’ fictional history.


Spoiler alert: If you haven’t read Watchmen, the following contains spoilers.


Watchmen season 1, Regina King, Tim Blake Nelson. photo: Mark Hill/HBO

(Photo by Mark Hill/HBO)

In the comic book, Rorschach is the first of the still-active Minute Men to learn of the Comedian’s death, and his investigation brings the others together and eventually leads them to the culprit, Adrian Veidt. But, again, nothing is black and white, so his reasoning for the murder (and the subsequent annihilation of New York) is something most of the characters find they can live with: He intends to scare the world into an age of peace and prosperity. The only one among them who cannot accept murder on this scale as the price of peace is Rorschach himself. And it costs him his life.

That reversal is one of the great literary tricks of the original comic book series. Just about every major character has a moment where they are the protagonist and the antagonist, and, as it happens, a reader can find themselves agreeing with Veidt because this is just a story and it is all quite academic (see also: Thanos’ grim calculus in Avengers: Infinity War). For those readers, Rorschach becomes the bad guy in the story’s final pages and, on some readings, you can even see his acceptance of death as a heroic play to stop himself from spoiling Veidt’s golden age.

We glimpse that world of peace for a page or two before Rorschach’s journal, which he sent to a conservative-leaning magazine called New Frontiersman, seemingly undoes everything Veidt tried to achieve. At least, we hope subsequent episodes will offer concrete details as to why the paradise the heroes agreed to did not stick. But at the moment, we can infer that the magazine published Rorschach’s journal and made Veidt the enemy of the world (note the newspaper reporting Veidt’s death as “confirmed”). It also, presumably, made Rorschach himself something of a hero among New Frontiersman‘s readership and, across the decades, he became a central figure of white separatist movements as he was white himself and espoused a certain type of moral purity often popular among extremists — the very one the Seventh Kavalry quote from his journal in their video to the Tulsa police.

Rorschach would not necessarily have aligned with the Seventh K during his lifetime — though, we admit, he espoused a lot of their ideas — making it a curious legacy for the character. Again, nothing is black and white in the Watchmen comic, but passing decades have a habit of flattening notable people to a handful of key details and the nuance of Rorschach’s life disappears as he becomes part of the Seventh Kavalry’s mythology. The only thing black-and-white about the representation is the character’s mask, which here has transformed into that group’s most powerful symbol.


Squid Storms

Jeremy Irons in Watchmen. photo: Colin Hutton/HBO

(Photo by Colin Hutton/HBO)

The squid looms large in Watchmen history and is the key omission from the 2009 film adaptation. Veidt’s ultimate plan was to unleash an allegedly alien squid on Manhattan, killing all around it and scaring the nations of the world into peace. The creature was the product of the finest minds Veidt could corral – and at least one comic book creator. Until the publication of Rorscach’s journal, the plan worked – as evidenced in the comic’s second-to-last page – but the series introduces unintended consequences, which the book had no interesting in addressing.

Watchmen’s debut episode suggests squid storms occur regularly. Much smaller versions of the original creature rain from the sky and are hazardous enough for cities to invest in warning sirens (a newspaper tells us deaths do sometimes occur during these storms). The way Angela Abar (Regina King) deals with the mess the storm leaves on her car shows they are also an annoyance. It may be the program’s best usage of the time gap between the original comic book series and the modern television show, as time has turned Veidt’s attempted legacy into an occasional moment of inclement weather.

Of course, the Lord of a Country Estate’s (Jeremy Irons) squid-themed anniversary cake suggests Adrian Veidt may have another legacy in the works for the world.

One has to wonder if that new legacy will tempt Dr. Manhattan back from Mars. When we last saw him in the comic book, he was unwilling to tell Veidt if the terror he unleashed on New York was worth it in the end. Instead, Manhattan merely says “Nothing ever ends.” He also mentions leaving Earth’s corner of the universe for some place else, but as the first episode reveals, he may have spent the last few decades making sandcastles on the red planet. Will he finally have an answer to Veidt’s question?


Police-Issue Archies

Watchmen, season 1 Regina King. Andrew Howard. Photo: Mark Hill.

(Photo by Mark Hill)

With all that background world building in place, the first episode of Watchmen devotes most of its run-time to its real premise: in 2019 of the Watchmen world, cops dress like superheroes to protect their identities. Angela is known as Sister Night, a Tulsa PD detective who works with Looking Glass (Tim Blake Nelson), Red Scare (Andrew Howard), and the curiously-named Pirate Jenny (Jessica Camacho). They are all distinctive (though rank-and-file offers remain in customary police blues augmented with Watchmen yellow half-masks), suggesting detectives on the Tulsa police force have a major say in their costumes. It also suggests Red Scare did not put a lot of money or effort into his persona.

