Know Your Critic

Know Your Critic: Rolling Stone Senior Editor David Fear

Fear talks screening and reviewing habits, all-time favorites, and what movie he thinks best represents the 2010s.

by | January 17, 2020 | Comments

(Photo by Paramount Vantage, 20th Century Fox, Universal Pictures)

“Know Your Critic” is a new column in which we interview Tomatometer-approved critics about their screening and reviewing habits, pet peeves, and personal favorites.

When David Fear moved to New York 16 years ago, he was intending to continue freelance writing and keep his “day job.” Fate had other plans.

He decided to move from California on a Friday, and on the following Monday, a position opened up at entertainment and “things-to-do” magazine, Time Out New York. When it came time for his move across the country, things fell right into place: By the time he got the call for an interview, he could already tell them his new address in the city.

“You can be a film critic anywhere,” he told Rotten Tomatoes, “but there really is something about being in New York and being at the Film Forum, seeing a recently restored version or our print of Army of Shadows that you really just kind of feel like, Oh, I’m in Film Nerd Heaven.”

David Fear is now a Senior Editor and critic at Rolling Stone, and the former Film Editor of Time Out New York.


What’s your personal record for most movies seen in a day?

When I was younger and much, much more full of piss and vinegar, I think I did a six-film day at Sundance once. It might have been my first or second Sundance back in 2004, 2005. I don’t recommend it.

If you ate six meals in a day, they could be the greatest meals in the world. They could be five-star chef meals. But you’ve stopped tasting it after a while and it just becomes shoveling food into your mouth and going, “Oh my God, when is this going to end?”

I found that when I would start doing more than three, maybe four movies a day at a festival, I would stop tasting the food.

Do you prefer 3-D or non–3-D screenings?

Do you even have to ask that? I’ve actually gone out of my way to see to 2-D screenings because, here’s the thing, with very rare exceptions, there’s only really three movies that you absolutely, positively need to see in 3-D.

There’s really no point to seeing Avatar unless you’re seeing it in 3-D. It’s a bad movie, but how he uses 3-D to really immerse you in a bad movie that he’s made is remarkably impressive.

Are you pro– or anti–note-taking?

I don’t understand how you can do this gig and not take notes. If you’re really serious about potentially wanting to do this, practice writing stuff in a notebook without looking at your notebook. I’m very, very pro-note taking – so long as it’s not with one of those light pens. Man, f–k those light pens.

You’re sitting down to write. Would you prefer a shot of espresso or alcohol? What’s your spirit of choice?

Espresso for writing and then bourbon for transcribing. It makes the activity of transcribing so much less painful.


(Photo by Paramount Vantage)

What’s the hardest review you’ve ever written?

If I still had a chance to work on and revise my There Will Be Blood review, I would still be doing it. Not only because it’s just one of my favorite films ever, but there’s so much going on and it’s such a slippery film for me to try and really grasp and write about in a way that feels articulate and as close to complete as possible.

I still have nightmares about writing that review and really feeling like I hadn’t quite gotten it yet. Not that I hadn’t got the movie – I knew exactly how I felt about the movie – but to try and translate that into a piece, and explain why I think it’s one of the great artworks of the 21st century to date was… I still have nightmares about it.

Someone that everyone should follow on Twitter?

I’m biased because I know him, but Justin Chang [of the Los Angeles Times]. To my money, there’s just not a better film critic working today than Justin. You should follow him on Twitter for the puns – not just the fact that he’s one of the smartest, funniest film writers today, but he is like a God-level pun maker. His punny games, his punny business is just absolutely insane.

Up-and-coming critic that you think people should read?

There are two young critics that I hope people are paying attention to.

I hope people are reading Kameron Austin Collins, he’s one of the film critics for Vanity Fair. I ended up meeting him and found out he was only in late 20s. I was just like, “Oh my God. If you’re writing at this level in your late 20s, you’re going to be a f–king monster in the next 10 years.”

I would say the same about Monica Castillo. She’s all over the place byline-wise, but she’s one of those people I feel she’s maturing really beautifully as a writer.


