Critics Consensus

Despite Visual Flash, Pixels Isn't Worth Your Quarters

Plus, Paper Towns is thin but likeable; Southpaw is so-so despite Jake Gyllenhaal's astonishing performance; and The Jim Gaffigan Show is Certified Fresh.

by | July 23, 2015 | Comments

This week at the movies, we’ve got video game invaders (Pixels, starring Adam Sandler and Kevin James), teenage mystery buffs (Paper Towns, starring Nat Wolff and Cara Delevingne), and a down-and-out pugilist (Southpaw, starring Jake Gyllenhaal and Rachel McAdams). What do the critics have to say?


Pixels (2015) 18%

At first glance, Pixels sports more ambition than your typical Adam Sandler vehicle, blending the plot of Ghostbusters with beloved characters from 1980s video games. Unfortunately, critics say that while the film has moments of visual invention, it’s ultimately undermined by a slack narrative and a lack of comic momentum. Back in the 1980s, Sam (Sandler) and his buds were masters of the arcade. But when a race of aliens mistake Pac-Man, Donkey Kong, and the like for a threat — and reverse-engineer said icons for destructive purposes — its up to our slacker heroes to save the day. The critics say Pixels contains a few good ideas, but it never quite coalesces into anything other than a middling special effects blockbuster with a few passable gags.

Paper Towns (2015) 58%

The Fault In Our Stars scored big last summer so now we’re treated to Paper Towns, the second in what’s sure to be a long line of films adapted from John Green’s young adult novels. Critics say it’s a mild success — its familiar story and relatively thin characters are elevated by witty dialogue and strong performances. Quentin (Nat Wolff) has harbored a lifelong crush on his next-door neighbor Margo (Cara Delevingne), who enlists him for a series of late-night pranks. But when Margo disappears suddenly, she leaves a series of clues for Quentin to decipher, which culminate in a life-changing road trip. The pundits say Paper Towns is a likeable wisp of a film, one that’s melancholy and well-intentioned without being particularly profound.

Southpaw (2015) 60%

Can great acting transcend a so-so movie? Critics say Jake Gyllenhaal’s muscular, committed performance is easily the best thing about Southpaw, an otherwise routine portrait of a troubled prizefighter that goes the distance without landing a knockout blow. Gyllenhaal stars as Billy Hope, a boxing champ who’s blindsided by personal tragedy, losing his title and his family in the process. But with the help of a committed trainer, Billy seeks redemption in the ring. The pundits say Southpaw is mostly made up of rags-to-riches sports movie cliches, but  Gyllenhaal is so good that he almost makes it a contender.

What’s Hot On TV:

The Jim Gaffigan Show: Season 1 (2015) 80%

The Jim Gaffigan Show benefits from an abundantly likable star in a setting that, albeit familiar, adds a new, natural energy to the standard struggling-dad-sitcom genre.

BoJack Horseman: Season 2 (2015) 100%

Bojack Horseman truly comes into its own during season two, maturing into an ambitious comedy that sensitively blends wackiness with dark, nuanced drama.

Also Opening This Week In Limited Release

  • Horse Money (2014)Pedro Costa‘s drama about an elderly Lisbon resident haunted by his past, is at 100 percent.
  • Phoenix (2014) , a drama about a Holocaust survivor who finds herself ensnared within postwar Berlin’s demimonde, is Certified Fresh at 98 percent.
  • The Amina Profile (2015) , a documentary about a mysterious blogger who purported to file dispatches from within war-torn Syria, is at 91 percent.
  • The Outrageous Sophie Tucker (2014) , a documentary portrait of the bawdy singer and comedian, is at 83 percent.
  • Unexpected (2015) , starring Cobie Smulders in a dramedy about a high school teacher and a student who bond over their unplanned pregnancies, is at 67 percent.
  • Samba (2014) , starring Omar Sy and Charlotte Gainsbourg in a romantic dramedy about an immigrant’s rights advocate who falls for a Senegalese kitechen worker, is at 59 percent.
  • The Young Kieslowski (2014) , a comedy about two mismatched college students who find themselves parents-to-be, is at 50 percent.
  • Dark Was the Night (2014) , a horror film about an isolated town that’s bedeviled by a shadowy creature in the surrounding woods, is at 40 percent.
  • () , starring Michael Peña and Djimon Hounsou in a supernatural horror film about a woman whose demonic possession is serious enough to attract the attention of the Holy See, is at 29 percent.
  • American Heist (2014) , starring Adrien Brody and Hayden Christensen in a thriller about an ex-con who forces his younger brother to participate in a daring bank robbery, is at 25 percent.
  • Big Significant Things (2014) , a dramedy about a twentysomething who uses a road trip as an excuse to put off making any big life decisions, is at 22 percent.
  • Frank the Bastard (2013) , starring Rachel Miner and William Sadler in a horror film about a young woman who discovers terrifying secrets lurking in her hometown, is at zero percent.

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