But will all the eye-catching looks, it may have been easy to miss the coffee cup Angela drank from while talking to police chief Judd Crawford (Don Johnson). It had an owl-design which will tip off any and all Watchmen readers that Dan Dreiberg, aka Night Owl II, may have had something to do with Tulsa’s implementation of masks in law enforcement. When we last see him in the comic book, he is one of the few to seemingly thrive in the paradise Veidt tried to create. Is it possible he survived the tumult after Rorschach’s journal went public to become this world’s version of a tech giant?


RELATED: What Critics Are Saying About Watchmen


The fact the police use a vehicle very similar to his flying Owlship suggests he or his decedents are profiting from the current climate. Although, it may just be evidence of Crawford’s abiding love for all things Nite Owl — he also had a copy of Nite Owl I’s autobiography on his desk.

But should it turn out that Dan supports or supported police departments after 1986, it also reflects one of the major differences between Watchmen’s world and our own: the lack of the internet. Though not a major idea in this first episode, we hope the lack of a near-instantaneous global communication tool factors in as the series progresses.

Or, maybe, the Internet is Veidt’s next attempt at a legacy. Will the Watchmen world be able to handle it?

Watchmen airs Sundays at 9 p.m. on HBO.



Watchmen: Season 1 (2019)
96%

#1
Adjusted Score: -1%
Critics Consensus: Bold and bristling, Watchmen isn't always easy viewing, but by adding new layers of cultural context and a host of complex characters it expertly builds on its source material to create an impressive identity of its own.

Like this? Subscribe to our newsletter and get more features, news, and guides in your inbox every week.