(Photo by Paramount Pictures)

Do you have a favorite classic film?

I could watch The Lady Eve every single day for the rest of my life and never get tired of it. There are a handful of films that I feel are as close to perfect as humanly possible, and The Lady Eve is one of them.

It’s such a cliché answer, but I’ve probably seen The Godfather close to a hundred times and that’s barely an exaggeration. Between that and the second Godfather film, I almost feel like I can quote most of them off the top of my head.

Is that the movie you’ve watched more than any other?

Yeah, that would have to be it. There’s a couple of movies that I’ve definitely gotten into the double digits with. I’ve seen Dazed and Confused a lot because it’s a comfort movie. I can sink into that movie.

Is there an actor, director, or screenwriter whose work you always love?

The closest thing I would say I have to a favorite filmmaker – and take that phrase with a huge grain of salt – would be Yasujirō Ozu. I feel the movies he makes were reverse-engineered for me.


Star Wars: Episode IV - A New Hope, 1977 (20th Century Fox Film Corp.)
(Photo by 20th Century Fox)

Do you have a favorite movie from your childhood?

I remember seeing Monty Python and the Holy Grail on PBS one night… I watched that constantly as a kid. You know when you found something that’s your sense of humor?

And then, because I’m a child of the ‘70s, Star Wars. My parents actually took me out of school to go see a matinee of it the first week that it was open. I had no idea what I was going into and as a six-year-old kid and then walked out of it a changed human being.

Is there anything that you consider “required viewing”?

Yeah. Actually, I think it’s out of print now… Visions of Light. It’s a documentary about cinematography and covers the gamut, talks a lot about cinematographers in the ’30s and ’40s, talks a lot about the new Hollywood guys, talks a lot about British cinematographers. It really is this incredible primer that not only is just a beautiful film, obviously, because it’s talking about people who’ve shot movies beautifully. It’s an extraordinary gateway drug.


(Photo by Universal Pictures)

You recently wrote a piece on the 20-year resonance of Fight Club. I’m wondering if there’s a movie released this decade that you think in 10 or 20 years we’re going to look back and think, “That was the 2010s.”

If I had to be honest, I think the movie would be Get Out. It feels like it’s very much a movie for the end of the Obama era and very, very much a movie for the beginning of the Trump era. Never mind that it’s also a really great move and it’s a movie that keeps giving the more you see it, and it’s so beautifully constructed. It works well as a horror film, works well as a satire, works well as social commentary, and worked well as a personal expression of the sensibility of the person who made it.

What’s the biggest misconception you hear about critics?

That we hate movies. It’s really the opposite. I think a lot of us love the art form enough that when we see it used badly, we feel we need to call it out. I don’t trust the critic that doesn’t live, breathe, eat, and s–t movies.

What are you most proud of in your career so far?

As an editor, I’m not a religious person but, I think blessed is really the only word I can think of… When I get something from a good writer and think like, “Oh, this is good but there’s a great piece in here. Let’s find this great piece.”

In a way, it’s like you’re not the mother, you’re the midwife – being able to help a really beautiful baby be born into the world by trying to be a good editor. Getting back a second, or a third, or sometimes a fourth draft and finally having the moment where you’re like, “Yes! Holy s–t! You found it.”


David Fear is a Senior Editor and critic at Rolling Stone. Find him on Twitter: @davidlfear.