Tag Cloud

TCA Awards adenture directors Unbreakable Kimmy Schmidt Valentine's Day slasher cancelled television science fiction universal monsters hollywood Watching Series documentaries The Arrangement 21st Century Fox Winter TV quibi Black History Month Super Bowl black comic books Freeform ABC Family slashers Biopics dark spy thriller elevated horror cults chucky true crime justice league Walt Disney Pictures Best Director dogs strong female leads Travel Channel spanish language AMC Plus Lifetime Christmas movies revenge summer preview CMT OneApp period drama social media Tomatazos rt labs critics edition Shudder Fargo MGM SXSW 2022 emmy awards ABC Reality Mudbound comic classics GLAAD Best Actor crime Rock Interview Wes Anderson TNT Stephen King dramedy aliens Chernobyl IFC live action The Walt Disney Company Food Network 99% werewolf Spectrum Originals Marvel Studios romance Image Comics high school Britbox blockbuster SDCC Mystery sag awards CBS All Access Heroines scary movies Arrowverse scene in color binge 79th Golden Globes Awards based on movie comedies E! hidden camera sitcom political drama trophy spinoff TCA Hallmark Christmas movies Tokyo Olympics all-time godzilla renewed TV shows target marvel cinematic universe Western black comedy Calendar LGBTQ dexter video Broadway disaster Epix witnail BET Star Wars ABC Signature ID cancelled TV shows obituary golden globes jurassic park IFC Films debate Nickelodeon rt labs TruTV Marvel free movies Musicals Neflix mcc anthology south america travel game show Lifetime Awards The Walking Dead 2018 legend Animation GoT HBO Go australia Showtime nbcuniversal 72 Emmy Awards heist movie Superheroe versus Trivia saw Fox News Bravo Pacific Islander 71st Emmy Awards Tumblr comic book movies trailers Fox Searchlight Awards Tour cancelled TV series golden globe awards lord of the rings Thanksgiving A&E football NBA Universal Pictures dceu DirecTV Country RT21 HBO adaptation french doctor who jamie lee curtis First Reviews GIFs Drama art house Oscars TIFF romantic comedy FXX San Diego Comic-Con finale singing competition kids Creative Arts Emmys Paramount criterion book adaptation APB series canceled Funimation Disney Plus franchise young adult 73rd Emmy Awards Podcast 24 frames Superheroes Turner History cancelled MTV discovery screen actors guild biography 93rd Oscars award winner Premiere Dates Rom-Com Crackle First Look Photos Rocky serial killer king arthur prank Adult Swim theme song Character Guide American Society of Cinematographers nature zombies Comic Book 2015 PBS Exclusive Video The Witch scary telelvision satire cats X-Men TLC documentary new star wars movies RT History new zealand diversity wonder woman Reality Competition cooking remakes 78th Annual Golden Globe Awards teaser Music President space Disney Amazon toronto game of thrones Television Academy Focus Features Disney streaming service deadpool Paramount Pictures 94th Oscars Universal Chilling Adventures of Sabrina Holidays BET Awards news vs. sequels Marathons Disney+ Disney Plus comic book movie Tubi biopic Grammys Year in Review green book Marvel Television mob hispanic heritage month FX on Hulu Captain marvel Brie Larson streaming Women's History Month rt archives Esquire nfl cars Writers Guild of America summer TV preview Cartoon Network CW Seed Peacock hist historical drama Sony Infographic foreign child's play Netflix Christmas movies Polls and Games Hallmark Disney Channel Netflix WarnerMedia japan dragons USA asian-american Horror NBC Elton John festival cops ITV Turner Classic Movies CBS PaleyFest popular Amazon Studios FX TV Land 20th Century Fox BBC One rom-coms Opinion interviews mockumentary robots Instagram Live Extras mission: impossible Masterpiece Dark Horse Comics live event Columbia Pictures laika VH1 Comedy james bond streamig streaming movies Endgame Television Critics Association movies christmas movies Legendary ratings pirates of the caribbean aapi razzies Tarantino 2020 Red Carpet Prime Video Mary poppins Apple marvel comics ViacomCBS Mary Tyler Moore Emmys psychological thriller Election talk show comics Fantasy Hear Us Out women TCM dreamworks Comedy Central 2016 Paramount Network The Academy YA gangster Sundance Now Apple TV Plus posters HFPA parents Musical Comics on TV Best and Worst Amazon Prime Video Shondaland Sundance TV latino Lionsgate hispanic Toys joker Kids & Family spain adventure DC Universe 2019 4/20 Nat Geo Logo 45 ghosts OWN Song of Ice and Fire South by Southwest Film Festival TCA Winter 2020 CNN YouTube miniseries TV Pirates Crunchyroll DC streaming service 2017 Discovery Channel politics japanese IMDb TV tv talk fast and furious Mary Poppins Returns scorecard ESPN Teen YouTube Premium twilight Martial Arts breaking bad psycho Schedule Cannes independent boxoffice DGA BBC Holiday WGN festivals National Geographic TBS Amazon Prime casting stoner superhero medical drama halloween tv worst movies Pop TV indie blaxploitation zombie batman toy story kong Alien Best Picture HBO Max suspense stop motion animated crossover technology VICE name the review transformers basketball Family SXSW VOD BBC America Baby Yoda anime what to watch Hollywood Foreign Press Association Spike sports Avengers critic resources See It Skip It El Rey DC Comics concert NYCC police drama television FOX sequel broadcast video on demand TCA 2017 indiana jones MCU venice Star Trek natural history Video Games leaderboard TV One The CW richard e. Grant Classic Film AMC films Film Sundance 2021 blockbusters monster movies archives Summer screenings Sony Pictures PlayStation Ghostbusters Countdown reboot Best Actress Fall TV king kong Set visit spider-verse Ellie Kemper cinemax Winners die hard crime drama Tags: Comedy Comic-Con@Home 2021 Mindy Kaling The Purge children's TV Ovation international unscripted Trophy Talk Oscar Syfy best 1990s Pop fresh New York Comic Con Spring TV Lucasfilm action-comedy Sci-Fi dc LGBT reviews thriller Cosplay SundanceTV a nightmare on elm street rotten Nominations harry potter Warner Bros. Vudu Pride Month Black Mirror feel good Binge Guide Hulu Quiz Sneak Peek stand-up comedy Action cartoon genre BAFTA new york MSNBC movie crime thriller Trailer 007 canceled TV shows Box Office book spider-man docuseries docudrama facebook halloween YouTube Red Rocketman comiccon Starz critics vampires Film Festival Academy Awards TV movies kaiju A24 zero dark thirty olympics boxing Pet Sematary Acorn TV composers obi wan worst Apple TV+ sopranos mutant USA Network spanish Pixar Emmy Nominations rotten movies we love Anna Paquin Certified Fresh Christmas summer TV TV renewals superman italian 90s know your critic supernatural E3 Paramount Plus Star Wars Celebration royal family war