Tag Cloud

Tubi discovery travel award winner movie Comedy Central ghosts anthology FOX Mary poppins video dceu Schedule The Witch green book Anna Paquin dc Red Carpet spanish language halloween Apple TV+ APB Nickelodeon toy story Rocketman diversity spy thriller ABC Family blaxploitation Opinion Mindy Kaling social media based on movie disaster cancelled quibi Spectrum Originals History tv talk medical drama Valentine's Day Election boxoffice TruTV blockbuster LGBT Turner Classic Movies science fiction cancelled television crime Travel Channel Fox News Endgame Lucasfilm robots BBC Rocky movies psychological thriller Sony Pictures Ovation Extras Character Guide The CW Christmas Nominations Captain marvel Netflix First Reviews Reality zombie Baby Yoda Premiere Dates Hallmark Christmas movies Sundance TV police drama Ellie Kemper Film Festival CBS Warner Bros. Columbia Pictures indie theme song reviews Britbox psycho anime DC streaming service 20th Century Fox TV renewals TCA 2017 Walt Disney Pictures doctor who cops 2016 Podcast Discovery Channel elevated horror television nature children's TV joker comics strong female leads Classic Film DC Universe natural history facebook SXSW sag awards Women's History Month Mary Tyler Moore Film witnail Emmys supernatural scary movies teaser Crackle SundanceTV 2018 Lifetime Hulu Shudder MSNBC Rock Reality Competition Quiz screenings romance RT21 cults Bravo talk show zombies Musicals SDCC TIFF Mystery composers Heroines finale Mudbound Binge Guide Cosplay spider-man RT History Universal VICE serial killer spinoff crime thriller HBO Max Holiday TCM sequel hispanic X-Men 2020 Paramount Network 2017 Awards Cartoon Network Comedy Marvel Television canceled Kids & Family Brie Larson Mary Poppins Returns Music 21st Century Fox AMC Disney+ Disney Plus USA Network franchise FX on Hulu E3 Pride Month Set visit Pirates TCA Winter 2020 A&E technology richard e. Grant LGBTQ mutant Food Network IFC Photos Arrowverse Turner 24 frames 007 45 Creative Arts Emmys Marathons Western Tomatazos Rom-Com ITV Hallmark Syfy TV Land GoT foreign American Society of Cinematographers Animation Black History Month OWN space harry potter Fantasy Pixar Video Games Emmy Nominations Academy Awards Tarantino name the review Superheroe reboot 2015 TNT game of thrones CMT free movies Lifetime Christmas movies YouTube Premium ESPN Nat Geo El Rey BBC America war Disney Chernobyl Summer YouTube Sundance Freeform singing competition period drama E! game show cinemax Funimation Box Office rotten movies we love book renewed TV shows Country Pop TV jamie lee curtis vampires HBO what to watch Dark Horse Comics Super Bowl cars Showtime Sci-Fi President 2019 ABC FXX First Look crossover PBS Unbreakable Kimmy Schmidt TV See It Skip It Amazon Prime hist Amazon Prime Video casting docudrama Shondaland New York Comic Con unscripted Superheroes Best and Worst spain Starz series Black Mirror TLC stand-up comedy Winter TV Crunchyroll Chilling Adventures of Sabrina Grammys Trophy Talk documentary Pet Sematary thriller FX aliens Elton John justice league Avengers cancelled TV shows Masterpiece werewolf slashers CW Seed true crime Pop Trivia versus Stephen King Vudu Martial Arts Action DC Comics Family mockumentary MCU Biopics latino Spike Calendar Amazon BET south america PaleyFest batman Infographic Tumblr directors A24 San Diego Comic-Con Winners Comic Book MTV National Geographic Sundance Now Television Academy The Purge Writers Guild of America Holidays golden globes dramedy cartoon dogs YA Marvel romantic comedy Star Trek comic binge USA miniseries festivals CBS All Access streaming Thanksgiving Sneak Peek Drama cancelled TV series Acorn TV independent Apple TV Plus transformers zero dark thirty sports universal monsters kids NYCC politics Interview Teen cats political drama Logo Paramount 71st Emmy Awards Esquire Watching Series TBS cooking Trailer Horror christmas movies revenge comiccon Certified Fresh Cannes Awards Tour VH1 sitcom Disney Plus Netflix Christmas movies NBC GIFs The Walking Dead canceled TV shows Adult Swim Peacock Epix Musical Polls and Games CNN WarnerMedia Disney Channel GLAAD Toys Disney streaming service YouTube Red Oscars WGN Song of Ice and Fire Fall TV DGA biography Marvel Studios crime drama IFC Films Comics on TV Year in Review dragons DirecTV animated Apple adventure Ghostbusters Spring TV Lionsgate Amazon Studios Countdown breaking bad screen actors guild ratings The Arrangement OneApp Star Wars adaptation historical drama TCA